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Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Maria Rika Maniates
Publisher: Manchester University Press
ISBN: 9780719007378
Category : Music
Languages : en
Pages : 714
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Book Description
Author: Walter Friedlaender
Publisher: Columbia University Press
ISBN: 9780231083881
Category : Art
Languages : en
Pages : 150
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Book Description
Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).
Author: Linda Murray
Publisher: New York ; Toronto : Oxford University Press
ISBN: 9780500201626
Category : Art
Languages : en
Pages : 287
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Book Description
Author: Giuliano Briganti
Publisher:
ISBN:
Category : Mannerism (Art).
Languages : en
Pages : 176
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Book Description
Author: Liana De Girolami Cheney
Publisher: Peter Lang Pub Incorporated
ISBN: 9780820470634
Category : Art
Languages : en
Pages : 348
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Book Description
The aim of this book is to focus on the origin of the historiography of the terms <I>Mannerism and <I>Maniera in paintings and drawings of the sixteenth-century in Italy. The articles herewith presented fall into two categories. The first group explains the definition of the terms <I>Mannerism and <I>Maniera, their periodicity, and their sources as illustrated by Giorogio Vasari, John Shearman, Craig Hugh Smyth, and Sydney Freedberg. The second deals with the polemic associated with the usage of the term and historiography and its application as voiced by Walter Friedlaender, Max Dvorak, Ernst Gombrich, Henri Zerner, David Summers, Malcolm Campbell, and Iris Cheney.
Author: Lynette M. F. Bosch
Publisher: Routledge
ISBN: 1000025098
Category : Art
Languages : en
Pages : 235
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Book Description
This book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.
Author: Walter Friedlaender
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 168
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Book Description
Author: Christiane L. Joost-Gaugier
Publisher: John Wiley & Sons
ISBN: 1118306112
Category : Art
Languages : en
Pages : 288
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Book Description
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 0429974744
Category : Art
Languages : en
Pages : 450
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Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
