Italian Women Writers from the Renaissance to the Present PDF Download
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Author: Maria Marotti
Publisher: Penn State Press
ISBN: 9780271024875
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Contents: Introduction Revising the Canon: Italian Women Writers/Maria O. Marotti Part I: Canon Formation/Canon Revision Women Writers and the Canon in Contemporary Italy/JoAnn Cannon From One Closet to Another? Feminism, Literary Archaeology, and the Canon/Beverly Allen Italian "Difference Theory" A New Canon?/Renate Holub Part II: Renaissance Women: Rethinking the Canon Renaissance Women Defending Women: Arguments Against Patriarchy/Constance Jordan Selling the Self, or the Epistolary Production of Renaissance Courtesans/Fiora A. Bassanese Part III: At the Turn of the Century: Women Writers at the Margins of the Canon Double Marginality: Matilde Serao and the Politics of Ambiguity/Nancy Harrowitz The Diaries of Sibilla Aleramo: Constructing Female Subjectivity/Bernadette Luciano Narrative Voice and the Regional Experience: Redefining Female Images in the Works of Maria Messina/Elise Magistro Part IV: Contemporary Women Writers: Toward a New Canon Brushing Benjamin Against the Grain: Elsa Morante and the "Jetzeit" of Marginal History/Maurizia Boscagli From Genealogy to Gynealogy and Beyond: Fausta Cialente's Le Quattro Ragazze Wieselberger/Graziella Parati Ethnic Matriarchy: Fabrizia Ramondino's Neapolitan World/Maria Ornella Marotti Mythic Revisionism: Women Poets and Philosophers in Italy Today/Lucia Re Part V: Women as Filmmakers: Images of Women/Images by Women/Images for Women Monica Vitti: The Image and the Word/Marga Cottino-Jones Signifying the Holocaust: Liliana Cavani's Portiere di notte/Marguerite Waller Maria Ornella Marotti is a lecturer in Italian at the University of California, Santa Barbara. She is the author of The Duplicating Imagination: Twain and the Twain Papers (Penn State, 1990).
Author: Maria Marotti
Publisher: Penn State Press
ISBN: 9780271024875
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Contents: Introduction Revising the Canon: Italian Women Writers/Maria O. Marotti Part I: Canon Formation/Canon Revision Women Writers and the Canon in Contemporary Italy/JoAnn Cannon From One Closet to Another? Feminism, Literary Archaeology, and the Canon/Beverly Allen Italian "Difference Theory" A New Canon?/Renate Holub Part II: Renaissance Women: Rethinking the Canon Renaissance Women Defending Women: Arguments Against Patriarchy/Constance Jordan Selling the Self, or the Epistolary Production of Renaissance Courtesans/Fiora A. Bassanese Part III: At the Turn of the Century: Women Writers at the Margins of the Canon Double Marginality: Matilde Serao and the Politics of Ambiguity/Nancy Harrowitz The Diaries of Sibilla Aleramo: Constructing Female Subjectivity/Bernadette Luciano Narrative Voice and the Regional Experience: Redefining Female Images in the Works of Maria Messina/Elise Magistro Part IV: Contemporary Women Writers: Toward a New Canon Brushing Benjamin Against the Grain: Elsa Morante and the "Jetzeit" of Marginal History/Maurizia Boscagli From Genealogy to Gynealogy and Beyond: Fausta Cialente's Le Quattro Ragazze Wieselberger/Graziella Parati Ethnic Matriarchy: Fabrizia Ramondino's Neapolitan World/Maria Ornella Marotti Mythic Revisionism: Women Poets and Philosophers in Italy Today/Lucia Re Part V: Women as Filmmakers: Images of Women/Images by Women/Images for Women Monica Vitti: The Image and the Word/Marga Cottino-Jones Signifying the Holocaust: Liliana Cavani's Portiere di notte/Marguerite Waller Maria Ornella Marotti is a lecturer in Italian at the University of California, Santa Barbara. She is the author of The Duplicating Imagination: Twain and the Twain Papers (Penn State, 1990).
