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Author: H. S. Komalesha
Publisher: Peter Lang
ISBN: 9783039111121
Category : Foreign Language Study
Languages : en
Pages : 200
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Book Description
Rapid developments in the fields of trade, market, commerce and telecommunication technologies, together with cultural confrontations at the global level are creating a paradigmatic shift in people's understanding of selfhood and identity. This book makes a serious attempt to trace and map out the making of contemporary post-national identities within the subcontinental cultural production of India and in its English Fiction. One of the structural ventures of this study is that these newer identities, which are basically fragmented, ruptured, hyphenated, and palimpsestic in nature, require new descriptions and new elaborations within the field of creative literature and literary criticism. In order to pursue its research on these lines, the present work contrasts the notion of subjecthood and identity with the earlier phases of Indian cultural imagination as represented in some of the pioneering works of Indian English Fiction that have now attained a canonical status. By analysing some of the predominant concerns that work as leitmotif in most of the Indian English novels, the book brings together and reinterprets some problematic concepts such as history, culture, religion, nation and nationalism and creates a theoretical axis upon which it charts insightful and engaging aspects of selfhood and identity.
Author: H. S. Komalesha
Publisher: Peter Lang
ISBN: 9783039111121
Category : Foreign Language Study
Languages : en
Pages : 200
Get Book Here
Book Description
Rapid developments in the fields of trade, market, commerce and telecommunication technologies, together with cultural confrontations at the global level are creating a paradigmatic shift in people's understanding of selfhood and identity. This book makes a serious attempt to trace and map out the making of contemporary post-national identities within the subcontinental cultural production of India and in its English Fiction. One of the structural ventures of this study is that these newer identities, which are basically fragmented, ruptured, hyphenated, and palimpsestic in nature, require new descriptions and new elaborations within the field of creative literature and literary criticism. In order to pursue its research on these lines, the present work contrasts the notion of subjecthood and identity with the earlier phases of Indian cultural imagination as represented in some of the pioneering works of Indian English Fiction that have now attained a canonical status. By analysing some of the predominant concerns that work as leitmotif in most of the Indian English novels, the book brings together and reinterprets some problematic concepts such as history, culture, religion, nation and nationalism and creates a theoretical axis upon which it charts insightful and engaging aspects of selfhood and identity.
Author: Jaydipsinh Dodiya
Publisher: Sarup & Sons
ISBN: 9788176256391
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Contributed articles on 20th century English fiction.
Author: Sonali Das
Publisher: Cambridge Scholars Publishing
ISBN: 1527509907
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
This book is the first of its kind to examine the theories of nation and national identity in both the West (according to the theories of Benedict Anderson and Salman Rushdie) and in the East (in the light of the works of Jawaharlal Nehru) as they apply to the novels of Arundhati Roy and Kiran Desai. The second part of the twentieth century witnessed a new interface between fiction and history called “New History”. It brought into its purview the hitherto marginalized sections of society like slaves, peasants, workers, women, and children. Whereas the subalterns in The Inheritance of Loss are disempowered by the brunt of globalisation and neo-colonialism, the subalterns in The God of Small Things face the ire of the deep-seated divisions based on caste and gender bias in a postcolonial society. In addition, this book also deals with contemporary social issues like individual identity in a multicultural world where cultures and nature converge into myriad ways of living. It will be of immense benefit to MA and MPhil students all over India, as well as to PhD scholars and teachers of English literature both in India and abroad.
Author: Ram Sewak Singh
Publisher: Atlantic Publishers & Dist
ISBN: 9788171567195
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Spectrum History Of Indian Literature In English Accomplishes The Task Of Historical Continuity By Linking With The Past The Most Recent Present Of The Writing In English By Indians. The Book Is A Highly Useful Supplement To The Earlier Two Volumes By K.R. Srinivas Iyengar And M.K. Naik. Articles By Jasbir Jain And Sunanda Mongia Are A Spectrum Presen¬Tation Of The Latest Developments In The Field Of Indian Fiction In English In All Its Technical & Thematological Innovations. Satish Aikant'S Article Provides A Serious Backdrop To The Volume By Deliberating Upon The Historicity Of English Studies In India, Their Need, Relevance And Epistemological Repercussions. R.K. Singh'S Article Does Well To Deconstruct The Myth That Good Poetry Is Published Only By The Established Publishers. His Account Of Little Or Less Known Indian Poets In English Is Both Critical And Historically Illuminating. Charu Sheel Singh, Shyam Asnani And Attiya Singh Discuss Indian English Poetry, Criticism, Drama And Fiction Respectively. Meena Sodhi'S Article Is A Good Compilation Of Indian Autobiographies, Mostly In English, Which She Discusses With Good Critical Sense And Perceptive Imagination. A.N. Dwivedi'S Article On Indian English Short Stories Is A Comprehensive And Balanced Piece Which Is Also Rich In Illustrations. The Two Appendices Add To The Value Of The Book By Cherishing Critical Attention On What May Be Called Tradition And Experiment In Indian English Poetry And Fiction. Whereas Satish K. Gupta'S Brief Piece Highlights Homogeneity In The Sensibility Of Aurobindo And Charu Sheel, It Takes Pains And Care To Chalk Out Differences In Mode, Manner And The Whole Presentation Idiom In The Latter'S Poetry From That Of Aurobindo. Krishan Mohan Pandey'S Account Of The Post-Modemist Reaction Against Gandhi In Indian Fiction In English Is Timely. It Reaffirms Faith In An Indian Critic'S Belief In What Tagore Once Said : I Cannot Love A God Who Does Not Give Me Freedom To Deny Him.
