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Author: Robert Irwin
Publisher: Prentice Hall
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
Robert Irwin delves deep into the cultures of the Islamic world to survey the exquisite arts of painting, architecture, porcelain, enamel, manuscript illumination, metalwork, calligraphy, textiles, and more. Including 217 illustrations, 148 in full color, the book covers the earliest foundations of Islam through the brilliant high point of the 17th century.
Author: Robert Irwin
Publisher: Prentice Hall
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
Robert Irwin delves deep into the cultures of the Islamic world to survey the exquisite arts of painting, architecture, porcelain, enamel, manuscript illumination, metalwork, calligraphy, textiles, and more. Including 217 illustrations, 148 in full color, the book covers the earliest foundations of Islam through the brilliant high point of the 17th century.
Author: Priscilla P. Soucek
Publisher: Scholarly Pub Office Univ of
ISBN: 9781597407601
Category : History
Languages : en
Pages : 300
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Book Description
Author: Sheila R. Canby
Publisher: Harvard University Press
ISBN: 9780674023901
Category : Art
Languages : en
Pages : 152
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Book Description
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Luca Mozzati
Publisher: Prestel Publishing
ISBN: 9783791344553
Category : Islamic architecture
Languages : en
Pages : 0
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Book Description
This Stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world. With its large format, exquisite photographs and extensive research, this is a thorough introduction toan exceptional artistic tradition. --
Author: Robert Hillenbrand
Publisher: Thames & Hudson
ISBN: 0500776083
Category : Art
Languages : en
Pages : 525
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Book Description
A bold, readable, and beautifully illustrated introduction to Islamic art and architecture, this renowned book is now available in an updated and revised edition featuring color illustrations throughout. Including over a thousand years of history and stretching from the Atlantic to the borders of India and China, Islamic Art and Architecture is an unparalleled narrative of the arts of Islamic civilization. From the death of the Prophet Muhammad to 1900, Islamic art expert Robert Hillenbrand traces the evolution of an extraordinary range of art forms, including architecture, calligraphy, book illumination, painting, ceramics, glassware, textiles, and metalwork. This new edition includes a chapter examining art produced from 1700 to 1900, an understudied period in the area, exploring how these centuries saw incredible creativity across the Islamic world. Featuring full-color illustrations of masterpieces of Islamic art and architecture, from seventh-century Arabia via Moorish Spain to modern Iran, this book shows the far-reaching stylistic developments that have shaped Islamic art. Including maps, an updated glossary, and suggested further reading, this authoritative and accessible volume sheds light on the recurrent preoccupations and themes that have shaped the arts of Islam since the seventh century.
Author: Oleg Grabar
Publisher: Taylor & Francis
ISBN: 1040243223
Category : History
Languages : en
Pages : 357
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Book Description
Islamic Art and Beyond is the third in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art, 650-1100; Islamic Visual Culture, 1100-1800; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The articles in the present volume illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. Was it a faith or a combination of social, historical, and cultural events? And how has 'Islamic art' impacted on the contemporary arts of the Islamic world? The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world. The Islamic examples allow for the development of new intellectual positions for the history and criticism of the arts everywhere.
Author: Idries Trevathan
Publisher: Saqi Books
ISBN: 086356190X
Category : Art
Languages : en
Pages : 292
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Book Description
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Author: Robert Hillenbrand
Publisher:
ISBN: 9781904597490
Category : Early printed books
Languages : en
Pages : 0
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Book Description
The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole. Contents: Preface The Uses of Space in Timurid Painting The Iconography of the Shah-nama-yi Shahi The Iskandar Cycle in the Great Mongol Shahnama Images of Muhammad in al-Biruni's Chronology of Ancient Nations The Arts of the Book in Ilkhanid Iran The paintings of Rashid al-Din's 'Universal History' at Edinburgh Mamluk and Ilkhanid Bestiaries: Convention and Experiment The Qur'an Illuminated The relationship between book painting and luxury ceramics in 13th-century Iran, The Message of Misfortune Literature and the visual arts; New Perspectives in Shahnama Iconography Erudition exalted: the double frontispiece to The Epistles of the Sincere Brethren The Shahnama and the illustrated book Islamic Bookbinding Index
