Author: Sara Kuehn
Publisher: BRILL
ISBN: 9004209727
Category : History
Languages : en
Pages : 404
Book Description
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures.
The Dragon in Medieval East Christian and Islamic Art
Author: Sara Kuehn
Publisher: BRILL
ISBN: 9004209727
Category : History
Languages : en
Pages : 404
Book Description
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures.
Publisher: BRILL
ISBN: 9004209727
Category : History
Languages : en
Pages : 404
Book Description
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures.
What is “Islamic” Art?
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : History
Languages : en
Pages : 387
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Publisher: Cambridge University Press
ISBN: 1108474659
Category : History
Languages : en
Pages : 387
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Islamic Art, Literature, and Culture
Author: Kathleen Kuiper Manager, Arts and Culture
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615300198
Category : Juvenile Nonfiction
Languages : en
Pages : 234
Book Description
Discusses the art, architecture, literature, and culture of Islamic nations, including the development of Arabic calligraphy, literary elements in Islamic literature, and historic traditions of Islamic visual arts.
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615300198
Category : Juvenile Nonfiction
Languages : en
Pages : 234
Book Description
Discusses the art, architecture, literature, and culture of Islamic nations, including the development of Arabic calligraphy, literary elements in Islamic literature, and historic traditions of Islamic visual arts.
Architecture of the Islamic World
Author: George Michell
Publisher: Thames & Hudson
ISBN: 9780500278475
Category : Architecture
Languages : en
Pages : 288
Book Description
Offers a survey of Islamic architecture through essays that discuss how different structures reflect the culture, and profiles with maps, photographs, details, and descriptions of noteworthy buildings.
Publisher: Thames & Hudson
ISBN: 9780500278475
Category : Architecture
Languages : en
Pages : 288
Book Description
Offers a survey of Islamic architecture through essays that discuss how different structures reflect the culture, and profiles with maps, photographs, details, and descriptions of noteworthy buildings.
Islamic Art and Architecture
Author: Henri Stierlin
Publisher:
ISBN: 9780500511008
Category : Architecture
Languages : en
Pages : 319
Book Description
More than five hundred full-color illustrations and reproductions capture a panoramic array of Islamic art and architecture in a study that examines the sources, forms, themes, and symbolism of Islamic artistry, as exemplified in mosques, palaces, landscape architecture, caligraphy, miniature painting, tapestries and textiles, and other artforms.
Publisher:
ISBN: 9780500511008
Category : Architecture
Languages : en
Pages : 319
Book Description
More than five hundred full-color illustrations and reproductions capture a panoramic array of Islamic art and architecture in a study that examines the sources, forms, themes, and symbolism of Islamic artistry, as exemplified in mosques, palaces, landscape architecture, caligraphy, miniature painting, tapestries and textiles, and other artforms.
Early Islamic Art and Architecture
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Art and Architecture in the Islamic Tradition
Author: Mohammed Hamdouni Alami
Publisher: Bloomsbury Publishing
ISBN: 0857731750
Category : Architecture
Languages : en
Pages : 304
Book Description
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Publisher: Bloomsbury Publishing
ISBN: 0857731750
Category : Architecture
Languages : en
Pages : 304
Book Description
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Islamic Art in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
Book Description
Islamic Art in Detail
Author: Sheila R. Canby
Publisher: Harvard University Press
ISBN: 9780674023901
Category : Art
Languages : en
Pages : 152
Book Description
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Publisher: Harvard University Press
ISBN: 9780674023901
Category : Art
Languages : en
Pages : 152
Book Description
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Masterpieces of Islamic Art
Author: Oleg Grabar
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 234
Book Description
"The evolution of book art and painting in the Islamic world is the product of diverse regions and periods. Islamic art flourished in the great cities and centers of learning of the ottoman Turks, the Iranian Qajars, and the later Indian Mughals, spreading across a region that extended from the Atlantic Ocean to China. In this volume, Greg Grabar, a world-renowned specialist on Islamic Art, introduces a wide range of illuminated manuscripts from the 8th to the 17th century, placing them in their temporal and spatial context as well as identifying the main centers of artistic creation. Illuminated manuscripts of the Koran, epic poetry, and scientific works are accompanied by a text explaining the subject, describing it particular visual features, and highlighting its artistic qualities. The working methods of the artists and calligraphers are reconstructed. [...] In the book's final section the author turns towards the key moments in history, society, faith, devotion, and other aspects of the Islamic world which are represented in the images." -- Book jacket.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 234
Book Description
"The evolution of book art and painting in the Islamic world is the product of diverse regions and periods. Islamic art flourished in the great cities and centers of learning of the ottoman Turks, the Iranian Qajars, and the later Indian Mughals, spreading across a region that extended from the Atlantic Ocean to China. In this volume, Greg Grabar, a world-renowned specialist on Islamic Art, introduces a wide range of illuminated manuscripts from the 8th to the 17th century, placing them in their temporal and spatial context as well as identifying the main centers of artistic creation. Illuminated manuscripts of the Koran, epic poetry, and scientific works are accompanied by a text explaining the subject, describing it particular visual features, and highlighting its artistic qualities. The working methods of the artists and calligraphers are reconstructed. [...] In the book's final section the author turns towards the key moments in history, society, faith, devotion, and other aspects of the Islamic world which are represented in the images." -- Book jacket.