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Author: James Westbrook
Publisher: Rowman & Littlefield
ISBN: 1493079336
Category : Music
Languages : en
Pages : 311
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Book Description
Inventing the American Guitar is the first book to describe the early history of American guitar design in detail. It tells the story of how a European instrument was transformed into one with all of the design and construction features that define the iconic American flat-top guitar. This transformation happened within a mere 20 years, a remarkably brief period. The person who dominates this history is C. F. Martin Sr., America's first major guitar maker and the founder of the Martin Guitar Company, which continues to produce outstanding flat-top guitars today. After emigrating from his native Saxony to New York in 1833, Martin quickly established a guitar making business, producing instruments modeled after those of his mentor, Johann Stauffer of Vienna. By the time he moved his family and business to rural Pennsylvania in 1839, Martin had absorbed and integrated the influence of Spanish guitars he had seen and heard in New York. In Pennsylvania, he evolved further, inventing a uniquely American guitar that was fully developed before the outbreak of the Civil War. Inventing the American Guitar traces Martin's evolution as a craftsman and entrepreneur and explores the influences and experiments that led to his creation of the American guitar that is recognized and played around the world today. To learn more about the history of the Martin guitar, click here to view the video and article from BBC, How Martin Guitars Became an 'American Stratavarius'.
Author: James Westbrook
Publisher: Rowman & Littlefield
ISBN: 1493079336
Category : Music
Languages : en
Pages : 311
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Book Description
Inventing the American Guitar is the first book to describe the early history of American guitar design in detail. It tells the story of how a European instrument was transformed into one with all of the design and construction features that define the iconic American flat-top guitar. This transformation happened within a mere 20 years, a remarkably brief period. The person who dominates this history is C. F. Martin Sr., America's first major guitar maker and the founder of the Martin Guitar Company, which continues to produce outstanding flat-top guitars today. After emigrating from his native Saxony to New York in 1833, Martin quickly established a guitar making business, producing instruments modeled after those of his mentor, Johann Stauffer of Vienna. By the time he moved his family and business to rural Pennsylvania in 1839, Martin had absorbed and integrated the influence of Spanish guitars he had seen and heard in New York. In Pennsylvania, he evolved further, inventing a uniquely American guitar that was fully developed before the outbreak of the Civil War. Inventing the American Guitar traces Martin's evolution as a craftsman and entrepreneur and explores the influences and experiments that led to his creation of the American guitar that is recognized and played around the world today. To learn more about the history of the Martin guitar, click here to view the video and article from BBC, How Martin Guitars Became an 'American Stratavarius'.
Author: Gerhard Sonnert
Publisher: MIT Press
ISBN: 9780262264662
Category : Technology & Engineering
Languages : en
Pages : 250
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Book Description
A study of two bridges between science and society: governmental science policy and scientists' voluntary public-interest associations. According to a widespread stereotype, scientists occupy an ivory tower, isolated from other parts of society. To some extent this is true, and the resulting freedom to pursue curiosity-driven research has made possible extraordinary scientific advances. The spinoffs of "pure" science, however, have also had powerful impacts on society, and the potential for future impacts is even greater. The public and many policymakers, as well as many researchers, have paid insufficient attention to the mechanisms for interchange between science and society that have developed since World War II. Ivory Bridges examines two such mechanisms: governmental science policy (often involving the participation of "scientist administrators") and scientists' voluntary public-interest associations. The examination of science policy is guided by the notion of "Jeffersonian science"—-defined as basic research on topics identified as being in the national interest. The book illustrates the concept with a historical case study of the Press-Carter Initiative of the late 1970s and proposes that a Jeffersonian approach would make a valuable addition to future science policy. The book also looks at the activities of citizen-scientists who have organized themselves to promote the welfare of society. It shows that their numerous and diverse organizations have made major contributions to the commonweal and that they have helped to prevent science from becoming either too subservient to government or too autonomous. An extensive appendix profiles a wide variety of these organizations.
