Author: E. Stanley Richardson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544099132
Category :
Languages : en
Pages : 240
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Book Description
"There is no magic more powerful than music" ~ African Proverb In his debut poetry collection, E.Stanley Richardson captures the visual eclectic voice and expression of the "everyday" African American experience in a style and rhythm reminiscent of the "Black Arts Movement" "Hip Hop Is Dead - Long Live Hip Hop, The Birth, Death And Resurrection Of Hip Hop Activism" is a unique lyrical blend of Gospel, Blues, Jazz, Soul and "Hip Hop" poetry that testifies to the transcendent Ancestral Power and influence of African American music, its historical relationship to "social struggle" and to the "colonial mechanisms" within the dominant oppressive culture that conspire to appropriate, suppress, distort and control radical progressive African American music and art. This is poetry that speaks! It summons us all to creative social and political action, while simultaneously asking a divine question, "How Sacred Is The Music?" ~ Long Live Hip Hop
Author: Roy Christopher
Publisher: Watkins Media Limited
ISBN: 1912248352
Category : Music
Languages : en
Pages : 288
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Book Description
The story of how hip-hop created, and came to dominate, the twenty-first century. In Dead Precedents, Roy Christopher traces the story of how hip-hop invented the twenty-first century. Emerging alongside cyberpunk in the 1980s, the hallmarks of hip-hop - allusion, self-reference, the use of new technologies, sampling, the cutting and splicing of language and sound - would come to define the culture of the new millennium. Taking in the groundbreaking work of DJs and MCs, alongside writers like Dick and Gibson, as well as graffiti and DIY culture, Dead Precedents is a counter-culture history of the twentieth century, showcasing hip-hop's role in the creation of the world we now live in.
Author: Mickey Hess
Publisher: Bloomsbury Publishing USA
ISBN: 1567207219
Category : Music
Languages : en
Pages : 207
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Book Description
Hip hop is remarkably self-critical as a genre. In lyrics, rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn, who owns the culture and who runs the industry, and most importantly, how to remain true to the culture's roots while also seeking fame and fortune. The tension between the desires to preserve hip hop's original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream, this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers. Proclamations of hip hop's death have flooded the airwaves. The issue may have reached its boiling point in Nas's 2006 album Hip Hop is Dead. Nas's album is driven by nostalgia for a mythically pure moment in hip hop's history, when the music was motivated by artistic passion, instead of base commercialism. In the course of this same album, however, Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. Many hip hop artists, both mainstream and underground, use their lyrics to engage in a complex dialogue about rhyme skills versus record sales, and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience, rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative, yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence, diligence, and delayed gratification. Hip hop's narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop, and the threats to hip hop culture, author Mickey Hess is able to confront a range of important issues, including race, class, criminality, authenticity, the media, and personal identity.
Author: M. K. Asante, Jr.
Publisher: St. Martin's Press
ISBN: 1429946350
Category : Social Science
Languages : en
Pages : 304
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Book Description
In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."
Author: Mickey Hess
Publisher: Praeger
ISBN: 0275994619
Category : Music
Languages : en
Pages : 0
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Book Description
Aims to illuminate the origins of hip-hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies, government censorship, and the standardization of the rap image. This book provides a common ground upon which to reconsider many of the developments in the industry.
Author: Michael Eric Dyson
Publisher: Civitas Books
ISBN: 0465002110
Category : Music
Languages : en
Pages : 322
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Book Description
Academic essays reflect on the 1994 album Illmatic by Nasir "Nas" Jones, covering topics ranging from jazz history to gender.
Author: Jared A. Ball
Publisher: AK Press
ISBN: 1849350582
Category : Music
Languages : en
Pages : 242
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Book Description
I Mix What I Like is a study of the hip-hop mixtape as a tool of emancipatory journalism. Looking at colonialism, the media, education, intellectual property, and popular culture Jared Ball examines the ways in which the grassroots history of the rap music mixtape can encourage new forms of political organization and struggle.
Author: Paul Cantor
Publisher: Abrams
ISBN: 1647005221
Category : Biography & Autobiography
Languages : en
Pages : 369
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Book Description
The first biography of rapper Mac Miller, the Pittsburgh cult favorite–turned–rap superstar who touched the lives of millions before tragically passing away at the age of 26—now in paperback Malcolm James McCormick was born on January 19, 1992. He began making music at a young age and by 15 was already releasing mixtapes. One of the first true viral superstars, his early records earned him a rabid legion of die-hard fans—as well as a few noteworthy detractors. But despite his undeniable success, Miller was plagued by struggles with substance abuse and depression, both of which fueled his raw and genre-defying music, yet ultimately led to his demise. Through detailed reporting and interviews with dozens of Miller’s confidants, Paul Cantor brings you to leafy Pittsburgh, seductive Los Angeles, and frenzied New York, where you will meet Miller’s collaborators, producers, business partners, best friends, and even his roommates. Traveling deep into Miller’s inner circle, behind the curtain, the velvet ropes, and studio doors, Most Dope tells the story of a passionate, gifted young man who achieved his life’s ambition, only to be undone by his personal demons. Most Dope is part love letter, part cautionary tale, never shying away from the raw, visceral way Mac Miller lived his life. Praise for Most Dope "A tender, studious remembrance." —The New York Times Book Review "An insightful exploration of his life . . . painstakingly reported by Cantor, who interviewed more than 100 people during a three-year process." —USA Today "An inside look at Miller's life through the eyes of his friends and industry peers, tracking the musician's life journey as he quickly ascended the ranks." —Daily Beast
Author: Todd Boyd
Publisher: NYU Press
ISBN: 9780814798966
Category : History
Languages : en
Pages : 196
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Book Description
Challenging conventional wisdom on a range of issues, Todd Boyd examines the debates over use of the "N-word" and the "get money" ethos of hip hop moguls like Sean "P. Diddy" Combs. He also looks at hip hop's impact on a diverse array of figures, from Bill Clinton and Eminem to Jennifer Lopez.
Author: Murray Forman
Publisher: Wesleyan University Press
ISBN: 0819501662
Category : Music
Languages : en
Pages : 413
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Book Description
