Author: Margaret S. Graves
Publisher: British Archaeological Reports Oxford Limited
ISBN: 9781407310350
Category : Decorative arts, Islamic
Languages : en
Pages : 0
Book Description
"This book is the published record of the proceedings of one of the first conferences held under the auspices of the newly established Centre for the Advanced Study of the Arab World. The Centre, set up in 2006 with a £5 million grant from the Arts and Humanities Research Council and the Economic and Social Sciences Research Council, comprises a consortium of the universities of Edinburgh, Manchester and Durham whose brief is to secure long-term improvements in the teaching of the Arabic language and of Middle Eastern studies in the United Kingdom. The conference, held in Edinburgh in August 2007 under the title 'Arab art, architecture and material culture', was organised by Margaret Graves, then a Ph.D. student of Islamic art history at the University of Edinburgh. The intention was to use the conference as a way of encouraging younger scholars of Islamic art history to present their ideas before an audience of their peers, and to highlight the variety of research currently being undertaken into Islamic art, principally in British universities - though a few speakers from abroad also contributed. Twelve of the participants provided final versions of the papers that they had delivered at the conference, and these have been expertly edited by Dr Margaret Graves in the present volume. These twelve papers fall quite naturally into categories defined by medium. Half of them deal with the so-called "minor", "decorative" or "applied" arts - the uncertain nomenclature betrays a long outdated but still persistent Eurocentric taxonomy from which Islamic art historians have still not entirely freed themselves, and which embodies a hierarchical distinction between architecture, painting and sculpture (a notional first division) and all other arts and crafts (a notional second division). This distinction simply does not work in the field of Islamic art, where such media as metalwork, textiles and ceramics effortlessly claim major status. These media re the subject matter of the first six papers in this collection, and it is entirely appropriate that they are so well represented here. The second half of the book comprises three papers on the built environment and three on the arts of the book." -- introduction, p. v.
Islamic Art, Architecture and Material Culture
Author: Margaret S. Graves
Publisher: British Archaeological Reports Oxford Limited
ISBN: 9781407310350
Category : Decorative arts, Islamic
Languages : en
Pages : 0
Book Description
"This book is the published record of the proceedings of one of the first conferences held under the auspices of the newly established Centre for the Advanced Study of the Arab World. The Centre, set up in 2006 with a £5 million grant from the Arts and Humanities Research Council and the Economic and Social Sciences Research Council, comprises a consortium of the universities of Edinburgh, Manchester and Durham whose brief is to secure long-term improvements in the teaching of the Arabic language and of Middle Eastern studies in the United Kingdom. The conference, held in Edinburgh in August 2007 under the title 'Arab art, architecture and material culture', was organised by Margaret Graves, then a Ph.D. student of Islamic art history at the University of Edinburgh. The intention was to use the conference as a way of encouraging younger scholars of Islamic art history to present their ideas before an audience of their peers, and to highlight the variety of research currently being undertaken into Islamic art, principally in British universities - though a few speakers from abroad also contributed. Twelve of the participants provided final versions of the papers that they had delivered at the conference, and these have been expertly edited by Dr Margaret Graves in the present volume. These twelve papers fall quite naturally into categories defined by medium. Half of them deal with the so-called "minor", "decorative" or "applied" arts - the uncertain nomenclature betrays a long outdated but still persistent Eurocentric taxonomy from which Islamic art historians have still not entirely freed themselves, and which embodies a hierarchical distinction between architecture, painting and sculpture (a notional first division) and all other arts and crafts (a notional second division). This distinction simply does not work in the field of Islamic art, where such media as metalwork, textiles and ceramics effortlessly claim major status. These media re the subject matter of the first six papers in this collection, and it is entirely appropriate that they are so well represented here. The second half of the book comprises three papers on the built environment and three on the arts of the book." -- introduction, p. v.