Author: Santo L. Aricò
Publisher: Univ of Massachusetts Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Despite the range and high quality of their work, Italian women writers have received scant attention from critics, in Italy or elsewhere. All too often, their contributions have gone unrecognized. This collection demonstrates the importance of these writers to the literary world and seeks to bring them the critical attention they deserve. Twelve scholars and literary critics examine some of the best prose produced in recent years by Italian women in a variety of genres, including fiction, journalism, and biography. Among the writers discussed are Anna Banti, Camilla Cederna, Fausta Cialente, Oriana Fallaci, Natalia Ginzburg, Armanda Guiducci, Gina Lagorio, Gianna Manzini, Dacia Maraini, Elsa Morante, Lalla Romano, and Francesca Sanvitale. The topics they address range from love, disillusionment, friendship, and family life to artistic vision and the journalistic novel, to political activism, the condition of women in Italy, and the impact of feminism on Italian culture. Although some of the writers discussed describe themselves as feminists, others do not. Similarly, the contributors to the volume represent a spectrum of critical and political perspectives. What emerges is a series of portraits that reflect the variety, dynamism, and creativity of women writers in modern-day Italy.
Author: Ursula Fanning
Publisher: Rowman & Littlefield
ISBN: 1683930320
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
This book highlights the centrality of the autobiographical enterprise to Italian women’s writing through the twentieth century—a century that has frequently been referred to as the century of the self. Ursula Fanning addresses the thorny issue of essentialism potentially involved in underlining links between women’s writing and autobiographical modes, and ultimately rejects it in favor of an argument based on the cultural, linguistic, and literary marginalization of women writers within the Italian context. It is concerned with Italian women writers’ various ways of grappling with constructions of subjectivity throughout the century and sets out to explore them. Fanning reads autobiographical writing as subject to many of the same constraints as fiction and, in doing so, draws attention to the significance of the recurring use of the terms “pure” and “impure” in many critical and theoretical discussions of the autobiographical (where “pure” is used to suggest a truthful representation of a life, while “impure” suggests the messy undertaking of mixing lived experience with fiction). Recurring patterns and paradigms are found in the works of the various writers considered (eighteen in all), and these paradigms are analyzed through close readings of their works. These close readings offer insights into approaches to the constructions of subjectivity in the narratives and are informed by feminist theories. The chapters focus on selves in relationship, taking their lead from the patterns unfolding in the writers’ work, hence the subjects are constructed as daughters (with different views of the self in relation to fathers and mothers), within the confines of the romantic relationship (which involves reconsiderations and rewritings of the romance plot), as maternal subjects, and as writers (with an eye on their relationship to the literary canon, as well as to the relationship with readers). This book argues that there is such a thing as gendered subjectivity and that its constructions may be traced through the texts analyzed.
Author: Danielle Hipkins
Publisher: Routledge
ISBN: 1351195336
Category : Literary Criticism
Languages : en
Pages : 423
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Book Description
"Contemporary fantastic fiction, particularly that written by women, often challenges traditional literary practice. At the same time the predominantly male-authored canon of fantastic literature offers a problematic range of gender stereotypes for female authors to 're-write'. Fantastic tropes, of space in particular, enable three important contemporary Italian female writers (Paola Capriolo, b. 1962; Francesca Duranti, b. 1935 and Rossana Ombres, b. 1931) to encounter and counter anxieties about writing from the female subject. All three writers begin by exploring the hermetic, fantastic space of enclosure with a critical, or troubled, eye, but eventually opt for wider national, and often international spaces, in which only a 'fantastic trace' remains. This shift mirrors their own increasingly confident distance from male-authored literary models and demonstrates the creative input that these writers bring to the literary canon, by redefining its generic boundaries."
