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Author: K. Steele
Publisher: Springer
ISBN: 1137428716
Category : Language Arts & Disciplines
Languages : en
Pages : 237
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Book Description
This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.
Author: K. Steele
Publisher: Springer
ISBN: 1137428716
Category : Language Arts & Disciplines
Languages : en
Pages : 237
Get Book Here
Book Description
This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.
Author: K. Steele
Publisher: Springer
ISBN: 1137428716
Category : Language Arts & Disciplines
Languages : en
Pages : 351
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Book Description
This volume explores the ways in which the complicated revolution in British newspapers, the New Journalism, influenced Irish politics, culture, and newspaper practices. The essays here further illuminate the central role of the press in the evolution of Irish nationalism and modernism in the late nineteenth and early twentieth centuries.
Author: Mark O'Brien
Publisher:
ISBN: 9781846828621
Category : Irish periodicals
Languages : en
Pages : 0
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Book Description
Periodicals have been at the core of journalistic activity since before the foundation of the state but have remained an area long neglected within media history. This volume, featuring essays by leading media historians, presents an insight into recent periodicals research in Ireland, much of which has focused on the magazines produced by various interest groups, the relationship between culture and commerce, and how periodicals critiqued the national press. Alongside case studies of key periodicals such as Fortnight, In Dublin, Status, and the Phoenix, the volume also examines periodicals produced over the course of the twentieth century by religious bodies, the Irish-language lobby, the women's-rights movement, and the gay-rights campaign. Focusing on key periodicals, proprietors, editors, contributors, and controversies, it evaluates the contribution of periodical journalism to the ideas and debates that helped shape twentieth-century Ireland.
Author: Nikki Usher
Publisher: Columbia University Press
ISBN: 0231545606
Category : Language Arts & Disciplines
Languages : en
Pages : 232
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Book Description
As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future? In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader. News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.
Author: Laurel Brake
Publisher: Academia Press
ISBN: 9038213409
Category : History
Languages : en
Pages : 1059
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Book Description
A large-scale reference work covering the journalism industry in 19th-Century Britain.
Author: Marc Weingarten
Publisher: Crown
ISBN: 0307525694
Category : Social Science
Languages : en
Pages : 277
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Book Description
. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . . Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again—from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn’t provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent—and significant—years in contemporary American life. These are the stories behind those stories, from Tom Wolfe’s white-suited adventures in the counterculture to Hunter S. Thompson’s drug-addled invention of gonzo to Michael Herr’s redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era—Harold Hayes at Esquire, Clay Felker at New York, and Jann Wenner at Rolling Stone. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn’t just cover stories but immersed themselves in them, and when journalism didn’t just report America but reshaped it. “Within a seven-year period, a group of writers emerged, seemingly out of nowhere—Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, Michael Herr—to impose some order on all of this American mayhem, each in his or her own distinctive manner (a few old hands, like Truman Capote and Norman Mailer, chipped in, as well). They came to tell us stories about ourselves in ways that we couldn’t, stories about the way life was being lived in the sixties and seventies and what it all meant to us. The stakes were high; deep fissures were rending the social fabric, the world was out of order. So they became our master explainers, our town criers, even our moral conscience—the New Journalists.” —from the Introduction
Author: Christopher Morash
Publisher: Cambridge University Press
ISBN: 9780521843928
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
From the first book printed in Ireland in the sixteenth century, to the globalised digital media culture of today, Christopher Morash traces the history of forms of communication in Ireland over the past four centuries: the vigorous newspaper and pamphlet culture of the eighteenth century, the spread of popular literacy in the nineteenth century, and the impact of the telegraph, telephone, phonograph, cinema and radio, which arrived in Ireland just as the Irish Free State came into being. Morash picks out specific events for detailed analysis, such as the first radio broadcast, during the 1916 Rising, or the Live Aid concert in 1985. This book breaks ground within Irish studies. Its accessible narrative explains how Ireland developed into the modern, globally interconnected, economy of today. This is an essential and hugely informative read for anyone interested in Irish cultural history.
Author: James O'Sullivan
Publisher: Anthem Press
ISBN: 1785274805
Category : Art
Languages : en
Pages : 211
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Book Description
This collection of essays explores digital art in Ireland. Comprising contributions from EL Putnam, Anne Karhio, Ken Keating, Conor McGarrigle, Kieran Nolan, Claire Fitch, Kirstie North and Chris Clarke, it examines how new media technologies are shaping the island’s contemporary artistic practices. As one of the first dedicated culture-specific treatments of Irish digital art, it fills a major gap in the national media archaeology of Ireland, engaging with a range of topics, including electronic literature, video games and the data-city.
Author: Francesco Marconi
Publisher: Columbia University Press
ISBN: 0231549350
Category : Language Arts & Disciplines
Languages : en
Pages : 206
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Book Description
Will the use of artificial intelligence (AI), algorithms, and smart machines be the end of journalism as we know it—or its savior? In Newsmakers, Francesco Marconi, who has led the development of the Associated Press and Wall Street Journal’s use of AI in journalism, offers a new perspective on the potential of these technologies. He explains how reporters, editors, and newsrooms of all sizes can take advantage of the possibilities they provide to develop new ways of telling stories and connecting with readers. Marconi analyzes the challenges and opportunities of AI through case studies ranging from financial publications using algorithms to write earnings reports to investigative reporters analyzing large data sets to outlets determining the distribution of news on social media. Newsmakers contends that AI can augment—not automate—the industry, allowing journalists to break more news more quickly while simultaneously freeing up their time for deeper analysis. Marshaling insights drawn from firsthand experience, Marconi maps a media landscape transformed by artificial intelligence for the better. In addition to considering the benefits of these new technologies, Marconi stresses the continuing need for editorial and institutional oversight. Newsmakers outlines the important questions that journalists and media organizations should consider when integrating AI and algorithms into their workflow. For journalism students as well as seasoned media professionals, Marconi’s insights provide much-needed clarity and a practical roadmap for how AI can best serve journalism.
Author: Nelson O'Ceallaigh Ritschel
Publisher: Springer
ISBN: 3319490079
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
This book explores Bernard Shaw’s journalism from the mid-1880s through the Great War—a period in which Shaw contributed some of the most powerful and socially relevant journalism the western world has experienced. In approaching Shaw’s journalism, the promoter and abuser of the New Journalism, W. T. Stead, is contrasted to Shaw, as Shaw countered the sensational news copy Stead and his disciples generated. To understand Shaw’s brand of New Journalism, his responses to the popular press’ portrayals of high profile historical crises are examined, while other examples prompting Shaw’s journalism over the period are cited for depth: the 1888 Whitechapel murders, the 1890-91 O’Shea divorce scandal that fell Charles Stewart Parnell, peace crusades within militarism, the catastrophic Titanic sinking, and the Great War. Through Shaw’s journalism that undermined the popular press’ shock efforts that prevented rational thought, Shaw endeavored to promote clear thinking through the immediacy of his critical journalism. Arguably, Shaw saved the free press.
