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Author: Paula Findlen
Publisher: Stanford University Press
ISBN: 0804759049
Category : History
Languages : en
Pages : 505
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Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Author: Paula Findlen
Publisher: Stanford University Press
ISBN: 0804759049
Category : History
Languages : en
Pages : 505
Get Book Here
Book Description
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Author: Tate Gallery
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
This catalogue looks at the Grand Tour, a vital aspect of European civilisation in the age of the Enlightenment, from the point of view of several countries and includes the work of foremost artists of the period.
Author: Mirella Agorni
Publisher: Routledge
ISBN: 1317640632
Category : Language Arts & Disciplines
Languages : en
Pages : 178
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Book Description
Translating Italy in the Eighteenth Century offers a historical analysis of the role played by translation in that complex redefinition of women's writing that was taking place in Britain in the second half of the eighteenth century. It investigates the ways in which women writers managed to appropriate images of Italy and adapt them to their own purposes in a period which covers the 'moral turn' in women's writing in the 1740s and foreshadows the Romantic interest in Italy at the end of the century. A brief survey of translations produced by women in the period 1730-1799 provides an overview of the genres favoured by women translators, such as the moral novel, sentimental play and a type of conduct literature of a distinctively 'proto-feminist' character. Elizabeth Carter's translation of Francesco Algarotti's II Newtonianesimo per le Dame (1739) is one of the best examples of the latter kind of texts. A close reading of the English translation indicates a 'proto-feminist' exploitation of the myth of Italian women's cultural prestige. Another genre increasingly accessible to women, namely travel writing, confirms this female interest in Italy. Female travellers who visited Italy in the second half of the century, such as Hester Piozzi, observed the state of women's education through the lenses provided by Carter. Piozzi's image of Italy, a paradoxical mixture of imagination and realistic observation, became a powerful symbolic source, which enabled the fictional image of a modern, relatively egalitarian British society to take shape.
Author: Reinhard Strohm
Publisher: Brepols Publishers
ISBN:
Category : Music
Languages : en
Pages : 384
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Book Description
On an eighteenth-century map of European culture, Italian musicians would be found almost everywhere. Unlike in earlier ages, they now provided an intrinsic part of the international exchange: no longer exotic birds, but not yet the representatives of a single nation, they helped other Europeans to forget traditional frontiers in music. In this fascinating book, eight specialised music historians investigate several important aspects of the Italian contribution, highlighting local musical practices, the aesthetic of genres, and the larger patterns of musical cultivation and patronage.
Author: Vernon Lee
Publisher:
ISBN:
Category : Italian drama (Comedy)
Languages : en
Pages : 602
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Book Description
Author: Martha Feldman
Publisher: University of Chicago Press
ISBN: 0226044548
Category : Music
Languages : en
Pages : 574
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Book Description
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.
Author: Stefania Buccini
Publisher: Penn State Press
ISBN: 0271041196
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Author: Girolamo Imbruglia
Publisher: Cambridge University Press
ISBN: 0521631661
Category : History
Languages : en
Pages : 218
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Book Description
In 1734 the kingdom of Naples became an independent monarchy, but in 1799 a Jacobin revolution transformed it briefly into a republic. In these few but intense decades of independence all the great problems of the age of the Enlightenment became apparent: attacks on feudalism and on the power of the Catholic Church, the struggle for a modern economy, and aspirations to change the administrative machinery and the judicial system. Yet Naples was also the city visited by Winckelmann and Goethe, the city of Sir William Hamilton, of the study of Pompeii and Herculanum, and of the greatest musicians of the age. This collection of essays addresses a range of issues in the city's political and cultural history, and demonstrates the city's importance in shaping the modern, enlightened culture of Europe.
Author: Lidia De Michelis
Publisher: Cambridge Scholars Publishing
ISBN: 1527535479
Category : History
Languages : en
Pages : 312
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Book Description
This collection addresses Anglo-Italian influences, correspondences and relationships through the lens of an expansive notion of eighteenth-century political history, explored in its fecund dialogue with cultural history. Its multifaceted approach fleshes out the idea of the Enlightenment community of people linking and sharing different forms and structures of knowledge into a comprehensive picture of the Age of Reason. This book probes fields of great relevance for the cultural interpretation of historical experience, and composes a lively, and as yet unexplored, map of an interconnected European world. Anglo-Italian encounters are explored here primarily through the interweaving of political and cultural history, adding a valuable cog to contemporary insight into the cosmopolitan nature of Enlightenment Europe. The essays here range in scope from the public economy and international trade to finance, moral philosophy, the ethics and politics of translation, travel, the cosmopolitan impact of Italian music and taste, and the art of gardening.
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
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Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
