Author: Suzanne Boorsch
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 376
Book Description
Italian Masters of the Sixteenth Century
Author: Suzanne Boorsch
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 376
Book Description
The Illustrated Bartsch: Italian masters of the sixteenth century
Author: Adam von Bartsch
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 488
Book Description
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 488
Book Description
The Illustrated Bartsch
Author: Suzanne Boorsch
Publisher: Abaris Books
ISBN: 9780898350319
Category :
Languages : en
Pages :
Book Description
Publisher: Abaris Books
ISBN: 9780898350319
Category :
Languages : en
Pages :
Book Description
The Illustrated Bartsch
Author: Walter L. Strauss
Publisher: Abaris Books
ISBN: 9780898350043
Category :
Languages : en
Pages :
Book Description
Publisher: Abaris Books
ISBN: 9780898350043
Category :
Languages : en
Pages :
Book Description
The Sixteenth Century Italian Paintings: Venice 1540-1600
Author: National Gallery (Great Britain)
Publisher: National Gallery Publications Limited
ISBN: 9781857099133
Category : Art
Languages : en
Pages : 518
Book Description
This volume catalogues paintings from Venice made between 1540 and 1600, and includes some of the greatest pictures in the National Gallery, London.
Publisher: National Gallery Publications Limited
ISBN: 9781857099133
Category : Art
Languages : en
Pages : 518
Book Description
This volume catalogues paintings from Venice made between 1540 and 1600, and includes some of the greatest pictures in the National Gallery, London.
Italian Master Drawings at the Philadelphia Museum of Art
Author: Philadelphia Museum of Art
Publisher: Pennsylvania State University Press
ISBN: 0271025387
Category : Architecture
Languages : en
Pages : 287
Book Description
The Philadelphia Museum of Art is fortunate to have a collection of Italian drawings that encompasses a broad sweep of Italy's art history, ranging from Renaissance and Baroque to Futurist and contemporary works by such famed artists as Parmigianino, Francesco Salviati, Guercino, Giovanni Benedetto Castiglione, Pompeo Batoni, and Amedeo Modigliani. With this publication, eighty of these drawings are provided with commentary, complete scholarly analysis, and biographies of the artists by the renowned scholar Mimi Cazort. The volume opens with an illustrated essay by Ann Percy, the Museum's Curator of Drawings, who offers the first full account of the people and events that shaped the formation of this exceptional but little-published collection.
Publisher: Pennsylvania State University Press
ISBN: 0271025387
Category : Architecture
Languages : en
Pages : 287
Book Description
The Philadelphia Museum of Art is fortunate to have a collection of Italian drawings that encompasses a broad sweep of Italy's art history, ranging from Renaissance and Baroque to Futurist and contemporary works by such famed artists as Parmigianino, Francesco Salviati, Guercino, Giovanni Benedetto Castiglione, Pompeo Batoni, and Amedeo Modigliani. With this publication, eighty of these drawings are provided with commentary, complete scholarly analysis, and biographies of the artists by the renowned scholar Mimi Cazort. The volume opens with an illustrated essay by Ann Percy, the Museum's Curator of Drawings, who offers the first full account of the people and events that shaped the formation of this exceptional but little-published collection.
The Italian Tradition of Equestrian Art
Author: Giovanni Battista Tomassini
Publisher: Xenophon Press LLC
ISBN: 9780933316386
Category : Horsemanship
Languages : en
Pages : 290
Book Description
This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.
Publisher: Xenophon Press LLC
ISBN: 9780933316386
Category : Horsemanship
Languages : en
Pages : 290
Book Description
This volume is populated with reproductions of paintings and frescos from the period and illustrations from the surveyed texts. A fascinating read, belonging in any serious rider's library.
After Raphael
Author: Marcia B. Hall
Publisher:
ISBN: 9780521483971
Category : Art
Languages : en
Pages : 349
Book Description
A comprehensive overview of sixteenth-century Italian art.
Publisher:
ISBN: 9780521483971
Category : Art
Languages : en
Pages : 349
Book Description
A comprehensive overview of sixteenth-century Italian art.
Raphael
Author: Paul Joannides
Publisher: Thames & Hudson
ISBN: 0500776857
Category : Art
Languages : en
Pages : 479
Book Description
More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphaels work and discusses all aspects of his artistic output. He traces Raphaels career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphaels employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Romes artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphaels versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.
Publisher: Thames & Hudson
ISBN: 0500776857
Category : Art
Languages : en
Pages : 479
Book Description
More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphaels work and discusses all aspects of his artistic output. He traces Raphaels career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphaels employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Romes artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphaels versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.
The Italian Renaissance of Machines
Author: Paolo Galluzzi
Publisher: Harvard University Press
ISBN: 0674242327
Category : History
Languages : en
Pages : 297
Book Description
The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.
Publisher: Harvard University Press
ISBN: 0674242327
Category : History
Languages : en
Pages : 297
Book Description
The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.