Author: Gauri Shankar Jha
Publisher: Atlantic Publishers & Dist
ISBN: 9788126906222
Category : Indic fiction (English)
Languages : en
Pages : 222
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Book Description
Indian Writing In English Has Undoubtedly Acquired Its Own Independent Identity; It No More Remains Mere Imitative And Derivative. Its Long Journey From Colonial To Post-Colonial, From Imperial To Democratic And From English To Hinglish Forms A Remarkable Chapter In The History Of World Literature. Tagore Earned The First Recognition And Naipaul Is The Recent Laureate. In Between These Nobel Laureates Came A Number Of Writers Whose Work Earned Worldwide Appreciation.The Present Book Is An Attempt To Present The Different Genres Of Indian Writing In English. It Aims At Tracing Its Distinctive Features, Such As Cultural Alienation, Romanticism, Realism, Naturalism, Modernism Etc. While Nehru Has Furnished The Best English To The Globe, Amitav Ghosh, Shashi Tharoor, Arundhati Roy, Shiv K. Kumar And Dattani Have Stirred The West With Their Great Works. The Works Of These Renowned Literary Figures Have Been Considered Thoroughly And Meticulously In The Present Book.It Is Hoped That While The Student Community Will Find It Easily Accessible, The Teachers Will Also Consider It Exciting Study Material.
Author: Sathupati Prasanna Sree
Publisher: Sarup & Sons
ISBN: 9788176255783
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Contributed articles presented at a seminar hosted by Andhra University on 20th century women authors from India.
Author: Sahdev Luhar
Publisher: Cambridge Scholars Publishing
ISBN: 1527500497
Category : History
Languages : en
Pages : 205
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Book Description
The literary canon implies the evaluation or estimation of certain literary texts as the most important during a particular time. The canon is not merely a set of texts; it is a set of standards, evaluative procedures and values. Belonging to a canon confers a guarantee of literary greatness. A canon is formed, by a particular group, to channelize cultural hegemony over others, or, can be constructed, by a governed group, to bring about cultural symmetry. The rise of diverse literatures in English in different parts of the world after the colonial rule of England was the consequence of an urge to articulate a cultural equilibrium or an urge to strike back. The process of canon formation is also a focused and bigoted act, and is always carried out to accomplish certain self-centred objectives. It is commonly accepted that canon formation is executed to accomplish or naturalize certain ideological functions. In the sphere of Indian English literature, Indian English fiction after the end of the 1980s has emerged as a new “canon”. This book looks into the process of literary canon formation in Indian universities, and examines such fiction as an alternative literary canon and as an anti-imperialistic response to the British literary canon. The book ascertains the anti-imperialistic design involved in forming the canon of post-1980 Indian English fiction, examines the gradual emerging trends in such fiction, and discerns the role of language, culture, and native ethos in the formation of a canon. It also differentiates post-1980s Indian English fiction from British fiction, bhasa fiction, and even from pre-1980s Indian English fiction.
Author: Dr. Rajneesh Kumar
Publisher: Blue Rose Publishers
ISBN:
Category : Education
Languages : en
Pages : 285
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Book Description
Love, Violence, and Identity are multifaceted concepts of life in general and literature in particular. Much has already been written on the themes of love, violence, and identity in English literature till date; however, these emotions are still inexplicable to one and all. Love, violence, and identity have multiple connotations as words and these emotions keep multifarious nuances as expressions. On the other hand, when we try to understand them in comparison, the implications turn out to be multidimensional. This book presents a comparative study of the themes of love, violence, and identity in such a unique manner that it helps to comprehend the hidden meanings of these cumbersome concepts, and at the same time, it opens up certain remarkably new avenues of learning in the field of Comparative Literature Studies.
Author: Miti Pandey
Publisher: Sarup & Sons
ISBN: 9788176253628
Category : English fiction
Languages : en
Pages : 204
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Book Description
Author: Dr. Chandan Kumar Jha
Publisher: Blue Rose Publishers
ISBN:
Category : History
Languages : en
Pages : 182
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Book Description
Partition is an enduring subject of Indian writers in English. The event was an unparalleled catastrophe of recent history which ravaged Indian and Pakistani and affected the Sikhs, Sindhis, Hindus, Punjabis and Bengal is in particular many hart rending stories and accounts of partition continue to be written and discussed and the blame game is still not over. It has been a favourite topic of many authors, artists, journalists, film makers and even writers of memoirs. The present Book discusses the highly complex subject of partition which deals with politics of greed, the abdication of the authorities and the sufferings of males and females during and after Partition. Numerous books have been written on the subject in regional and English language. For the purposes of present book entitled only four novels written in different decades, say 50s, 70s, 80s and 90s have been taken up and the novels like Train to Pakistan, Azadi, The Ice Candy Man and What the Body Remembers have been taken up for serious critical discussion in order to highlight the similarities and dissimilarities of approach and view points from both male and female points of view.
