Author: Miriam Fuchs
Publisher: Univ of Wisconsin Press
ISBN: 9780299190644
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
German Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allende fled her country after her uncle Salvador Allende was assassinated, and she later lost her daughter to disease."
The Text is Myself
Author: Miriam Fuchs
Publisher: Univ of Wisconsin Press
ISBN: 9780299190644
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
German Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allende fled her country after her uncle Salvador Allende was assassinated, and she later lost her daughter to disease."
Publisher: Univ of Wisconsin Press
ISBN: 9780299190644
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
German Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allende fled her country after her uncle Salvador Allende was assassinated, and she later lost her daughter to disease."
Sacred Text -- Sacred Space
Author: Joseph Sterrett
Publisher: BRILL
ISBN: 9004202994
Category : Religion
Languages : en
Pages : 388
Book Description
Essentially interdisciplinary, this innovative collection of essays - religious case-histories of many kinds from three eras, - explores in depth the dynamic interaction of sacred text and sacred space, forming and reforming through time, to shape and voice one another.
Publisher: BRILL
ISBN: 9004202994
Category : Religion
Languages : en
Pages : 388
Book Description
Essentially interdisciplinary, this innovative collection of essays - religious case-histories of many kinds from three eras, - explores in depth the dynamic interaction of sacred text and sacred space, forming and reforming through time, to shape and voice one another.
An Inquiry Concerning the Invention of Printing
Author: William Young Ottley
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 556
Book Description
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 556
Book Description
The Art Quarterly
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 452
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 452
Book Description
Customised Books in Early Modern Europe and the Americas, 1400–1700
Author: Christopher D. Fletcher
Publisher: BRILL
ISBN: 900468056X
Category : Literary Criticism
Languages : en
Pages : 817
Book Description
Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books. Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
Publisher: BRILL
ISBN: 900468056X
Category : Literary Criticism
Languages : en
Pages : 817
Book Description
Customised Books in Early Modern Europe and the Americas, 1400‒1700 examines the form, function, and meaning of alterations made by users to the physical structure of their book, through insertion or interpolation, subtraction or deletion, adjustments in the ordering of folios or quires, amendments of image or text. Although our primary interest is in printed books and print series bound like books, we also consider selected manuscripts since meaningful alterations made to incunabula and early printed books often followed the patterns such changes took in late fourteenth- and fifteenth-century codices. Throughout Customised Books the emphasis falls on the hermeneutic functions of the modifications made by makers and users to their manuscripts and books. Contributors: B. Boler Hunter, T. Cummins, A. Dlabačova, K.A.E. Enenkel, C.D. Fletcher, P.F. Gehl, P. Germano Leal, J. Kiliańczyk-Zięba, J. Koguciuk, A. van Leerdam, S. Leitch, S. McKeown, W.S. Melion, K. Michael, S. Midanik, B. Purkaple, J. Rosenholtz-Witt, B.L. Rothstein, M.R. Wade, and G. Warnar.
The Early Italian Pictures in the Collection of Her Majesty The Queen
Author: John Shearman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 514
Book Description
The Atlantic Monthly
Author:
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 938
Book Description
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 938
Book Description
The First Modern Museums of Art
Author: Carole Paul
Publisher: Getty Publications
ISBN: 1606061208
Category : Art
Languages : en
Pages : 372
Book Description
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the museums’ collections and the role of the institutions in educating the public. The introductory chapters by art historian Carole Paul, the volume’s editor, lay out the relationship among the various museums and discuss their evolution from private noble and royal collections to public institutions. In concert, the accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world. The fourteen distinguished contributors to the book include Robert G. W. Anderson, former director of the British Museum in London; Paula Findlen, Ubaldo Pierotti Professor of Italian History at Stanford University; Thomas Gaehtgens, director of the Getty Research Institute; and Andrew McClellan, dean of academic affairs and professor of art history at Tufts University. Show more Show less
Publisher: Getty Publications
ISBN: 1606061208
Category : Art
Languages : en
Pages : 372
Book Description
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the museums’ collections and the role of the institutions in educating the public. The introductory chapters by art historian Carole Paul, the volume’s editor, lay out the relationship among the various museums and discuss their evolution from private noble and royal collections to public institutions. In concert, the accounts of the individual museums give a comprehensive overview, providing a basis for understanding how the collective emergence of public art museums is indicative of the cultural, social, and political shifts that mark the transformation from the early-modern to the modern world. The fourteen distinguished contributors to the book include Robert G. W. Anderson, former director of the British Museum in London; Paula Findlen, Ubaldo Pierotti Professor of Italian History at Stanford University; Thomas Gaehtgens, director of the Getty Research Institute; and Andrew McClellan, dean of academic affairs and professor of art history at Tufts University. Show more Show less
The Burlington Magazine for Connoisseurs
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
Book Description
Handy Lists of Technical Literature
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 380
Book Description