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Author: C. Culleton
Publisher: Springer
ISBN: 0230617190
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.
Author: C. Culleton
Publisher: Springer
ISBN: 0230617190
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book scrutinizes the way modern Irish writers exploited or surrendered to primitivism, and how primitivism functions as an idealized nostalgia for the past as a potential representation of difference and connection.
Author: Ulrika Maude
Publisher: Bloomsbury Publishing
ISBN: 1780936559
Category : Literary Criticism
Languages : en
Pages : 561
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Book Description
In this book, leading international scholars explore the major ideas and debates that have made the study of modernist literature one of the most vibrant areas of literary studies today. The Bloomsbury Companion to Modernist Literature offers a comprehensive guide to current research in the field, covering topics including: · The modernist everyday: emotion, myth, geographies and language scepticism · Modernist literature and the arts: music, the visual arts, cinema and popular culture · Textual and archival approaches: manuscripts, genetic criticism and modernist magazines · Modernist literature and science: sexology, neurology, psychology, technology and the theory of relativity · The geopolitics of modernism: globalization, politics and economics · Resources: keywords and an annotated bibliography
Author: Václav Paris
Publisher: Oxford University Press
ISBN: 0192638653
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Modernist epic is more interesting and more diverse than we have supposed. As a radical form of national fiction it appeared in many parts of the world in the early twentieth century. Reading a selection of works from the United States, England, Ireland, Czechoslovakia, and Brazil, The Evolutions of Modernist Epic develops a comparative theory of this genre and its global development. That development was, it argues, bound up with new ideas about biological evolution. During the first decades of the twentieth century--a period known, in the history of evolutionary science, as 'the eclipse of Darwinism'--evolution's significance was questioned, rethought, and ultimately confined to the Neo-Darwinist discourse with which we are familiar today. Epic fiction participated in, and was shaped by, this shift. Drawing on queer forms of sexuality to cultivate anti-heroic and non-progressive modes of telling national stories, the genre contested reductive and reactionary forms of social Darwinism. The book describes how, in doing so, the genre asks us to revisit our assumptions about ethnolinguistics and organic nationalism. It also models how the history of evolutionary thought can provide a new basis for comparing diverse modernisms and their peculiar nativisms.
Author: Cóilín Parsons
Publisher: Oxford University Press
ISBN: 0191080365
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland, tracing a history of Irish writing through James Clarence Mangan, J.M. Synge, W.B. Yeats, James Joyce, and Samuel Beckett. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that one of the sources of Irish modernism lies in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. The Ordnance Survey instituted a practice of depicting the country as modern, fragmented, alienated, and troubled, both diagnosing and representing a landscape burdened with the paradoxes of colonial modernity. Subsequent literature returns in varying ways, both imitative and combative, to the complex representational challenge that the Survey confronts and seeks to surmount. From a colonial mapping project to an engine of nationalist imagining, and finally a framework by which to evade the claims of the postcolonial nation, the Ordnance Survey was a central imaginative source of what makes Irish modernist writing both formally innovative and politically challenging. Drawing on literary theory, studies of space, the history of cartography, postcolonial theory, archive theory, and the field Irish Studies, The Ordnance Survey and Modern Irish Literature paints a picture of Irish writing deeply engaged in the representation of a multi-layered landscape.
Author: Seán Hewitt
Publisher: Oxford University Press
ISBN: 0192606662
Category : Drama
Languages : en
Pages : 256
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Book Description
This book is a complete re-assessment of the works of J.M. Synge, one of Ireland's major playwrights. The book offers the first complete consideration of all of Synge's major plays and prose works in nearly 30 years, drawing on extensive archival research to offer innovative new readings. Much work has been done in recent years to uncover Synge's modernity and to emphasise his political consciousness. This book builds on this re-assessment, undertaking a full systematic exploration of Synge's published and unpublished works. Tracing his journey from an early Romanticism through to the more combative modernism of his later work, the book's innovative methodology treats text as process, and considers Synge's reading materials, his drafts, letters, diaries, and journalism, turning up exciting and unexpected revelations. Thus, Synge's engagement with occultism, pantheism, socialism, Darwinism, and even a late reaction against eugenic nationalisms, are all brought into the critical discussion. Breaking new ground in ascertaining the tenets of Synge's spirituality, and his aesthetic and political idealization of harmony with nature, the book also builds on new work in modernist studies, arguing that Synge can be understood as a leftist modernist, exhibiting many of the key concerns of early modernism, but routing them through a socialist politics. Thus, this book is valuable not only to considerations of Synge and the Irish Revival, but also to modernist studies more broadly.
Author: Sreya Chatterjee
Publisher: Routledge
ISBN: 100036559X
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Family Fictions and World Making: Irish and Indian Women’s Writing in the Contemporary Era is the first book-length comparative study of family novels from Ireland and India. On the one hand, despite an early as well as late colonial experience, Ireland is often viewed exclusively within a metropolitan British and Europe-centered frame. India, on the other hand, once seen as a model of decolonization for the non-Western world, has witnessed a crisis of democracy in recent years. This book charts the idea of "world making" through the fraught itineraries of the Irish and the Indian family novel. The novels discussed in the book foreground kinship based on ideological rather than biological ties and recast the family as a nucleus of interests across national borders. The book considers the work of critically acclaimed women authors Anne Enright, Elizabeth Bowen, Mahasweta Devi, Jennifer Johnston, Kiran Desai and Molly Keane. These writers are explored as representative voices for the interwar years, the late-modern period, and the globalization era. They not only push back against the male nationalist idiom of the family but also successfully interrogate family fiction as a supposedly private genre. The broad timeframe of Family Fictions and World Making from the interwar period to the globalization era initiates a dialogue between the early and the current debates around core and periphery in postcolonial literature.
