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Author: Kate Guthrie
Publisher: Oxford University Press
ISBN: 0197523935
Category : History
Languages : en
Pages : 633
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Book Description
The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes. While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomenon, excavating the kinds of critical writings, marketing practices, and compositional styles with which it was associated. By reanimating a range of musical practices and products--from symphonic concerts to Broadway musicals, opera criticism to rock journalism, and modern jazz to pop-rock--the contributors investigate how artists, critics, and audiences breached the divide from both above and below. In the process, the handbook chapters push the boundaries of middlebrow studies and demonstrate the category's relevance outside of the mid-twentieth-century Anglophone world by delving into the nineteenth century, interrogating the present day, and looking to Germany, Russia, and beyond. The handbook's second aim is to complicate the disciplinary divisions that have flowed from the entrenched oppositions between high and low genres. Breaking new ground by bringing together scholars of classical and popular music, these chapters trace common middlebrow themes across traditional disciplinary boundaries. Across this broad vista, contributors account for the kinds of syntheses, overlaps, and juxtapositions that made the cultural middle such a richly textured and endlessly contested terrain.
Author: Kate Guthrie
Publisher: Oxford University Press
ISBN: 0197523935
Category : History
Languages : en
Pages : 633
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Book Description
The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes. While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomenon, excavating the kinds of critical writings, marketing practices, and compositional styles with which it was associated. By reanimating a range of musical practices and products--from symphonic concerts to Broadway musicals, opera criticism to rock journalism, and modern jazz to pop-rock--the contributors investigate how artists, critics, and audiences breached the divide from both above and below. In the process, the handbook chapters push the boundaries of middlebrow studies and demonstrate the category's relevance outside of the mid-twentieth-century Anglophone world by delving into the nineteenth century, interrogating the present day, and looking to Germany, Russia, and beyond. The handbook's second aim is to complicate the disciplinary divisions that have flowed from the entrenched oppositions between high and low genres. Breaking new ground by bringing together scholars of classical and popular music, these chapters trace common middlebrow themes across traditional disciplinary boundaries. Across this broad vista, contributors account for the kinds of syntheses, overlaps, and juxtapositions that made the cultural middle such a richly textured and endlessly contested terrain.
Author: Christopher Chowrimootoo
Publisher: University of California Press
ISBN: 0520298659
Category : Music
Languages : en
Pages : 244
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Book Description
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
Author: K. Macdonald
Publisher: Springer
ISBN: 1137486775
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book examines the connections evident between the simultaneous emergence of British modernism and middlebrow literary culture from 1880 to the 1930s. The essays illustrate the mutual influences of modernist and middlebrow authors, critics, publishers and magazines.
Author: Juliane Römhild
Publisher: Rowman & Littlefield
ISBN: 1611477042
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
When Elizabeth von Arnim anonymously published her debut Elizabeth and Her German Garden (1898), she became a literary star overnight. The mystery surrounding the identity of this witty aristocratic diarist in her romantic garden kept readers guessing: Who was Elizabeth? A Prussian Princess? The daughter of Queen Victoria? Throughout her long and successful career as one of England’s best satirical novelists, von Arnim never officially revealed her identity. Instead, to her readers and friends she simply became known as “Elizabeth.” From her first book to her capricious autobiography All the Dogs of My Life (1936), throughout her career von Arnim would explore questions of identity and self-representation. And in spite of von Arnim’s love of masquerades and guises, her books include funny and surprisingly personal meditations on the challenges of being a woman writer wrestling with a masculine literary tradition, of taking pride in one’s commercial success while moving in Modernist circles, and of being both a hard-working professional and an elegant hostess. In tracing the conflict between femininity and authorship in von Arnim’s works, this book engages with key literary issues of the time. Von Arnim’s early books offer a witty critique of New Woman fiction. Von Arnim’s self-positioning on the literary market and her relationships with writers like Katherine Mansfield, Henry James, and Virginia Woolf shed light on the relationship between middlebrow and modernist literature. Von Arnim’s complex autobiography, finally, gives a tentative answer to the all-important question: can a writing woman be a lady?
Author: E. Brown
Publisher: Springer
ISBN: 0230354645
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
The literary 'middle ground', once dismissed by academia as insignificant, is the site of powerful anxieties about cultural authority that continue to this day. In short, the middlebrow matters . These essays examine the prejudices and aspirations at work in the 'battle of the brows', and show that cultural value is always relative and situational.
Author: K. Macdonald
Publisher: Springer
ISBN: 0230316573
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
Who was the early twentieth-century masculine middlebrow reader? How did his reading choices respond to his environment? This book looks at British middlebrow writing and reading from the late Victorian period to the 1950s and examines the masculine reader and author, and how they challenged feminine middlebrow and literary modernism.
Author: Lise Jaillant
Publisher: Routledge
ISBN: 1317317777
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
In the 1920s and 1930s the Modern Library series began to bring out cheap editions of modernist works. Jaillant provides a thorough analysis of the series’ mix of highbrow and popular literature and argues that the availability and low cost of modernist works helped to expand modernism's influence as a literary movement.
Author: Richard Taruskin
Publisher: University of California Press
ISBN: 0520344286
Category : Music
Languages : en
Pages : 461
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Book Description
Richard Taruskin’s sweeping collection of essays distills a half century of professional experience, demonstrating an unparalleled insider awareness of relevant debates in all areas of music studies, including historiography and criticism, representation and aesthetics, musical and professional politics, and the sociology of taste. Cursed Questions, invoking a famous catchphrase from Russian intellectual history, grapples with questions that are never finally answered but never go away. The writings gathered here form an intellectual biography that showcases the characteristic wit, provocation, and erudition that readers have come to expect from Taruskin, making it an essential volume for anyone interested in music, politics, and the arts.
Author: B. Driscoll
Publisher: Springer
ISBN: 113740292X
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
The middlebrow is a dominant cultural force in the twenty-first century. This book defines the new literary middlebrow through eight key features: middle class, feminized, reverential, commercial, emotional, recreational, earnest and mediated. Case studies include Oprah's Book Club, the Man Booker Prize and the Harry Potter phenomenon.
Author: Lolette Kuby
Publisher: Walter de Gruyter
ISBN: 3110899299
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
