Italian Paintings Before 1600 in the Art Institute of Chicago PDF Download
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Author: Christopher Lloyd
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
In color, the rest in duotone; there are also eighty comparative illustrations.
Author: Christopher Lloyd
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
In color, the rest in duotone; there are also eighty comparative illustrations.
Author: Christopher Lloyd
Publisher: Art Inst of Chicago Museum Shop
ISBN: 9780865591103
Category : Art
Languages : en
Pages : 312
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Book Description
In color, the rest in duotone; there are also eighty comparative illustrations.
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 110
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Book Description
Author: Art Institute of Chicago
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488
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Book Description
"This volume documents the Art Institute of Chicago's significant - yet relatively unknown - collection of French, Spanish, Netherlandish, English, and German paintings created before 1600. More than one hundred works, including altarpieces, private devotional works, portraits, and landscapes by such masters as Lucas Cranach, Gerard David, El Greco, Jan Gossart, and Rogier van der Weyden, receive their first in-depth analysis. More than 350 images - including comparative illustrations of underdrawings, reconstructed ensembles, and related works - accompany the entries"--BOOK JACKET
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Author: Sally Mann
Publisher: Bulfinch
ISBN: 9780821228760
Category : Photography
Languages : en
Pages : 120
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Book Description
Author: SallyJ. Cornelison
Publisher: Routledge
ISBN: 1351575643
Category : Art
Languages : en
Pages : 513
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Book Description
Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.
Author: Allison Sherman
Publisher: Routledge
ISBN: 1351575260
Category : Art
Languages : en
Pages : 337
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Book Description
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.
Author: Cristina Acidini
Publisher: Yale University Press
ISBN: 9780300094954
Category : Art
Languages : en
Pages : 406
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Book Description
"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.
