Jacques Offenbach and the Paris of His Time

Jacques Offenbach and the Paris of His Time PDF Author: Siegfried Kracauer
Publisher:
ISBN: 9781890951313
Category : Biography & Autobiography
Languages : en
Pages : 418

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Book Description
A biography of composer Jacques Offenbach that is also a social and cultural history of Second Empire Paris. Siegfried Kracauer's biography of the composer Jacques Offenbach is a remarkable work of social and cultural history. First published in German in 1937 and in English translation in 1938, the book uses the life and work of Offenbach as a focal point for a broad and penetrating portrayal of Second Empire Paris. Offenbach's immensely popular operettas have long been seen as part of the larger historical amnesia and escapism that pervaded Paris in the aftermath of 1848. But Kracauer insists that Offenbach's productions must be understood as more than glittering distractions. The fantasy realms of such operettas as La Belle Hélène were as one with the unreality of Napoleon III's imperial masquerade, but they also made a mockery of the pomp and pretense surrounding the apparatuses of power. At the same time, Offenbach's dreamworlds were embedded with a layer of utopian content that can be seen as an indictment of the fraudulence and corruption of the times. This edition includes Kracauer's preface to the original German edition as well as a critical foreword by Gertrud Koch.

Jacques Offenbach and the Paris of His Time

Jacques Offenbach and the Paris of His Time PDF Author: Siegfried Kracauer
Publisher:
ISBN: 9781890951313
Category : Biography & Autobiography
Languages : en
Pages : 418

Get Book Here

Book Description
A biography of composer Jacques Offenbach that is also a social and cultural history of Second Empire Paris. Siegfried Kracauer's biography of the composer Jacques Offenbach is a remarkable work of social and cultural history. First published in German in 1937 and in English translation in 1938, the book uses the life and work of Offenbach as a focal point for a broad and penetrating portrayal of Second Empire Paris. Offenbach's immensely popular operettas have long been seen as part of the larger historical amnesia and escapism that pervaded Paris in the aftermath of 1848. But Kracauer insists that Offenbach's productions must be understood as more than glittering distractions. The fantasy realms of such operettas as La Belle Hélène were as one with the unreality of Napoleon III's imperial masquerade, but they also made a mockery of the pomp and pretense surrounding the apparatuses of power. At the same time, Offenbach's dreamworlds were embedded with a layer of utopian content that can be seen as an indictment of the fraudulence and corruption of the times. This edition includes Kracauer's preface to the original German edition as well as a critical foreword by Gertrud Koch.

Jacques Offenbach and the Making of Modern Culture

Jacques Offenbach and the Making of Modern Culture PDF Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 1108326242
Category : Music
Languages : en
Pages : 371

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Book Description
Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualized view of life which audiences found liberating, both personally and socially. In the theatre, the composer also inspired cutting-edge innovations in stagecraft and design, and in this book, he is recognized as a major cultural influence, with an extensive impact on the spheres of literature, art, film, and even politics. Senelick argues that Offenbach's importance spread far beyond France, and that his provocative and entertaining works, often seen as being more style than substance, influenced numerous key artists, writers, and thinkers, and made a major contribution to the development of modern society.

Orpheus in Paris; Offenbach and the Paris of His Time

Orpheus in Paris; Offenbach and the Paris of His Time PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 373

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Cancan and Barcarolle

Cancan and Barcarolle PDF Author: Arthur Moss
Publisher: Greenwood
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 288

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Offenbach

Offenbach PDF Author: Peter Gammond
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 176

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Jacques Offenbach und das Paris seiner Zeit

Jacques Offenbach und das Paris seiner Zeit PDF Author: Siegfried Kracauer
Publisher: London : Constable
ISBN:
Category : Composers
Languages : en
Pages : 351

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Jacques Offenbach

Jacques Offenbach PDF Author: Richard Northcott
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 68

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Book Description


Ornaments of the Metropolis

Ornaments of the Metropolis PDF Author: Henrik Reeh
Publisher: MIT Press
ISBN: 0262681633
Category : Architecture
Languages : en
Pages : 261

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Book Description
Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropraite urban life. For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In Ornaments of the Metropolis, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel Ginster, Written by Himself, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection Streets of Berlin and Elsewhere, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, Jacques Offenbach and the Paris of His Time shows how the superficial—in a sense, ornamental—milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.

Offenbach in America

Offenbach in America PDF Author: Jacques Offenbach
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 236

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Book Description


Opera in Paris from the Empire to the Commune

Opera in Paris from the Empire to the Commune PDF Author: Mark Everist
Publisher: Routledge
ISBN: 1351661019
Category : Music
Languages : en
Pages : 511

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Book Description
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.