Publisher: British Archaeological Reports Oxford Limited
ISBN: 9781407310350
Category : Decorative arts, Islamic
Languages : en
Pages : 0
Book Description
"This book is the published record of the proceedings of one of the first conferences held under the auspices of the newly established Centre for the Advanced Study of the Arab World. The Centre, set up in 2006 with a £5 million grant from the Arts and Humanities Research Council and the Economic and Social Sciences Research Council, comprises a consortium of the universities of Edinburgh, Manchester and Durham whose brief is to secure long-term improvements in the teaching of the Arabic language and of Middle Eastern studies in the United Kingdom. The conference, held in Edinburgh in August 2007 under the title 'Arab art, architecture and material culture', was organised by Margaret Graves, then a Ph.D. student of Islamic art history at the University of Edinburgh. The intention was to use the conference as a way of encouraging younger scholars of Islamic art history to present their ideas before an audience of their peers, and to highlight the variety of research currently being undertaken into Islamic art, principally in British universities - though a few speakers from abroad also contributed. Twelve of the participants provided final versions of the papers that they had delivered at the conference, and these have been expertly edited by Dr Margaret Graves in the present volume. These twelve papers fall quite naturally into categories defined by medium. Half of them deal with the so-called "minor", "decorative" or "applied" arts - the uncertain nomenclature betrays a long outdated but still persistent Eurocentric taxonomy from which Islamic art historians have still not entirely freed themselves, and which embodies a hierarchical distinction between architecture, painting and sculpture (a notional first division) and all other arts and crafts (a notional second division). This distinction simply does not work in the field of Islamic art, where such media as metalwork, textiles and ceramics effortlessly claim major status. These media re the subject matter of the first six papers in this collection, and it is entirely appropriate that they are so well represented here. The second half of the book comprises three papers on the built environment and three on the arts of the book." -- introduction, p. v.
Metalwork and Material Culture in the Islamic World
Author: Venetia Porter
Publisher: Bloomsbury Publishing
ISBN: 0857733435
Category : Art
Languages : en
Pages : 599
Book Description
The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.
Publisher: Bloomsbury Publishing
ISBN: 0857733435
Category : Art
Languages : en
Pages : 599
Book Description
The material and visual culture of the Islamic World casts vast arcs through space and time, and encompasses a huge range of artefacts and monuments from the minute to the grandiose, from ceramic pots to the great mosques. Here, Venetia Porter and Mariam Rosser-Owen assemble leading experts in the field to examine both the objects themselves and the ways in which they reflect their historical, cultural and economic contexts. With a focus on metalwork, this volume includes an important new study of Mosul metalwork and presents recent discoveries in the fields of Fatimid, Mamluk and Qajar metalwork. By examining architecture, ceramics, ivories and textiles, seventeenth-century Iranian painting and contemporary art, the book explores a wide range of artistic production and historical periods from the Umayyad caliphate to the modern Middle East. This rich and detailed volume makes a significant contribution to the fields of Art History, Architecture and Islamic Studies, bringing new objects to light, and shedding new light on old objects.
A Companion to Islamic Art and Architecture
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Islamic Art and Culture
Author: Nasser D. Khalili
Publisher:
ISBN: 9789774161940
Category : Islamic Empire
Languages : en
Pages : 186
Book Description
The artistic achievements of the Islamic world chronicled over fourteen centuries.
Publisher:
ISBN: 9789774161940
Category : Islamic Empire
Languages : en
Pages : 186
Book Description
The artistic achievements of the Islamic world chronicled over fourteen centuries.
Art and Material Culture in the Byzantine and Islamic Worlds
Author: Evanthia Baboula
Publisher: BRILL
ISBN: 9004457143
Category : Art
Languages : en
Pages : 317
Book Description
Honouring Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds analyzes aspects of the constructed narratives and reconstructed realities of the visual-material record of diverse Mediterranean faith communities from medieval into contemporary times.
Publisher: BRILL
ISBN: 9004457143
Category : Art
Languages : en
Pages : 317
Book Description
Honouring Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds analyzes aspects of the constructed narratives and reconstructed realities of the visual-material record of diverse Mediterranean faith communities from medieval into contemporary times.
Art, Trade and Culture in the Islamic World and Beyond
Author: Alison Ohta
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281
Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "
Publisher:
ISBN: 9781909942905
Category : Art
Languages : en
Pages : 281
Book Description
The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "
Islamic Art in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870991116
Category : Art
Languages : en
Pages : 344
Book Description
Islamic Art, Literature, and Culture
Author: Kathleen Kuiper Manager, Arts and Culture
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615300198
Category : Juvenile Nonfiction
Languages : en
Pages : 234
Book Description
Discusses the art, architecture, literature, and culture of Islamic nations, including the development of Arabic calligraphy, literary elements in Islamic literature, and historic traditions of Islamic visual arts.
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615300198
Category : Juvenile Nonfiction
Languages : en
Pages : 234
Book Description
Discusses the art, architecture, literature, and culture of Islamic nations, including the development of Arabic calligraphy, literary elements in Islamic literature, and historic traditions of Islamic visual arts.
What is “Islamic” Art?
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Islamic Architecture on the Move
Author: Christiane J. Gruber
Publisher:
ISBN: 9781783206391
Category : Islamic architecture
Languages : en
Pages : 264
Book Description
Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.
Publisher:
ISBN: 9781783206391
Category : Islamic architecture
Languages : en
Pages : 264
Book Description
Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.