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Author: Alison R. Oatman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781977516763
Category :
Languages : en
Pages : 142
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Book Description
Have you been holding back? Have you always wanted to dip a toe into the seductive world of corpulent divas, voluptuous vowels, spaghetti-like plot twists, and encores that make the crowd shudder with cry after cry of bravissimo? Are you curious to find out just why Mozart would have made a wonderful dinner guest? Have you always wanted to know at what time of day it is inappropriate to order a cappuccino in Italy, or whom you should never greet with a friendly "Ciao!"? Despite its title, Italian for Opera Lovers is geared towards people who may have no experience studying Italian, nor even more than a cursory familiarity with opera. The book is meant as an introduction to the Italian language. As we cover the basics, we will be focusing on close readings from nine Italian operas. It is my hope that this book whets your appetite for more adventures with both Italian and opera--two one-way tickets to a life of passion.
Author: Alison R. Oatman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781977516763
Category :
Languages : en
Pages : 142
Get Book Here
Book Description
Have you been holding back? Have you always wanted to dip a toe into the seductive world of corpulent divas, voluptuous vowels, spaghetti-like plot twists, and encores that make the crowd shudder with cry after cry of bravissimo? Are you curious to find out just why Mozart would have made a wonderful dinner guest? Have you always wanted to know at what time of day it is inappropriate to order a cappuccino in Italy, or whom you should never greet with a friendly "Ciao!"? Despite its title, Italian for Opera Lovers is geared towards people who may have no experience studying Italian, nor even more than a cursory familiarity with opera. The book is meant as an introduction to the Italian language. As we cover the basics, we will be focusing on close readings from nine Italian operas. It is my hope that this book whets your appetite for more adventures with both Italian and opera--two one-way tickets to a life of passion.
Author: Hassan W. Ebron
Publisher:
ISBN: 9780942208177
Category : Music
Languages : en
Pages : 39
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Book Description
In the sixteenth century, a group of Renaissance Italians sat down together to revive the lost art of Greek and Roman drama, as part of the great rebirth of learning that had already revolutionized the arts of painting, poetry, architecture. To name this "new" art, they used the word for any general work of art, opus, the plural in Latin being "opera." Opera today is experiencing another revival. Works by American composers such as Philip Glass and John Adams now stand alongside the great Italian, Russian, German, French operas. The repertoire is not closed, and the industry-singers, orchestras, stage designers, opera houses, publishers, and opera-goers-flourishes around the world. This little book is offered as a compendium of Italian terms describing the techniques and refinements that propelled this art into an enduring position among the arts. Italian terms are explained in English. Also, Italian poetry in English: Dante and His Circle (www.createspace.com/4024060) Vita Nuova (Dante on Beatrice) Ovid, The Changes (web only: www.bandannabooks.com/ovid). And Shakespeare plays with Italian settings: Two Gentlemen of Verona (www.createspace.com/3724080) The Merchant of Venice (www.createspace.com/3727221) The Taming of the Shrew (www.createspace.com/3718477) Romeo and Juliet (www.createspace.com/3892597)
Author: Tim Carter
Publisher: Oxford University Press
ISBN: 0190247967
Category : Music
Languages : en
Pages : 289
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Book Description
Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
Author: Philip Gossett
Publisher: University of Chicago Press
ISBN: 0226304884
Category : Music
Languages : en
Pages : 699
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Book Description
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.
Author: Emanuele Senici
Publisher: Cambridge University Press
ISBN: 9780521834377
Category : Music
Languages : en
Pages : 380
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Book Description
An unusual look at Italian opera in the nineteenth century.
Author: Tito Gobbi
Publisher: Hamish Hamilton
ISBN:
Category : Music
Languages : en
Pages : 300
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Book Description
Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341
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Book Description
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Author: Laura Williams Macy
Publisher:
ISBN: 0195337654
Category : Biography & Autobiography
Languages : en
Pages : 649
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Book Description
Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind, Lily Pons and Luciano Pavarotti. The profiles offer basic information such as birth date, vocal style, first debut, most memorable roles, and much more. But these articles often go well beyond basic biographical information to offer colorful portraits of the singer's personality and vocal style, plus astute evaluations of their place in operatic history and many other intriguing observations. Many entries also include suggestions for further reading, so that anyone interested in a particular performer can explore their life and career in more depth. In addition, there are indexes of singers by voice type and by opera role premiers. The articles are mostly drawn from the acclaimed Grove Music Online and have been fully revised, and the book is further supplemented by more than 40 specially commissioned articles on contemporary singers. A superb new guide from the first name in opera reference, The Grove Book of Opera Singers is a lively and authoritative work, beautifully illustrated with color and black-and-white pictures. It is an essential volume--and the perfect gift--for opera lovers everywhere.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 0521887607
Category : Music
Languages : en
Pages : 437
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Book Description
A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.
Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
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Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
