Italian Primitives at Yale University Art Gallery PDF Download
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Author: Richard Offner
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Richard Offner
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Richard Offner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
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Author: David Arnheim
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Author: Yale University Art Gallery (New Haven)
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Category :
Languages : en
Pages :
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Author: Yale University Art Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Author: Yale University. Art Gallery
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Category :
Languages : en
Pages :
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Author: Yale University. Art Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
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Author: Joseph Archer Crowe
Publisher: Parkstone International
ISBN: 1783103922
Category : Art
Languages : en
Pages : 200
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Book Description
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.
Author: Laurence B. Kanter
Publisher: Yale University Press
ISBN: 0300233019
Category : Art
Languages : en
Pages : 153
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Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio This groundbreaking reexamination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio--specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo, and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.
Author: William Rankin
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 38
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