Author: Paul Fagan
Publisher: Bloomsbury Publishing
ISBN: 1350177377
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
This book focuses on previously unexplored gaps, limitations and avenues of inquiry within the canon and scholarship of Irish modernism to develop a more attentive and fluid theoretical account of this conceptual field. Foregrounding interfaces between literary, visual, musical, dramatic, cinematic, epistolary and journalistic media, these essays introduce previously peripheral writers, artists and cultural figures to debates about Irish modernism: Hannah Berman, Ethel Colburn Mayne, Mary Devenport O'Neill, Sheila Wingfield, Freda Laughton, Rhoda Coghill, Elizabeth Bowen, Máirtín Ó Cadhain, Joseph Plunkett, Liam O'Flaherty, Edward Martyn, Jane Barlow, Seosamh Ó Torna, Jack B. Yeats and Brian O'Nolan all feature here to interrogate the term's implications. Probing Irish modernism's responsiveness to contemporary theory beyond postcolonial and Irish studies, Irish Modernisms: Gaps, Conjectures, Possibilities uses diverse paradigms, including weak theory, biopolitics, posthumanism and the nonhuman turn, to rethink Irish modernism's organising themes: the material body, language, mediality, canonicity, war, state violence, prostitution, temporality, death, mourning. Across the volume, cutting-edge work from queer theory and gender studies draws urgent attention to the too-often marginalized importance of women's writing and queer expression to the Irish avant-garde, while critical reappraisals of the coordinates of race and national history compel us to ask not only where and when Irish modernism occurred, but also whose modernism it was?
Author: Eve Patten
Publisher: Oxford University Press
ISBN: 0198869169
Category :
Languages : en
Pages : 241
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Book Description
This book asks how English authors of the early to mid twentieth-century responded to the nationalist revolution in neighbouring Ireland in their work, and explores this response as an expression of anxieties about, and aspirations within, England itself. Drawing predominantly on novels ofthis period, but also on letters, travelogues, literary criticism, and memoir, it illustrates how Irish affairs provided a marginal but pervasive point of reference for a wide range of canonical authors in England, including Wyndham Lewis, Virginia Woolf, D.H. Lawrence, Graham Greene, and EvelynWaugh, and also for many lesser-known figures such as Ethel Mannin, George Thomson, and T.H. White.The book surveys these and other incidental writers within the broad framework of literary modernism, an arc seen to run in temporal parallel to Ireland's revolutionary trajectory from rebellion to independence. In this context, it addresses two distinct aspects of the Irish-English relationship asit features in the literature of the time: first, the uneasy recognition of a fundamental similarity between the two countries in terms of their potential for violent revolutionary instability, and second, the proleptic engagement of Irish events to prefigure, imaginatively, the potential course ofEngland's evolution from the Armistice to the Second World War. Tracing these effects, this book offers a topical renegotiation of the connections between Irish and English literary culture, nationalism, and political ideology, together with a new perspective on the Irish sources engaged by Englishliterary modernism.
Author: C. Culleton
Publisher: Springer
ISBN: 0230610390
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Modernism on File: Writers, Artists, and the FBI, 1920-1950 brings together important new scholarship focused on J. Edgar Hoover's FBI and its institutional presence in shaping and directing American print, film, and art culture. From Harlem to Hollywood, Hoover and his bureau workers were bent on decontaminating America's creativity and this collection looks at the writers and artists who were tagged, tracked, and in some cases, trapped by the FBI. Contributors detail the threatening aspects of political power and critique the very historiography of modernism, acknowledging that modernism was on trial during those years.
Author: Patricia Laurence
Publisher: Springer Nature
ISBN: 3030264157
Category : Language Arts & Disciplines
Languages : en
Pages : 366
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Book Description
Elizabeth Bowen: A Literary Life reinvents Bowen as a public intellectual, propagandist, spy, cultural ambassador, journalist, and essayist as well as a writer of fiction. Patricia Laurence counters the popular image of Bowen as a mannered, reserved Anglo-Irish writer and presents her as a bold, independent woman who took risks and made her own rules in life and writing. This biography distinguishes itself from others in the depth of research into the life experiences that fueled Bowen’s writing: her espionage for the British Ministry of Information in neutral Ireland, 1940-1941, and the devoted circle of friends, lovers, intellectuals and writers whom she valued: Isaiah Berlin, William Plomer, Maurice Bowra, Stuart Hampshire, Charles Ritchie, Sean O’Faolain, Virginia Woolf, Rosamond Lehmann, and Eudora Welty, among others. The biography also demonstrates how her feelings of irresolution about national identity and gender roles were dispelled through her writing. Her vivid fiction, often about girls and women, is laced with irony about smooth social surfaces rent by disruptive emotion, the sadness of beleaguered adolescents, the occurrence of cultural dislocation, historical atmosphere, as well as undercurrents of violence in small events, and betrayal and disappointment in romance. Her strong visual imagination—so much a part of the texture of her writing—traces places, scenes, landscapes, and objects that subliminally reveal hidden aspects of her characters. Though her reputation faltered in the 1960s-1970s given her political and social conservatism, now, readers are discovering her passionate and poetic temperament and writing as well as the historical consciousness behind her worldly exterior and writing.
