Author: Creighton Gilbert
Publisher:
ISBN: 9780810110342
Category : Art, Early Renaissance
Languages : en
Pages : 0
Book Description
Creighton E. Gilbert captures the spirit of the early Renaissance in this remarkable collection of primary texts by and about artists of the fifteenth century. Italian Art makes a valuable contribution not only to the field of art history, but also to social and intellectual history. Almost all aspects of the life of the period--war, fashion, travel, communication--are documented. Revealing significant aspects of the practice of art, the process of patronage, and the way of life and social position of early Renaissance artists, Italian Art brings this fascinating period to life for students and scholars.
Italian Art, 1400-1500
Author: Creighton Gilbert
Publisher:
ISBN: 9780810110342
Category : Art, Early Renaissance
Languages : en
Pages : 0
Book Description
Creighton E. Gilbert captures the spirit of the early Renaissance in this remarkable collection of primary texts by and about artists of the fifteenth century. Italian Art makes a valuable contribution not only to the field of art history, but also to social and intellectual history. Almost all aspects of the life of the period--war, fashion, travel, communication--are documented. Revealing significant aspects of the practice of art, the process of patronage, and the way of life and social position of early Renaissance artists, Italian Art brings this fascinating period to life for students and scholars.
Publisher:
ISBN: 9780810110342
Category : Art, Early Renaissance
Languages : en
Pages : 0
Book Description
Creighton E. Gilbert captures the spirit of the early Renaissance in this remarkable collection of primary texts by and about artists of the fifteenth century. Italian Art makes a valuable contribution not only to the field of art history, but also to social and intellectual history. Almost all aspects of the life of the period--war, fashion, travel, communication--are documented. Revealing significant aspects of the practice of art, the process of patronage, and the way of life and social position of early Renaissance artists, Italian Art brings this fascinating period to life for students and scholars.
Italian Art, 1500-1600
Author: Robert Klein
Publisher: Northwestern University Press
ISBN: 9780810108523
Category : Art
Languages : en
Pages : 220
Book Description
Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.
Publisher: Northwestern University Press
ISBN: 9780810108523
Category : Art
Languages : en
Pages : 220
Book Description
Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.
The High Renaissance and Mannerism
Author: Linda Murray
Publisher: Thames & Hudson
ISBN: 9780500201626
Category : Art
Languages : en
Pages : 287
Book Description
After the death of Raphael in 1520, the next generation in Italy was to see the rise of the complex and refined sensibility summed up in the term "Mannerism." In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray examines the manifold achievements of Italian artists and identifies the individual forms taken by artists in Northern Europe and in Spain, including Durer, Bruegel and El Greco.
Publisher: Thames & Hudson
ISBN: 9780500201626
Category : Art
Languages : en
Pages : 287
Book Description
After the death of Raphael in 1520, the next generation in Italy was to see the rise of the complex and refined sensibility summed up in the term "Mannerism." In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray examines the manifold achievements of Italian artists and identifies the individual forms taken by artists in Northern Europe and in Spain, including Durer, Bruegel and El Greco.
Art in Renaissance Italy, 1350-1500
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356
Book Description
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356
Book Description
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Bazaar to Piazza
Author: Rosamond E. Mack
Publisher: Univ of California Press
ISBN: 9780520221314
Category : Art
Languages : en
Pages : 282
Book Description
From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development, from 1300 to 1600.".
Publisher: Univ of California Press
ISBN: 9780520221314
Category : Art
Languages : en
Pages : 282
Book Description
From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development, from 1300 to 1600.".
Italian Renaissance Art
Author: Stephen J. Campbell
Publisher:
ISBN: 9780500293348
Category : Art
Languages : en
Pages : 722
Book Description
A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.
Publisher:
ISBN: 9780500293348
Category : Art
Languages : en
Pages : 722
Book Description
A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.
Architecture in Italy, 1400 to 1600
Author: Ludwig Heinrich Heydenreich
Publisher: [Harmondsworth, Eng. ; Baltimore] : Penguin Books
ISBN:
Category : Architecture
Languages : en
Pages : 684
Book Description
In 15th-century Florence, Brunelleschi's buildings and Alberti's treatise first established the principles of Italian Renaissance architecture in practice and theory. This survey ranges from Brunelleschi's dome for the Florence Cathedral to the works of Bramante and Leonardo in the Quattrocento.
