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Author: Judith Nasby
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773570616
Category : Art
Languages : en
Pages : 144
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Book Description
Irene Avaalaaqiaq has received commissions for public buildings from Churchill, Manitoba, to Minneapolis, to Ottawa. She has had solo exhibitions at the Isaacs/Innuit Gallery in Toronto and her work was included in a touring exhibition organized by the Baltimore Museum of Art. In 1999 she had a solo exhibition at the Macdonald Stewart Art Centre at the University of Guelph and was awarded an honorary Doctor of Laws from that institute.
Author: Judith Nasby
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773570616
Category : Art
Languages : en
Pages : 144
Get Book Here
Book Description
Irene Avaalaaqiaq has received commissions for public buildings from Churchill, Manitoba, to Minneapolis, to Ottawa. She has had solo exhibitions at the Isaacs/Innuit Gallery in Toronto and her work was included in a touring exhibition organized by the Baltimore Museum of Art. In 1999 she had a solo exhibition at the Macdonald Stewart Art Centre at the University of Guelph and was awarded an honorary Doctor of Laws from that institute.
Author: Judith Nasby
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007607
Category : Art
Languages : en
Pages : 152
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Book Description
Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Making of a Museum Nasby reveals how the museum developed its internationally recognized collection of contemporary Inuit drawings and wall hangings that toured four continents. She discusses the development of the collection's specializations in contemporary works by Canadian silversmiths; historical European etchings; Woodland and Northeastern Indigenous beadwork; and others that arose from curatorial collaborations, such as molas by Kuna women artists from Panama and contemporary paintings and indigenous woodcuts from Chongqing, China. Nasby recounts her long career as founding director and curator, peppering the hundred-year history of cultural development on the University of Guelph campus and in the city with humorous anecdotes and personal insights to reveal how arts institutions can be created through dedication, serendipity, and perseverance.
Author: Jules Heller
Publisher: Routledge
ISBN: 1135638829
Category : Art
Languages : en
Pages : 732
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Gerald Kuehl
Publisher: 4117654 Manitoba Ltée (Éditions des Plaines | Vidacom Publications
ISBN: 1989282326
Category : Art
Languages : en
Pages : 704
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Book Description
If portraits could speak, what fascinating stories would they tell? For over two decades, Manitoban artist Gerald Kuehl has travelled to the far-fl ung corners of Canada to draw out these answers from the last generation of Indigenous Peoples born on the land, and, pencil in hand, to record their likenesses and experiences. Picking up where Kuehl’s acclaimed Portraits of the North left off , Portraits of the Far North follows the artist as he crosses the 60th parallel into Nunavut to meet the few Inuit Elders who still remember the days when their people lived entirely off the bounty of the land. Kuehl’s astonishing graphite pencil drawings and accompanying stories—the result of his travels in the Far North over thirteen years, hundreds of interviews with Elders, and thousands of hours at the drawing board—provide an unprecedented, poignant account of the changing realities Inuit experienced over the course of the last century, and their bright hopes for the future.
Author: Richard C. Crandall
Publisher: McFarland
ISBN: 1476607435
Category : Art
Languages : en
Pages : 465
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Book Description
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
Author: Stephen F. Eisenman
Publisher: Reaktion Books
ISBN: 1780232128
Category : Art
Languages : en
Pages : 311
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Book Description
The eighteenth century saw the rise of new and more sympathetic understanding of animals as philosophy, literature, and art argued that animals could feel and therefore possess inalienable rights. This idea gave birth to a diverse movement that affects how we understand our relationship to the natural world. The Cry of Nature details a crucial period in the history of this movement, revealing the significant role art played in the growth of animal rights. Stephen F. Eisenman shows how artists from William Hogarth to Pablo Picasso and Sue Coe have represented the suffering, chastisement, and execution of animals. These artists, he demonstrates, illustrate the lessons of Montaigne, Rousseau, Darwin, Freud, and others—that humans and animals share an evolutionary heritage of sentience, intelligence, and empathy, and thus animals deserve equal access to the domain of moral right. Eisenman also traces the roots of speciesism to the classical world and describes the social role of animals in the demand for emancipation. Instructive, challenging, and always engaging, The Cry of Nature is a book for anyone interested in animal rights, art history, and the history of ideas.
Author: Canadian Museum of Civilization
Publisher: University of Ottawa Press
ISBN: 1772822884
Category : Social Science
Languages : en
Pages : 553
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Book Description
This volume makes available, in English, most of the essays written to accompany the Canadian Museum of Civilization’s exhibition of the same name. Not included, are the essays by Gisela Hoffman, Bernadette Driscoll and Elizabeth McLuhan and the exhibition catalogue section which appeared in the original German publication. This book provides an overview of the evolution of contemporary Native Canadian art. Regional styles as well as individual artistic styles are discussed and the various subjects, themes and techniques reflected in the works are examined.
Author:
Publisher:
ISBN:
Category : Eskimos
Languages : en
Pages : 924
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Book Description
Author: Craig Pearson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574905
Category : Art
Languages : en
Pages : 306
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Book Description
By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the present.
Author: Frédéric B. Laugrand
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558020
Category : History
Languages : en
Pages : 399
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Book Description
Over the century between the first Oblate mission to the Canadian central Arctic in 1867 and the radical shifts brought about by Vatican II, the region was the site of complex interactions between Inuit, Oblate missionaries, and Grey Nuns – interactions that have not yet received the attention they deserve. Enriching archival sources with oral testimony, Frédéric Laugrand and Jarich Oosten provide an in-depth analysis of conversion, medical care, education, and vocation in the Keewatin region of the Northwest Territories. They show that while Christianity was adopted by the Inuit and major transformations occurred, the Oblates and the Grey Nuns did not eradicate the old traditions or assimilate the Inuit, who were caught up in a process they could not yet fully understand. The study begins with the first contact Inuit had with Christianity in the Keewatin region and ends in the mid-1960s, when an Inuk woman joined the Grey Nuns and two Inuit brothers became Oblate missionaries. Bringing together many different voices, perspectives, and experiences, and emphasizing the value of multivocality in understanding this complex period of Inuit history, Inuit, Oblate Missionaries, and Grey Nuns in the Keewatin, 1865–1965 highlights the subtle nuances of a long and complex interaction, showing how salvation and suffering were intertwined.
