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Author: Averil King
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
This is the first western study of the renowned Russian nineteenth-century landscape painter, Isaak Levitan (1860-1900). Published to coincide with the recent opening of the 'Russian Landscape Painting' exhibition in Groningen, Netherlands. Born into a poor Jewish family in Lithuania, Levitan was able to enrol at the Moscow School of Painting when aged only thirteen and made rapid progress, the great merchant collector, Pavel Tretyakov buying one of his early paintings. In 1876 he sketched in the Crimea and during the summers of 1887 and 1890 he painted in the Volga region. These years saw the development of his long friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, north Italy, Switzerland, Munich and Vienna and was thus, unlike most of his Russian comtemporaries, well aware of the artistic trends in the west. His experience of European painting added considerably to the breadth of his vision in depicting the Russian terrain. In doing this Levitan sought simple but well-loved motifs of the countryside, portraying them in an increasingly laconic and intelligent way. Levitan's scenes of fields and forests at twilight achieve an extraordinary atmospheric veracity, while his joyful evocations of the Russian spring are noted for their expressive lyricism. His work was greatly admired by Diaghilev, the legendary theatre manager Stanislavsky, and the world-famous opera singer Chaliapin. Towards the end of his short life Levitan exhibited regularly with the Itinerants (the Russian association for travelling exhibitions) and with the Munich Secession and was responsible for revitalising the teaching of landscape painting in Moscow.
Author: Averil King
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 134
Get Book Here
Book Description
This is the first western study of the renowned Russian nineteenth-century landscape painter, Isaak Levitan (1860-1900). Published to coincide with the recent opening of the 'Russian Landscape Painting' exhibition in Groningen, Netherlands. Born into a poor Jewish family in Lithuania, Levitan was able to enrol at the Moscow School of Painting when aged only thirteen and made rapid progress, the great merchant collector, Pavel Tretyakov buying one of his early paintings. In 1876 he sketched in the Crimea and during the summers of 1887 and 1890 he painted in the Volga region. These years saw the development of his long friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, north Italy, Switzerland, Munich and Vienna and was thus, unlike most of his Russian comtemporaries, well aware of the artistic trends in the west. His experience of European painting added considerably to the breadth of his vision in depicting the Russian terrain. In doing this Levitan sought simple but well-loved motifs of the countryside, portraying them in an increasingly laconic and intelligent way. Levitan's scenes of fields and forests at twilight achieve an extraordinary atmospheric veracity, while his joyful evocations of the Russian spring are noted for their expressive lyricism. His work was greatly admired by Diaghilev, the legendary theatre manager Stanislavsky, and the world-famous opera singer Chaliapin. Towards the end of his short life Levitan exhibited regularly with the Itinerants (the Russian association for travelling exhibitions) and with the Munich Secession and was responsible for revitalising the teaching of landscape painting in Moscow.
Author: Serge Vladimir Gregory
Publisher:
ISBN: 9780875807317
Category : BIOGRAPHY & AUTOBIOGRAPHY
Languages : en
Pages : 0
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Book Description
Antosha and Levitasha is the first book in English devoted to the complex relationship between Anton Chekhov and Isaac Levitan, one of Russia's greatest landscape painters. Outside of Russia, a general lack of familiarity with Levitan's life and art has undermined an appreciation of the cultural significance of his friendship with Chekhov. Serge Gregory's highly readable study attempts to fill that gap for Western readers by examining a friendship that may have vacillated between periods of affection and animosity, but always reflected an unwavering shared aesthetic. In Russia, where entire rooms of galleries in Moscow and St. Petersburg are devoted to Levitan's paintings, the lives of the famous writer and the equally famous artist have long been tied together. To those familiar with the work of both men, it is evident that Levitan's "landscapes of mood" have much in common with the way that Chekhov's characters perceive nature as a reflection of their emotional state. Gregory focuses on three overarching themes: the artists' similar approach to depicting landscape; their romantic and social rivalries within their circle of friends, which included many of Moscow's leading cultural figures; and the influence of Levitan's personal life on Chekhov's stories and plays. He emphasizes the facts of Levitan's life and his place in late nineteenth-century Russian art, particularly with respect to his dual loyalties to the competing Itinerant and World of Art movements. Accessible and engaging, Antosha and Levitasha will appeal to scholars and general readers interested in art history, late nineteenth-century Russian culture, and biographies.
Author: Alexei Fiodorov-Davydov
Publisher: Parkstone International
ISBN: 1644618796
Category : Art
Languages : en
Pages : 159
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Book Description
Isaac Levitan was one of the greatest landscape painters of the nineteenth century not only in Russian, but in European art as well. He created works of undying artistic merit. His art is for all time and for all people because it absorbed into itself the woes, the joys and the social realities of its age, because it converted that which men lived by into sublime works of art and translated the author’s emotions into lyrical images of his native land. At the end of the nineteenth century the landscape was one of the foremost genres in Russian painting. It was this influence that shaped Levitan’s art, an art fully and by right symbolic of the finest achievements of Russian landscape painting.
