Irish Literary and Musical Studies PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Irish Literary and Musical Studies PDF full book. Access full book title Irish Literary and Musical Studies by Alfred Perceval Graves. Download full books in PDF and EPUB format.
Author: Alfred Perceval Graves
Publisher: London : Scribner
ISBN:
Category : English poetry
Languages : en
Pages : 258
Get Book Here
Book Description
Author: Alfred Perceval Graves
Publisher: London : Scribner
ISBN:
Category : English poetry
Languages : en
Pages : 258
Get Book Here
Book Description
Author: Alfred Perceval Graves
Publisher:
ISBN:
Category : Irish poetry
Languages : en
Pages : 240
Get Book Here
Book Description
Author: Alfred Perceval Graves
Publisher: Forgotten Books
ISBN: 9780267121052
Category : Poetry
Languages : en
Pages : 254
Get Book Here
Book Description
Excerpt from Irish Literary and Musical Studies My original verse translations from the Irish contained in the articles on Celtic Nature Poetry, Early Irish Religious Poetry, and The Preternatural in Early Irish Poetry, and many others, by my own and other hands, will appear in an anthology of English verse renderings of Irish Poetry entitled Earpstrings of tke [risk Gael, with some twenty illustrations in colour, Celtic capital letters, and a cover of Celtic design by George Morrow, to be published coincidently with this volume by the devin-adair Company of 437, Fifth Avenue, New York. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Alfred Perceval 1846-1931 Graves
Publisher: Wentworth Press
ISBN: 9781374081529
Category : History
Languages : en
Pages : 256
Get Book Here
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Harry White
Publisher: Oxford University Press
ISBN: 0199547327
Category : Language Arts & Disciplines
Languages : en
Pages : 279
Get Book Here
Book Description
This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney.
Author: Gerard Gillen
Publisher: Irish Musical Studies
ISBN:
Category : History
Languages : en
Pages : 248
Get Book Here
Book Description
Publisher and editors change over the course of the series.
Author: Harry White
Publisher: OUP Oxford
ISBN: 0191563161
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
Author: Noel McLaughlin
Publisher:
ISBN: 9780716530763
Category : Popular music
Languages : en
Pages : 0
Get Book Here
Book Description
This volume explores Irish rock's relationship to the wider world of international popular music through detailed analysis of the island's most prominent artists and bands such as U2, Van Morrison, Sinéad O'Connor, The Boomtown Rats, and Horslips - and key musical movements including the beat scene and the folk revival.
Author: Áine Mangaoang
Publisher: Routledge
ISBN: 0429811853
Category : Music
Languages : en
Pages : 361
Get Book Here
Book Description
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.
Author: Adam R. Kaul
Publisher: Berghahn Books
ISBN: 9781845456238
Category : Business & Economics
Languages : en
Pages : 204
Get Book Here
Book Description
The last century has seen radical social changes in Ireland, which have impacted all aspects of local life but none more so than traditional Irish music, an increasingly important identity marker both in Ireland and abroad. The author focuses on a small village in County Clare, which became a kind of pilgrimage site for those interested in experiencing traditional music. He begins by tracing its historical development from the days prior to the influx of visitors, through a period called "the Revival," in which traditional Irish music was revitalized and transformed, to the modern period, which is dominated by tourism. A large number of incomers, locally known as "blow-ins," have moved to the area, and the traditional Irish music is now largely performed and passed on by them. This fine-grained ethnographic study explores the commercialization of music and culture, the touristic consolidation and consumption of "place," and offers a critique of the trope of "authenticity," all in a setting of dramatic social change in which the movement of people is constant.
