Author: Giovanni Morelli
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 490
Book Description
Italian Painters: The Borghese and Doria-Pamfili Galleries in Rome
Author: Giovanni Morelli
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 490
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 490
Book Description
Italian Painters: The Borghese and Doria-Pamfili Galleries in Rome
Author: Giovanni Morelli
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 484
Book Description
The Borghese and Doria-Pamfili galleries in Rome
Author: Giovanni Morelli
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 494
Book Description
Italian Painters: The galleries of Munich and Dresden
Author: Giovanni Morelli
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 450
Book Description
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 450
Book Description
The Connoisseur
Author:
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category : Antiques
Languages : en
Pages : 466
Book Description
The Borghese Collections and the Display of Art in the Age of the Grand Tour
Author: Carole Paul
Publisher: Routledge
ISBN: 1351545922
Category : Art
Languages : en
Pages : 359
Book Description
The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.
Publisher: Routledge
ISBN: 1351545922
Category : Art
Languages : en
Pages : 359
Book Description
The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.
Raphael and the Portrait of Andrea Turini
Author: Tom Virzì
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 160
Book Description
Masterpieces of Painting, Their Qualities and Meanings
Author: Louise Rogers Jewett
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 190
Book Description
Some Notes of the Past, 1870-1891
Author: Sir Henry Drummond Wolff
Publisher: London : J. Murray
ISBN:
Category : Franco-Prussian War, 1870-1871
Languages : en
Pages : 188
Book Description
Publisher: London : J. Murray
ISBN:
Category : Franco-Prussian War, 1870-1871
Languages : en
Pages : 188
Book Description
Sebastiano del Piombo and the World of Spanish Rome
Author: Piers Baker-Bates
Publisher: Routledge
ISBN: 1351549405
Category : Art
Languages : en
Pages : 267
Book Description
Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.
Publisher: Routledge
ISBN: 1351549405
Category : Art
Languages : en
Pages : 267
Book Description
Sebastiano del Piombo (c.1485-1547) was a close associate and rival of the central artistic figures of the High Renaissance, notably Michelangelo and Raphael. After the death of Raphael and the departure of Michelangelo from Rome, Sebastiano became the dominant artistic personality in the city. Despite being one of most significant artistic figures of the period, he remains the last artist of major importance in the western canon about whom no recent work has been published in English. In this study, Piers Baker-Bates approaches Sebastiano?s career through analysis of the patrons he attracted following his arrival at Rome. The first half of the book concentrates on Sebastiano?s network of patrons, predominantly Italian, who had strong factional ties to the Imperial camp; the second half discusses Sebastiano?s relationship with his principal Spanish patrons. Sebastiano is a leading example of a transcultural artist in the sixteenth century and his relationship with Spain was fundamental to the development of his careerThe author investigates the domination of Sebastiano?s career by patrons who had geographically different origins, but who were all were members of a wider network of Imperial loyalties. Thus Baker-Bates removes Sebastiano from the shadow of his contemporaries, bringing him to life for the reader as an artistic personality in his own right. Baker-Bates? characterization of the Rome in which Sebastiano made his career differs from previous scholarly accounts, and he describes how Sebastiano was ideally suited to flourish in the environment he depicts.Sebastiano del Piombo and the World of Spanish Rome thus re-appraises not only Sebastiano?s place in the canon of Renaissance art but, using him as a lens, also the cultural worlds of Early Modern Italy and Spain in which he operated.