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Author: Kathleen Kuiper Manager, Arts and Culture
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615300198
Category : Juvenile Nonfiction
Languages : en
Pages : 234
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Book Description
Discusses the art, architecture, literature, and culture of Islamic nations, including the development of Arabic calligraphy, literary elements in Islamic literature, and historic traditions of Islamic visual arts.
Author: Kathleen Kuiper Manager, Arts and Culture
Publisher: The Rosen Publishing Group, Inc
ISBN: 1615300198
Category : Juvenile Nonfiction
Languages : en
Pages : 234
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Book Description
Discusses the art, architecture, literature, and culture of Islamic nations, including the development of Arabic calligraphy, literary elements in Islamic literature, and historic traditions of Islamic visual arts.
Author: Oleg Grabar
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
The six essays of this volume, edited by Grabar (Harvard U. and the Institute for Advanced Study at Princeton) and Robinson (U. of New Mexico) explore a hitherto neglected aspect of Islamic art: the interaction between text and image. Among the topics are the love story Bayad wa Riyad from 13C Spain (by Robinson), Ferdowsi's Shahnameh, 17C Persian narrative of sounds, and the visual imagination in classical Arabic biography. Each essay is followed by lengthy endnotes, but the volume is not indexed. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Idries Trevathan
Publisher: Saqi Books
ISBN: 086356190X
Category : Art
Languages : en
Pages : 292
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Book Description
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Author: Seyyed Hossein Nasr
Publisher: SUNY Press
ISBN: 9780887061752
Category : Art
Languages : en
Pages : 244
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Book Description
This is the first book in the English language to deal with the spiritual significance of Islamic art including not only the plastic arts, but also literature and music. Rather than only dealing with the history of the various arts of Islam or their description, the author relates the form, content, symbolic language, meaning, and presence of these arts to the very sources of the Islamic revelation. Relying upon his extensive knowledge of the Islamic religion in both its exoteric and esoteric dimensions as well as the various Islamic sciences, the author relates Islamic art to the inner dimensions of the Islamic revelation and the spirituality which has issued from it. He brings out the spiritual significance of the Islamic arts ranging from architecture to music as seen, heard, and experienced by one living within the universe of the Islamic tradition. In this work the reader is made to understand the meaning of Islamic art for those living within the civilization which created it.
Author: Nasser D. Khalili
Publisher:
ISBN: 9789774161940
Category : Islamic Empire
Languages : en
Pages : 186
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Book Description
The artistic achievements of the Islamic world chronicled over fourteen centuries.
Author: Jonathan M. Bloom
Publisher: Yale University Press
ISBN: 0300243472
Category : Art
Languages : en
Pages : 348
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Book Description
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Author: Onur Öztürk
Publisher: Routledge
ISBN: 100055595X
Category : Art
Languages : en
Pages : 320
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Book Description
Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.
Author: Robert Hillenbrand
Publisher:
ISBN: 9781904597490
Category : Early printed books
Languages : en
Pages : 0
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Book Description
The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole. Contents: Preface The Uses of Space in Timurid Painting The Iconography of the Shah-nama-yi Shahi The Iskandar Cycle in the Great Mongol Shahnama Images of Muhammad in al-Biruni's Chronology of Ancient Nations The Arts of the Book in Ilkhanid Iran The paintings of Rashid al-Din's 'Universal History' at Edinburgh Mamluk and Ilkhanid Bestiaries: Convention and Experiment The Qur'an Illuminated The relationship between book painting and luxury ceramics in 13th-century Iran, The Message of Misfortune Literature and the visual arts; New Perspectives in Shahnama Iconography Erudition exalted: the double frontispiece to The Epistles of the Sincere Brethren The Shahnama and the illustrated book Islamic Bookbinding Index
Author: Oleg Grabar
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780860789260
Category : Art
Languages : en
Pages : 400
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Book Description
The articles selected for Islamic Art and Beyond, the third in the set of four selections of articles by Oleg Grabar, illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world.
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