Author: Minoru Miki
Publisher: University Rochester Press
ISBN: 9781580462730
Category : Music
Languages : en
Pages : 290
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Book Description
The unique sounds of the biwa, shamisen, and other traditional instruments from Japan are heard more and more often in works for the concert hall and opera house. Composing for Japanese Instruments is a practical orchestration/instrumentation manual with contextual and relevant historical information for composers who wish to learn how to compose for traditional Japanese instruments. Widely regarded as the authoritative text on the subject in Japan and China, it contains hundreds of musical examples, diagrams, photographs, and fingering charts, and comes complete with two accompanying compact discs of musical examples. Its author, Minoru Miki, is a composer of international renown and is recognized in Japan as a pioneer in writing for Japanese traditional instruments. The book contains valuable appendices, one of works Miki himself has composed using Japanese traditional instruments, and one of works by other composers -- including Toru Takemitsu and Henry Cowell -- using Japanese traditional instruments. Marty Regan is Assistant Professor of Music at Texas A&M University; Philip Flavin is a Research Fellow in the School of Languages, Cultures and Linguistics at Monash University, Australia.
Author: John Harold Morecroft
Publisher:
ISBN:
Category : Electric currents
Languages : en
Pages : 488
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Book Description
Author: Larry Sandberg
Publisher: Chicago Review Press
ISBN: 1569765855
Category : Music
Languages : en
Pages : 290
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Book Description
This book will help all guitar players make better friends with their present guitar or decide on features to look for in a new one. They will learn about the differences in guitar woods (and how they sound), simple guitar maintenance, how to choose an instrument for their style of playing, what to expect from a music dealer, and the mystique of collectible guitars. This new edition includes more details on amplifying acoustic guitars, and a guide to guitar companies' Web sites.
Author: John Harold Morecroft
Publisher:
ISBN:
Category : Electric currents
Languages : en
Pages : 482
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Book Description
Author: Miyuki Yoshikami
Publisher: McFarland
ISBN: 1476635110
Category : Music
Languages : en
Pages : 252
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Book Description
What makes Japanese music sound Japanese? Each genre of Japan's pre-Western music (hogaku) morphed from the preceding one with singing at its foundation. In ancient Shinto prayers, words of power recited in a prescribed cadence communicated veneration and community needs to the divine spirit (kami). From the prayers, Japan's word-based music evolved into increasingly more sophisticated recitations with biwa, shamisen, and koto accompaniment. This examination reveals shortcomings in the typical interpretation of Japanese music from a pitch-based Western perspective and carefully explores how the quintessential musical elements of singing, instrumental accompaniment, scale, and format were transmitted from their Shinto inception through all of Japan's music. Japan's culture, with its unique iemoto system and teaching methods, served to exactly replicate Japan's music for centuries. Considering Japan's music in the context of its own culture, logic, and sources is essential to gaining a clear understanding and appreciation of Japan's music and dissipating the mystery of the music's "Japaneseness." Greater enjoyment of the music inevitably follows.
Author: Neil Winterton
Publisher: Royal Society of Chemistry
ISBN: 1788019334
Category : Technology & Engineering
Languages : en
Pages : 584
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Book Description
Following the success of the first edition, this fully updated and revised book continues to provide an interdisciplinary introduction to sustainability issues in the context of chemistry and chemical technology. Its prime objective is to equip young chemists (and others) to more fully to appreciate, defend and promote the role that chemistry and its practitioners play in moving towards a society better able to control, manage and ameliorate its impact on the ecosphere. To do this, it is necessary to set the ideas, concepts, achievements and challenges of chemistry and its application in the context of its environmental impact, past, present and future, and of the changes needed to bring about a more sustainable yet equitable world. Progress since 2010 is reflected by the inclusion of the latest research and thinking, selected and discussed to put the advances concisely in a much wider setting – historic, scientific, technological, intellectual and societal. The treatment also examines the complexities and additional challenges arising from public and media attitudes to science and technology and associated controversies and from the difficulties in reconciling environmental protection and global development. While the book stresses the central importance of rigour in the collection and treatment of evidence and reason in decision-making, to ensure that it meets the needs of an extensive community of students, it is broad in scope, rather than deep. It is, therefore, appropriate for a wide audience, including all practising scientists and technologists.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 444
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Book Description
A monthly journal for the musician, the music student, and all music lovers.
Author: Japan. Tetsudōin
Publisher:
ISBN:
Category : Railroad travel
Languages : en
Pages : 652
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Book Description
