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Author: Sanjeev Prasad Srivastava
Publisher: Abhinav Publications
ISBN: 8170173868
Category : Art
Languages : en
Pages : 224
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Book Description
Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
Author: Sanjeev Prasad Srivastava
Publisher: Abhinav Publications
ISBN: 8170173868
Category : Art
Languages : en
Pages : 224
Get Book Here
Book Description
Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
Author: Milo Cleveland Beach
Publisher: Mapin
ISBN: 9781935677161
Category : Art
Languages : en
Pages : 232
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Book Description
Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India's cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. He adds many of the outstanding works that entered the collection with the opening of the Arthur M. Sackler Gallery in 1987. Together, the Freer and Sackler Galleries, the Smithsonian's museums of Asian art, have the distinction of being one of the world's leading repositories of Mughal art. An introductory essay examines the Mughal art of the book and traces the contributions of a succession of rulers in Muslim India. Brief artist biographies and an extensive bibliography complete this updated volume.
Author: Som Prakash Verma
Publisher: Routledge India
ISBN: 9780429320101
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
This volume depicts the life and times of the Mughal emperor Jahangir in the light of his memoirs, Jahangirnama, popularly known as Tuzuk-i Jahangiri. With its fresh treatment of source material and a vivid account of historical events, the book tells the history of Jahangir's India through his intimate and confessional memoirs incorporated in the genre of Mughal manuscript painting. The work is noteworthy for its historical portraits as well as Jahangir's visual realism, his remarkable knowledge of natural history, and the perceptive and detailed descriptions of the world around him. Moving away from conventional historical writing, the book is a psychological study of an individual, his innate qualities, behavioural moves and instinctive affinities. Jahangir's memoirs reveal deeper facets of him as a person as well as a poet, aesthete, connoisseur of painting and a keen observer of nature, both human and that of the natural world. The author also includes other contemporary literature of the period that narrate Jahangir's life, such as Akbarnama, Ma'asir-i Jahangiri, Iqbalnama-i Jahangiri, Intikhab-i Jahangiri, Tatimma-i Waqi'at-i Jahangiri and Zakhirat-ul Khwanin, as well as Jesuits accounts and travelogues. He further analyses the influence of European Renaissance art on the history of Mughal paintings. A first of its kind, this book will greatly interest scholars and researchers of medieval history, Indian history, Mughal history, art history, popular culture and South Asian studies, as well as the general reader.
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
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Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: Stuart Cary Welch
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320
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Book Description
Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588394301
Category : Painters
Languages : en
Pages : 226
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Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Author: Parvati Sharma
Publisher:
ISBN: 9789353450953
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Jahangir was perhaps the most fascinating, and most underestimated, of the Mughal emperors. This compelling, beautifully written biography reveals him to be more than just a great lover of art and nature, ruling alongside his powerful wife nurjahan -
Author: Ruby Lal
Publisher: W. W. Norton & Company
ISBN: 0393635406
Category : Biography & Autobiography
Languages : en
Pages : 278
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Book Description
Finalist for the 2018 Los Angeles Times Book Prize in History "A luminous biography." —Rafia Zakaria, Guardian Four centuries ago, a Muslim woman ruled an empire. Nur Jahan, daughter of a Persian noble and widow of a subversive official, became the twentieth and most cherished wife of the Emperor Jahangir. Nur ruled the vast Mughal Empire alongside her husband, leading troops into battle, signing imperial orders, and astutely handling matters of the state. Acclaimed historian Ruby Lal uncovers the rich life and world of Nur Jahan, rescuing this dazzling figure from patriarchal and Orientalist clichés of romance and intrigue, and giving new insight into the lives of women and girls in the Mughal Empire. In Empress, Nur Jahan finally receives her due in a deeply researched and evocative biography that awakens us to a fascinating history.
Author: Crispin Branfoot
Publisher: Bloomsbury Publishing
ISBN: 1838608966
Category : History
Languages : en
Pages : 512
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Book Description
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.
Author: Mika Natif
Publisher: BRILL
ISBN: 900437499X
Category : History
Languages : en
Pages : 332
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Book Description
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
