Italian Drawings from the Collection of Duke Roberto Ferretti PDF Download
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Author: David McTavish
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Author: David McTavish
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160
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Book Description
Author: Art Gallery of Ontario
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 0
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Book Description
Author: Los Angeles County Museum of Art
Publisher: Hudson Hills
ISBN: 9781555951528
Category : Architecture
Languages : en
Pages : 256
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Book Description
More than 100 masterworks from the collection, all in full color, each with a text about the artist and drawing as well as full documentation. 105 colour illustrations
Author: Michael Jaffe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
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Book Description
Vol. 3.
Author: Toronto. Art Gallery of Ontario (utstilling)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892363398
Category : Art
Languages : en
Pages : 129
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Decorative Arts, Drawings, Manuscripts, Paintings, Photographs, and Sculpture and Works of Art. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 23 of the J. Paul Getty Museum Journal includes articles by John Walsh, Alison Stones, Kathleen Adler, and Jennifer Helvey.
Author: Edward J. Olszewski
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 400
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Book Description
Author: David Franklin
Publisher: Yale University Press
ISBN: 9780300103571
Category : Art
Languages : en
Pages : 312
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Book Description
The beauty and range of the work of the sixteenth-century artist Parmigianino as painter, draughtsman, and printmaker make him one of the most remarkable figures of the Italian Renaissance. He was an artist who seemed to discover his style without any effort, and his art was universally recognized as being graceful, or full of grace. In his day, "grace" was understood to be a spiritual endowment, conferring qualities that could not be taught. It was one of the preconditions of natural genius, so highly valued among Renaissance artists. But nothing as effortlessly elegant as Parmigianino's drawings and paintings could have been achieved without effort. It is through a close study of the drawings, in particular, that one is able to discern the sources of Parmigianino's style and the creative struggles he endured. This illustrated study offers a comprehensive reassessment of his work as a draughtsman. More than eighty works on paper, selected from collections around the world, are discussed in detail. Among Renaissance artists, Parmigianino was perhaps more conscious than any of the potential of the graphic arts to convey, and indeed broadcast, complex ideas. He explored this potential himself, not only by means of his numerous drawings but also through the etchings he produced on his own (effectively introducing this print medium into Italian art) and through the engravings and chiaroscuro woodcuts that were made after his designs. In these media, his influence travelled farther and wider than it could have through his paintings alone. This book coinciding with the quincentenary of the artist's birth in Parma in 1503, accompanies an exhibition presented at the National Gallery of Canada, Ottawa, from October 3, 2003 to January 4, 2004, and at The Frick Collection, New York, from January 27 to April 18, 2004.
Author: Giancarla Periti
Publisher: Routledge
ISBN: 1351569236
Category : Art
Languages : en
Pages : 252
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Book Description
Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.
