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Author: Antonella Russo
Publisher:
ISBN: 9781350162259
Category : Photography
Languages : en
Pages : 256
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Book Description
In Italy, photographic realism was only practiced for a decade - from 1940 to 1949, and by the end of the 1950s had been reduced to cliché. The original research and analysis contained in Neorealist Photography, which is fully illustrated by many previously unpublished images from the time, presents a new and necessary reinterpretation of neorealism - or the artistic search for the representation of reality - and considers its legacy. First detailing neorealism as a photographic phenomenon, Antonella Russo then conducts an interdisciplinary examination of the ethno(photo)graphic missions of Ernesto De Martino in the deep south of Italy; the key role played by the neorealist writer and painter Carlo Levi; the guidance of the 'ambassador of international photography' Henry Cartier Bresson, as well as many other thinkers and artists of that period. The volume then takes into account the formation and proliferation of Italian photographic associations and their role in institutionalising and promoting Italian photography, their link to British and other European photographic societies and the subsequent decline of neorealism. For scholars of cinema and literature of the post-war period, this is a refreshing perspective on the debates, protagonists, political and aesthetic questions connected with the period neorealism. For the scholar or practitioner of photography, the book unveils a series of experiences and a body of works that have been largely invisible until now, unified as they are in this volume into a comprehensive text with critical appraisal.
Author: Antonella Russo
Publisher:
ISBN: 9781350162259
Category : Photography
Languages : en
Pages : 256
Get Book Here
Book Description
In Italy, photographic realism was only practiced for a decade - from 1940 to 1949, and by the end of the 1950s had been reduced to cliché. The original research and analysis contained in Neorealist Photography, which is fully illustrated by many previously unpublished images from the time, presents a new and necessary reinterpretation of neorealism - or the artistic search for the representation of reality - and considers its legacy. First detailing neorealism as a photographic phenomenon, Antonella Russo then conducts an interdisciplinary examination of the ethno(photo)graphic missions of Ernesto De Martino in the deep south of Italy; the key role played by the neorealist writer and painter Carlo Levi; the guidance of the 'ambassador of international photography' Henry Cartier Bresson, as well as many other thinkers and artists of that period. The volume then takes into account the formation and proliferation of Italian photographic associations and their role in institutionalising and promoting Italian photography, their link to British and other European photographic societies and the subsequent decline of neorealism. For scholars of cinema and literature of the post-war period, this is a refreshing perspective on the debates, protagonists, political and aesthetic questions connected with the period neorealism. For the scholar or practitioner of photography, the book unveils a series of experiences and a body of works that have been largely invisible until now, unified as they are in this volume into a comprehensive text with critical appraisal.
Author: Antonella Russo
Publisher: Routledge
ISBN: 1000213544
Category : History
Languages : en
Pages : 228
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Book Description
This book offers an analysis of the socio-historical conditions of the rise of postwar Italian photography, considers its practices, and outlines its destiny. Antonella Russo provides an incisive examination of Neorealist photography, delineates its periodization, traces its instances and its progressive popularization and subsequent co-optation that occurred with the advent of the industrialization of photographic magazines. This volume examines the ethno(photo)graphic missions of Ernesto De Martino in the deep South of Italy, the key role played by the Neorealist writer and painter Carlo Levi as "ambassador of international photography", and the journeys of David Seymour, Henry Cartier Bresson, and Paul Strand in Neorealist Italy. The text includes an account the formation and proliferation of Italian photographic associations and their role in institutionalizing and promoting Italian photography, their link to British and other European photographic societies, and the subsequent decline of Neorealism. It also considers the inception of non-objective photography that thrived soon after the war, in concurrence with the circulation of Neorealism, thus debunking the myth identifying all Italian postwar photography with the Neorealist image. This book will be particularly useful for scholars and students in the history and theory of photography, and Italian history.
Author: Christopher Wagstaff
Publisher: University of Toronto Press
ISBN: 0802095208
Category : Performing Arts
Languages : en
Pages : 537
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Book Description
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researched work, Wagstaff suggests that the importance of these films is largely due to the aesthetic and rhetorical qualities of their assembled sounds and images rather than, as commonly thought, their particular representations of historical reality.The author begins by situating neorealist cinema in its historical, industrial, commercial, and cultural context. He goes on to provide a theoretical discussion of realism and the merits of neorealist films, individually and collectively, as aesthetic artefacts. He follows with a detailed analysis of the three films, focusing on technical and production aspects as well as on the significance of the films as cinematic works of art.While providing a wealth of information and analysis previously unavailable to an English-speaking audience, Italian Neorealist Cinema offers a radically new perspective on neorealist cinema and the Italian art cinema that followed it."
Author: Charles L. Leavitt IV
Publisher: University of Toronto Press
ISBN: 1487507100
Category : Art
Languages : en
Pages : 326
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Book Description
This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.
Author: Laura E. Ruberto
Publisher: Wayne State University Press
ISBN: 9780814333242
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.
Author: Maria Antonella Pelizzari
Publisher: Reaktion Books
ISBN: 1861898843
Category : Photography
Languages : en
Pages : 190
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Book Description
In this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini’s regime. While many Italians and foreigners— such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot—focused their lenses on architectural masterpieces, others documented the changing times and political heroes, creating icons of figures such as Garibaldi and the brigands. Pelizzari’s exploration of Italian visual traditions also includes the photographic collages of Bruno Munari, the neorealist work of photographers such as Franco Pinna, the bold stylized compositions of Mario Giacomelli, and the controversial images created by Oliviero Toscani for Benetton advertising in the 1980s. Featuring unpublished works and a rare selection of over one hundred images, this book will appeal to art collectors and students of art history and Italian culture.
Author: Mark Shiel
Publisher: Columbia University Press
ISBN: 0231850298
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
Author: Francesco Pitassio
Publisher: Film Culture in Transition
ISBN: 9789089648006
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
The volume spotlights post-war Italian film culture by locating a series of crossroads, i.e. topics barely examined when discussing neorealism: nation, memory and trauma, visual culture, stardom, and performance.
Author: Enrica Vigano
Publisher: National Geographic Books
ISBN: 3791357697
Category : Photography
Languages : en
Pages : 0
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Book Description
This stunning book explores Italian Neorealism in photography, as it documented Italy's economic and social conditions in the mid-20th century and its rise as a democratic nation. Originally used for Fascist propaganda, the camera in Italy became a tool for artists to reveal the poverty and oppression of their country and a way to instigate positive social development and create a national identity. The NeoRealismo style became a call for economic justice as well as an artistic movement that influenced the modern world. The achievements of that movement are celebrated in this book with more than 200 illustrations, including exquisitely reproduced photographs and magazine images as well as film stills and posters. Together these images portray the seismic changes that took place throughout Italy during and after the war. The migration from south to north, the rural and urban poverty, and the desire to establish a national identity are all given expression through the photographers' lenses. Accompanying essays discuss the technological changes that transformed the country, trace the evolution of Neorealist cinema, and explore how writers became part of this revolution. Beautiful, raw, and free of artifice, these images and the people who created them ushered a unique and fascinating moment in modern art history. Copublished by Admira and DelMonico Books
Author: Martina Caruso
Publisher: Routledge
ISBN: 1000211460
Category : Art
Languages : en
Pages : 230
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Book Description
Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