Publisher: [Harmondsworth, Eng. ; Baltimore] : Penguin Books
ISBN:
Category : Architecture
Languages : en
Pages : 684
Book Description
In 15th-century Florence, Brunelleschi's buildings and Alberti's treatise first established the principles of Italian Renaissance architecture in practice and theory. This survey ranges from Brunelleschi's dome for the Florence Cathedral to the works of Bramante and Leonardo in the Quattrocento.
Italian Renaissance Art
Author: Laurie Schneider Adams
Publisher: Routledge
ISBN: 0429974744
Category : Art
Languages : en
Pages : 988
Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Publisher: Routledge
ISBN: 0429974744
Category : Art
Languages : en
Pages : 988
Book Description
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Art and Architecture in Italy, 1600 to 1750
Author: Rudolf Wittkower
Publisher: Puffin Books
ISBN:
Category : Architecture
Languages : en
Pages : 672
Book Description
Publisher: Puffin Books
ISBN:
Category : Architecture
Languages : en
Pages : 672
Book Description
A Text-Book of the History of Painting
Author: John Charles Van Dyke
Publisher: anboco
ISBN: 3736405545
Category : Fiction
Languages : en
Pages : 342
Book Description
The object of this series of text-books is to provide concise teachable histories of art for class-room use in schools and colleges. The limited time given to the study of art in the average educational institution has not only dictated the condensed style of the volumes, but has limited their scope of matter to the general features of art history. Archæological discussions on special subjects and æsthetic theories have been avoided. The main facts of history as settled by the best authorities are given. If the reader choose to enter into particulars the bibliography cited at the head of each chapter will be found helpful. Illustrations have been introduced as sight-help to the text, and, to avoid repetition, abbreviations have been used wherever practicable. The enumeration of the principal extant works of an artist, school, or period, and where they may be found, which follows each chapter, may be serviceable not only as a summary of individual or school achievement, but for reference by travelling students in Europe. This volume on painting, the first of the series, omits mention of such work in Arabic, Indian, Chinese, and Persian art as may come properly under the head of Ornament—a[viii] subject proposed for separate treatment hereafter. In treating of individual painters it has been thought best to give a short critical estimate of the man and his rank among the painters of his time rather than the detailed facts of his life. Students who wish accounts of the lives of the painters should use Vasari, Larousse, and the Encyclopædia Britannica in connection with this text-book. Acknowledgments are made to the respective publishers of Woltmann and Woermann's History of Painting, and the fine series of art histories by Perrot and Chipiez, for permission to reproduce some few illustrations from these publications.
Publisher: anboco
ISBN: 3736405545
Category : Fiction
Languages : en
Pages : 342
Book Description
The object of this series of text-books is to provide concise teachable histories of art for class-room use in schools and colleges. The limited time given to the study of art in the average educational institution has not only dictated the condensed style of the volumes, but has limited their scope of matter to the general features of art history. Archæological discussions on special subjects and æsthetic theories have been avoided. The main facts of history as settled by the best authorities are given. If the reader choose to enter into particulars the bibliography cited at the head of each chapter will be found helpful. Illustrations have been introduced as sight-help to the text, and, to avoid repetition, abbreviations have been used wherever practicable. The enumeration of the principal extant works of an artist, school, or period, and where they may be found, which follows each chapter, may be serviceable not only as a summary of individual or school achievement, but for reference by travelling students in Europe. This volume on painting, the first of the series, omits mention of such work in Arabic, Indian, Chinese, and Persian art as may come properly under the head of Ornament—a[viii] subject proposed for separate treatment hereafter. In treating of individual painters it has been thought best to give a short critical estimate of the man and his rank among the painters of his time rather than the detailed facts of his life. Students who wish accounts of the lives of the painters should use Vasari, Larousse, and the Encyclopædia Britannica in connection with this text-book. Acknowledgments are made to the respective publishers of Woltmann and Woermann's History of Painting, and the fine series of art histories by Perrot and Chipiez, for permission to reproduce some few illustrations from these publications.