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Author: Neal B. Keating
Publisher:
ISBN: 9780806138909
Category : Iroquois Indians
Languages : en
Pages : 0
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Book Description
In this richly illustrated book, Neal B. Keating explores Iroquois visual expression through more than five thousand years, from its emergence in ancient North America into the early twenty-first century. Drawing on extensive archival research and fieldwork with Iroquois artists and communities, Keating foregrounds the voices and visions of Iroquois peoples, revealing how they have continuously used visual expression to adapt creatively to shifting political and economic environments. Iroquois, or Haudenosaunee, peoples have long been the subjects of Western study. From the seventeenth to the nineteenth century, European and Euro- American writers classified Iroquois works not as art but as culturally lower forms of expression. During the twentieth century, Western critics commonly rejected contemporary Native art both as art and as an "inauthentic" expression of Indianness. Keating exposes the false assumptions underlying these perceptions. Approaching his subject from the perspective of an anthropologist, he focuses on the social relations and processes that are indexed by Iroquois visual culture through time, and he shows how Iroquois images are deployed in colonized contexts. As he traces the history of Iroquois art practice, Keating seeks a middle road between ethnohistorical approaches and the activist perspectives of contemporaryartists. He is one of the first scholars in Iroquois studies to emphasize painting, a popular art form among present-day Iroquois. He conceptualizes painting broadly, to include writing, incising, drawing, tattoo, body painting, photography, videography, and digital media. Featuring more than 100 color and black-and-white reproductions, this volume embraces a wide array of artworks in diverse media, prompting new appreciation--and deeper understanding--of Iroquois art and its historical and contemporary significance.
Author: Neal B. Keating
Publisher:
ISBN: 9780806138909
Category : Iroquois Indians
Languages : en
Pages : 0
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Book Description
In this richly illustrated book, Neal B. Keating explores Iroquois visual expression through more than five thousand years, from its emergence in ancient North America into the early twenty-first century. Drawing on extensive archival research and fieldwork with Iroquois artists and communities, Keating foregrounds the voices and visions of Iroquois peoples, revealing how they have continuously used visual expression to adapt creatively to shifting political and economic environments. Iroquois, or Haudenosaunee, peoples have long been the subjects of Western study. From the seventeenth to the nineteenth century, European and Euro- American writers classified Iroquois works not as art but as culturally lower forms of expression. During the twentieth century, Western critics commonly rejected contemporary Native art both as art and as an "inauthentic" expression of Indianness. Keating exposes the false assumptions underlying these perceptions. Approaching his subject from the perspective of an anthropologist, he focuses on the social relations and processes that are indexed by Iroquois visual culture through time, and he shows how Iroquois images are deployed in colonized contexts. As he traces the history of Iroquois art practice, Keating seeks a middle road between ethnohistorical approaches and the activist perspectives of contemporaryartists. He is one of the first scholars in Iroquois studies to emphasize painting, a popular art form among present-day Iroquois. He conceptualizes painting broadly, to include writing, incising, drawing, tattoo, body painting, photography, videography, and digital media. Featuring more than 100 color and black-and-white reproductions, this volume embraces a wide array of artworks in diverse media, prompting new appreciation--and deeper understanding--of Iroquois art and its historical and contemporary significance.
Author: Carrie Alberta Lyford
Publisher: Hancock House Publishing
ISBN:
Category : Gardening
Languages : en
Pages : 136
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Book Description
Author: Darren Bonaparte
Publisher:
ISBN: 9780973932201
Category : History
Languages : en
Pages : 138
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Book Description
In addition to the wampum belts that form our archives, the People of the Longhouse have also recorded our history and culture in written documents. This Rotinonhsión: ni literary tradition reached its zenith in the 19th century, with the works of men like Joseph Brant, Major John Norton, David Cusick, J. N. B. Hewitt, Seth Newhouse, and John Arthur Gibson, to name just a few. They have preserved for us not only our creation story and epic of confederation, but the story of our own evolution. Written and illustrated by Darren Bonaparte (Mohawk) with additional illustrations by Dave Fadden, Thomas Deer, Natasha Smoke- Santiago, and Curtis Mitchell, Jr.
Author: Michael Johnson
Publisher:
ISBN: 9781770852181
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
An authoritative illustrated study of the People of the Longhouse. In this handsome book, Michael G. Johnson, the author of the award-winning Encyclopedia of Native American Tribes and its companion, Arts and Crafts of the North American Tribes, looks at the people of the Iroquois Confederacy. The tribes were the Mohawk, Oneida, Cayuga, Onondaga, Seneca, and -- admitted into the Iroquois as a sixth nation by 1722 -- the Tuscarora. Iroquois: People of the Longhouse details their story up to the present day, when perhaps 50,000 people of Iroquois descent still live on, or near, their reserves in Canada and the U.S., with that many again living in cities. Rich with archival, contemporary and modern photographs, maps and illustrations, Iroquois: People of the Longhouse contains certainty: The Origins of the Iroquois Confederacy The Six Nations and Incorporated Tribes History 1500-1750 The French and Indian War 1754-1766 New Wars in the Old Northwest The American Revolution and the Aftermath Disintegration, Reformation and Perseverance 1783 to the Present Iroquois in the West Iroquois Social & Political Warfare Food and Flora Religion and Rituals Material Culture: Longhouses, Dress, Wampum, Masks, Decorative Art, Beadwork Important People in Six Nations History. An Iroquois gazetteer, bibliography and list of Iroquois reserves and reservations and their populations complete this authoritative reference.
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Carrie Alberta Lyford
Publisher:
ISBN:
Category : Handicraft
Languages : en
Pages : 112
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Book Description
Author: Amerika Haus (Frankfurt am Main, Germany)
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
A companion to an exhibit in Frankfurt am Main, Germany, from March to May 1998. In addition to a catalog of the pieces shown, includes information about the artists and essays on the fine art of defining the Haudenosaunee, continuity and change in Iroquois visual arts, native voices on current Iroquois issue, fluid identities, and other topics. About half the illustrations are in color. No index. Distributed by U. of Washington Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816550379
Category : History
Languages : en
Pages : 312
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Book Description
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1512
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Book Description
Author: Philbrook Art Center
Publisher: Hudson Hills
ISBN: 9780933920569
Category : Art
Languages : en
Pages : 328
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Book Description
Fourteen authorities explore sociology, anthropology, art history of Native American creativity.
