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Author: Floriana Bernardi
Publisher: Rowman & Littlefield
ISBN: 1786600196
Category : Social Science
Languages : en
Pages : 136
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Book Description
When Roberto Saviano published Gomorrah in 2006 he exposed the Camorra, an organized crime network with global reach emanating from Naples. This ground-breaking work became an international best seller, inspired a film, and a new TV series. The author received so many death threats from the Camorra that he remains under police protection. Italy beyond Gomorrah investigates the conditions and modalities by which the huge media phenomenon developed around Roberto Saviano after the publication of Gomorrah and the ways in which this has engendered a political discourse starting from his ‘denuncia’ of the mechanisms of the modern mafia and its bosses. Focusing on Saviano’s disruptive work and the representation of his ‘charismatic body’, redefining the figure and task of the modern intellectual, the book stresses the agency of literature and the relevance of the internet and major social networks in the creation of networks of subjectivities and establishing ethical-political duties which are grounded in a ‘passional communication’ between the writer and his audience, as well as on a micropolitics of affects. Through the interpretation of Saviano’s work it also provides provide a cross sectional insight into Italy in the post-Berlusconi age.
Author: Floriana Bernardi
Publisher: Rowman & Littlefield
ISBN: 1786600196
Category : Social Science
Languages : en
Pages : 136
Get Book Here
Book Description
When Roberto Saviano published Gomorrah in 2006 he exposed the Camorra, an organized crime network with global reach emanating from Naples. This ground-breaking work became an international best seller, inspired a film, and a new TV series. The author received so many death threats from the Camorra that he remains under police protection. Italy beyond Gomorrah investigates the conditions and modalities by which the huge media phenomenon developed around Roberto Saviano after the publication of Gomorrah and the ways in which this has engendered a political discourse starting from his ‘denuncia’ of the mechanisms of the modern mafia and its bosses. Focusing on Saviano’s disruptive work and the representation of his ‘charismatic body’, redefining the figure and task of the modern intellectual, the book stresses the agency of literature and the relevance of the internet and major social networks in the creation of networks of subjectivities and establishing ethical-political duties which are grounded in a ‘passional communication’ between the writer and his audience, as well as on a micropolitics of affects. Through the interpretation of Saviano’s work it also provides provide a cross sectional insight into Italy in the post-Berlusconi age.
Author: Floriana Bernardi
Publisher:
ISBN: 9781786600189
Category : Social Science
Languages : en
Pages : 127
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Book Description
This book offers an innovative interdisciplinary perspective in the study of Roberto Saviano as a media/literary phenomenon. It includes a thorough analysis of Saviano's public personality and production with accurate references to key semiotic and cultural studies notions such as body, agency, audience, empowerment.
Author: Elena Past
Publisher: Indiana University Press
ISBN: 0253039495
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
Ecocriticism and film studies unite in this examination of five Italian films and the environmental questions they raise. Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing environmental questions such as cinema’s dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema’s ecological footprint and its potential to open new perspectives on the nonhuman world. “[Past] uniquely and innovatively combines film studies and material ecocriticism with a focus on Italy. Such weaving of tales brings the films to life and reads them as ecological documents and Italian stories.” —Heather I. Sullivan, author of The Intercontextuality of Self and Nature in Ludwig Tieck’s Early Works “A timely and incisive study that interrogates a new, though growing, trend in film criticism and makes an important and rich contribution to Italian film studies, Italian cultural studies, and ecocriticism.” —Bernadette Luciano, author (with Susanna Scarparo) of Reframing Italy: New Trends in Italian Women’s Filmmaking “Part memoir, part close analysis of the films themselves, and illustrated with numerous excellent frame grabs, Past’s book casts a dreamlike spell as it contemplates the past, present, and future of the cinema and moves smoothly between environmental issues and aesthetic and practical concerns.” —Choice
Author: Dana Renga
Publisher: Springer
ISBN: 3030115038
Category : Performing Arts
Languages : en
Pages : 341
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Book Description
This book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Author: Dana Renga
Publisher: University of Toronto Press
ISBN: 1487510470
Category : Performing Arts
Languages : en
Pages : 459
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Book Description
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
Author: EJ Gonzalez-Polledo
Publisher: Rowman & Littlefield
ISBN: 1783488468
Category : Social Science
Languages : en
Pages : 235
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Book Description
Transitioning: matter, gender, thought takes the body, its ontologies and temporalities, as a primary ethnographic heuristic to explore transition contexts, relations and life processes. Although in Britain the Gender Recognition Act has, since 2004, provided a framework for identity recognition for those who seek to live as a member of the opposite gender, this book draws on trans men’s experiences to conceptualise transition outside this framework. Thinking through changing materialities, cultures and epistemologies of transition, the book brings together perspectives in anthropology, transgender studies, and social theory to think through how bodies happen, and the scales, assemblages, transmissions and indeterminacies in their process of becoming something other than themselves.
Author: Aine O’Healy
Publisher: Indiana University Press
ISBN: 0253037204
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Áine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.
Author: Anne M. Corbin
Publisher: SIU Press
ISBN: 0809336642
Category : Law
Languages : en
Pages : 242
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Book Description
"Author Anne M. Corbin examines the unique role of defense counsel in juvenile courts, demonstrating the commonplace presence of role conflict, even among defenders in jurisdictions that clearly define this role, and showing the nature, extent, and impact of that role conflict on juvenile justice system stakeholders, processes, and policy"--
Author: Armando Maggi
Publisher: University of Chicago Press
ISBN: 0226501361
Category : Social Science
Languages : en
Pages : 420
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Book Description
Italian novelist, poet, and filmmaker Pier Paolo Pasolini was brutally killed in Rome in 1975, a macabre end to a career that often explored humanity’s capacity for violence and cruelty. Along with the mystery of his murderer’s identity, Pasolini left behind a controversial but acclaimed oeuvre as well as a final quartet of beguiling projects that signaled a radical change in his aesthetics and view of reality. The Resurrection of the Body is an original and compelling interpretation of these final works: the screenplay Saint Paul, the scenario for Porn-Theo-Colossal, the immense and unfinished novel Petrolio, and his notorious final film, Salò or the 120 Days of Sodom, a disturbing adaptation of the writings of the Marquis de Sade. Together these works, Armando Maggi contends, reveal Pasolini’s obsession with sodomy and its role within his apocalyptic view of Western society. One of the first studies to explore the ramifications of Pasolini’s homosexuality, The Resurrection of the Body also breaks new ground by putting his work into fruitful conversation with an array of other thinkers such as Freud, Strindberg, Swift, Henri Michaux, and Norman O. Brown.
Author: Elena Past
Publisher: Indiana University Press
ISBN: 0253039517
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing environmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world.
