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Author: Edward Bryant
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
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Book Description
Author: Edward Bryant
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
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Book Description
Author: University of California, Santa Barbara. Art Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Author: Third Eye Centre
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 66
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Book Description
Author: Jack Tworkov
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 56
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Book Description
Author: Museum of Modern Art (New York, N.Y.). International Program
Publisher:
ISBN:
Category : Abstract expressionism
Languages : en
Pages : 108
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 3
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Author: Jack Tworkov
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Author: Jack Tworkov
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 60
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Author: Richard Armstrong
Publisher: Pennsylvania Academy of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 176
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Book Description
A catalogue retrospective of Jack Tworkov's paintings.
Author: Christa Noel Robbins
Publisher: University of Chicago Press
ISBN: 022675300X
Category : Art
Languages : en
Pages : 236
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Book Description
With Artist as Author, Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the “New York School” as it was consolidated in the 1950s and “Post Painterly Abstraction” in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.