Author: Laura Anna Stortoni
Publisher:
ISBN: 9780934977432
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
This dual-language collection presents the rich flowering of women's poetry during the Italian Renaissance: from the love lyrics of famous courtly ladies of Venice and Rome to the deeply moral and spiritual poets of the age. It includes biographies of 19 poets and over 80 selected poems in the original Italian with facing English verse translation. Poets include: Laura Battiferri Ammannati, Chiara Matraini, Isabella Andreini, Lucrezia Tornabuoni de' Medici, Vittoria Colonna, Isabella di Morra, Tullia d'Aragona, Aurelia Petrucci, Lucia Bertani Dell'Oro, Antonia Giannotti Pulci, Leonora Ravira Falletti, Camilla Scarampa, Moderata Fonte, Gaspara Stampa, Veronica Franco, Laura Bacio Terracina, Veronica Gmbara, Barbara Bentivoglio Strozzi Torelli, Olimpia Malipiera. Dual-language poetry. Introduction, biographies, notes, bibliographies, first-line index.
Author: Rinaldina Russell
Publisher: Bloomsbury Publishing USA
ISBN: 0313033285
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Over the last 20 years, there has been an increasing interest in feminist views of the Italian literary tradition. While feminist theory and methodology have been accepted by the academic community in the U.S., the situation is very different in Italy, where such work has been done largely outside the academy. Among nonspecialists, knowledge of feminist approaches to Italian literature, and even of the existence of Italian women writers, remains scant. This reference work, the first of its kind on Italian literature, is a companion volume for all who wish to investigate Italian literary culture and writings, both by women and by men, in light of feminist theory. Included are alphabetically arranged entries for authors, schools, movements, genres and forms, figures and types, and similar topics related to Italian literature from the Middle Ages to the present. Each entry is written by an expert contributor and summarizes feminist thought on the subject. Entries provide brief bibliographies, and the volume concludes with a selected, general bibliography of major studies. This volume covers eight centuries of Italian literature, from the Middle Ages to the present. Included are entries for major canonical male authors, such as Dante, Petrarch, and Boccaccio, as well as for female writers such as Lucrezia Marinella and Gianna Manzini. These entries discuss how the authors have shaped the image of women in Italian literature and how feminist criticism has responded to their works. Entries are also provided for various schools and movements, such as deconstruction, Marxism, and new historicism; for genres and forms, such as the epic, devotional works, and misogynistic literature; for figures and types, such as the enchantress, the witch, and the shepherdess; and for numerous other topics. Each entry is written by an expert contributor, summarizes the relationship of the topic to feminist thought, and includes a brief bibliography. The volume closes with a selected general bibliography of major studies.
Author: Letizia Panizza
Publisher: Cambridge University Press
ISBN: 9780521578134
Category : Literary Criticism
Languages : en
Pages : 382
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Book Description
This volume offers a comprehensive account of writing by women in Italy.
Author: Gaetana Marrone
Publisher: Routledge
ISBN: 1135455309
Category : Literary Criticism
Languages : en
Pages : 2256
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Book Description
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Author: Virginia Cox
Publisher: JHU Press
ISBN: 080189543X
Category : Literary Criticism
Languages : en
Pages : 495
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Book Description
Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.
Author: Moderata Fonte
Publisher: University of Chicago Press
ISBN: 0226256790
Category : Poetry
Languages : en
Pages : 525
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Book Description
The first original chivalric poem written by an Italian woman, Floridoro imbues a strong feminist ethos into a hypermasculine genre. Dotted with the usual characteristics—dark forests, illusory palaces, enchanted islands, seductive sorceresses—Floridoro is the story of the two greatest knights of a bygone age: the handsome Floridoro, who risks everything for love, and the beautiful Risamante, who helps women in distress while on a quest for her inheritance. Throughout, Moderata Fonte (1555–92) vehemently defends women’s capacity to rival male prowess in traditionally male-dominated spheres. And her open criticism of women’s lack of education is echoed in the plights of various female characters who must depend on unreliable men. First published in 1581, Floridoro remains a vivacious and inventive narrative by a singular poet.