Author: Raia Iotova
Publisher:
ISBN: 9781986684071
Category :
Languages : en
Pages : 90
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Book Description
Isaac llyich Levitan (1860 -1900) was a classical Russian landscape painter who advanced the genre of the "mood landscape". Isaac Levitan's hugely influential art heritage consists of more than a thousand paintings, among them watercolors, pastels, graphics, and illustrations.Levitan's work was a profound response to the lyrical charm of the Russian landscape.Characteristic of his work is a hushed and nearly melancholic reverie amidst pastoral landscapes largely devoid of human presence. Fine examples of these qualities include The Vladimirka Road, 1892 Evening Bells, 1892, and Eternal Rest, 1894. Though his late work displayed familiarity with Impressionism, his palette was generally muted, and his tendencies were more naturalistic and poetic than optical or scientific.
Author: Ivan Alekseevich Bunin
Publisher: Northwestern University Press
ISBN: 0810123886
Category : Biography & Autobiography
Languages : en
Pages : 231
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Book Description
Seven years after the death of Anton Chekhov, his sister, Maria, wrote to a friend, "You asked for someone who could write a biography of my deceased brother. If you recall, I recommended Iv. Al. Bunin . . . . No one writes better than he; he knew and understood my deceased brother very well; he can go about the endeavor objectively. . . . I repeat, I would very much like this biography to correspond to reality and that it be written by I.A. Bunin." In About Chekhov Ivan Bunin sought to free the writer from limiting political, social, and aesthetic assessments of his life and work, and to present both in a more genuine, insightful, and personal way. Editor and translator Thomas Gaiton Marullo subtitles About Chekhov "The Unfinished Symphony," because although Bunin did not complete the work before his death in 1953, he nonetheless fashioned his memoir as a moving orchestral work on the writers' existence and art. . . . "Even in its unfinished state, About Chekhov stands not only as a stirring testament of one writer's respect and affection for another, but also as a living memorial to two highly creative artists." Bunin draws on his intimate knowledge of Chekhov to depict the writer at work, in love, and in relation with such writers as Tolstoy and Gorky. Through anecdotes and observations, spirited exchanges and reflections, this memoir draws a unique portrait that plumbs the depths and complexities of two of Russia's greatest writers.
Author: Yelena Nesterova
Publisher:
ISBN:
Category : Itinerant painters
Languages : en
Pages : 270
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Book Description
Author: Ted Macaluso
Publisher: Owls Cove Press
ISBN: 0997139331
Category : Juvenile Fiction
Languages : en
Pages : 71
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Book Description
When Jamie and her brother Billy are trapped inside a painting, they want nothing more than to get back to the real museum. But every time they try going back, the museum disappears. They need to find Paul Cézanne to reveal the trick to getting home--and that's not easy. To find him, they need to learn how to experience and appreciate artistic works. Journey with the siblings as they step into a world of art and adventure. The two children navigate among several styles of painting by artists from six countries. In the form of a mystery, Jamie and Billy learn to recognize the work of Paul Cézanne as compared to Claude Monet, Isaac Levitan, and others. The book is exciting on its own and can also support a student’s understanding of the National Core Arts Standards. Grades 2 to 4.
Author: Emile A. Gruppé
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
Author: Claudia Moscovici
Publisher: Lexington Books
ISBN: 0739160508
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
Claudia Moscovici asserts in Romanticism and Postromanticism that the Romantic heritage, far from being important only in a historical sense, has philosophical relevance and value for contemporary art and culture. With an emphasis on artistic tradition as a continuing source of inspiration and innovation, she touches upon each main branch of philosophy: aesthetics, epistemology, and ethics. The book begins by describing some of the most interesting features of the Romantic movement that still fuel our culture. It then addresses the question: How did an artistic movement whose focus was emotive expression change into a quest for formal experimentation? And finally, Moscovici considers the aesthetic philosophy of postromanticism by thinking through how the Romantic emphasis upon beauty and passion can be combined with the modern and postmodern emphasis on originality and experimentation.
Author: Odd Nerdrum
Publisher: Schibsted Forlag
ISBN: 9788251636384
Category : Kitsch
Languages : en
Pages : 0
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Book Description
Kitsch is Odd Nerdrum's luxuriously produced apologia for the enduring relevance of the old master style. Containing writings and interviews by and with Nerdrum alongside hefty plate sections of both Nerdrum's own paintings and those by painters he sees as exemplars of a certain kind of figurative art, it is a bold attack on the foundations of modernism. In Nerdrum's view, what we call "kitsch" art is a consequence of modernism's "make it new" ethic. For Nerdrum, this insistence on novelty has permeated the thinking of institutions, critics, artists and the public, and has effectively suppressed what Nerdrum most values in a work of art: sentimentality, passion, pathos and the self-evident skill and emotion of sheer craft. By this latter value in particular, the kitsch painter is able to work according to knowable standards that painting prior to modernism has established--standards that are "more than art," for, as Nerdrum puts it, "the kitsch painter commits himself to the eternal: love, death and the sunrise." Kitsch is a manifesto that recruits figurative painters both old and new, such as William Dyce, Paul Fenniak, Sampo Kaikkonen, Isaac Levitan, Osiris Rain, Ilya Repin, Giovanni Segantini, Valentin Serov, George Tooker, George Frederick Watts and Anders Zorn, and situates their work alongside more than 70 of Nerdrum's recent paintings. Alongside essays, poems and plays by the artist, Kitsch contains an extended dialogue on the topic between Nerdrum and Maria Kreyn.
