Author: Robert Dana
Publisher: University of Iowa Press
ISBN: 1587292769
Category : Language Arts & Disciplines
Languages : en
Pages : 317
Book Description
With these words, written long before his Iowa Writers' Workshop became world famous, much imitated, and academically rich, Paul Engle captured the spirit behind his beloved workshop. Now, in this collection of essays by and about those writers who shared the energetic early years, Robert Dana presents a dynamic, informative tribute to Engle and his world. The book's three sections mingle myth and history with style and grace and no small amount of humor. The beginning essays are given over to memories of Paul Engle in his heyday. The second group focuses particularly on those teachers—Robert Lowell, John Berryman, Kurt Vonnegut, for example—who made the workshop hum on a day-to-day basis. Finally, the third section is devoted to storytelling: tall tales, vignettes, surprises, sober and not-so-sober moments. Engle's own essay, "The Writer and the Place," describes his "simple, and yet how reckless" conviction that "the creative imagination in all of the arts is as important, as congenial, and as necessary, as the historical study of all the arts." Today, of course, there are hundreds of writers' workshops, many of them founded and directed by graduates of the original Iowa workshop. But when Paul Engle arrived in Iowa there were exactly two. His indomitable nature and great persuasive powers, combined with his distinguished reputation as a poet, loomed large behind the enhancement of the Iowa Writers' Workshop. This volume of fine and witty essays reveals the enthusiasm and drive and sheer pleasure that went into Iowa's renowned workshop.
A Community of Writers
Author: Robert Dana
Publisher: University of Iowa Press
ISBN: 1587292769
Category : Language Arts & Disciplines
Languages : en
Pages : 317
Book Description
With these words, written long before his Iowa Writers' Workshop became world famous, much imitated, and academically rich, Paul Engle captured the spirit behind his beloved workshop. Now, in this collection of essays by and about those writers who shared the energetic early years, Robert Dana presents a dynamic, informative tribute to Engle and his world. The book's three sections mingle myth and history with style and grace and no small amount of humor. The beginning essays are given over to memories of Paul Engle in his heyday. The second group focuses particularly on those teachers—Robert Lowell, John Berryman, Kurt Vonnegut, for example—who made the workshop hum on a day-to-day basis. Finally, the third section is devoted to storytelling: tall tales, vignettes, surprises, sober and not-so-sober moments. Engle's own essay, "The Writer and the Place," describes his "simple, and yet how reckless" conviction that "the creative imagination in all of the arts is as important, as congenial, and as necessary, as the historical study of all the arts." Today, of course, there are hundreds of writers' workshops, many of them founded and directed by graduates of the original Iowa workshop. But when Paul Engle arrived in Iowa there were exactly two. His indomitable nature and great persuasive powers, combined with his distinguished reputation as a poet, loomed large behind the enhancement of the Iowa Writers' Workshop. This volume of fine and witty essays reveals the enthusiasm and drive and sheer pleasure that went into Iowa's renowned workshop.
Publisher: University of Iowa Press
ISBN: 1587292769
Category : Language Arts & Disciplines
Languages : en
Pages : 317
Book Description
With these words, written long before his Iowa Writers' Workshop became world famous, much imitated, and academically rich, Paul Engle captured the spirit behind his beloved workshop. Now, in this collection of essays by and about those writers who shared the energetic early years, Robert Dana presents a dynamic, informative tribute to Engle and his world. The book's three sections mingle myth and history with style and grace and no small amount of humor. The beginning essays are given over to memories of Paul Engle in his heyday. The second group focuses particularly on those teachers—Robert Lowell, John Berryman, Kurt Vonnegut, for example—who made the workshop hum on a day-to-day basis. Finally, the third section is devoted to storytelling: tall tales, vignettes, surprises, sober and not-so-sober moments. Engle's own essay, "The Writer and the Place," describes his "simple, and yet how reckless" conviction that "the creative imagination in all of the arts is as important, as congenial, and as necessary, as the historical study of all the arts." Today, of course, there are hundreds of writers' workshops, many of them founded and directed by graduates of the original Iowa workshop. But when Paul Engle arrived in Iowa there were exactly two. His indomitable nature and great persuasive powers, combined with his distinguished reputation as a poet, loomed large behind the enhancement of the Iowa Writers' Workshop. This volume of fine and witty essays reveals the enthusiasm and drive and sheer pleasure that went into Iowa's renowned workshop.
Voices on the Landscape
Author: Michael Carey
Publisher: Caribbean Books
ISBN: 9780931209642
Category : Iowa
Languages : en
Pages : 176
Book Description
Publisher: Caribbean Books
ISBN: 9780931209642
Category : Iowa
Languages : en
Pages : 176
Book Description
Lyrical Iowa 2019
Author:
Publisher:
ISBN: 9781733427807
Category :
Languages : en
Pages :
Book Description
An anthology of 381 poems by Iowans of all ages, chosen from poems submitted to Iowa Poetry Association's annual contest. This 2019 edition is a perfect-bound book of 178 pages with a full-color cover.
Publisher:
ISBN: 9781733427807
Category :
Languages : en
Pages :
Book Description
An anthology of 381 poems by Iowans of all ages, chosen from poems submitted to Iowa Poetry Association's annual contest. This 2019 edition is a perfect-bound book of 178 pages with a full-color cover.
What Are Poets For?
Author: Gerald L Bruns
Publisher: University of Iowa Press
ISBN: 1609380800
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Conceptions and practices of poetry change not only from time to time and from place to place but also from poet to poet. This has never been more the case than in recent years. Gerald Bruns’s magisterial What Are Poets For? explores typographical experiments that distribute letters randomly across a printed page, sound tracks made of vocal and buccal noises, and holographic poems that recompose themselves as one travels through their digital space. Bruns surveys one-word poems, found texts, and book-length assemblies of disconnected phrases; he even includes descriptions of poems that no one could possibly write, but which are no less interesting (or no less poetic) for all of that. The purpose of the book is to illuminate this strange poetic landscape, spotlighting and describing such oddities as they appear, anomalies that most contemporary poetry criticism ignores. Naturally this breadth raises numerous philosophical questions that Bruns also addresses—for example, whether poetry should be responsible (semantically, ethically, politically) to anything outside itself, whether it can be reduced to categories, distinctions, and the rule of identity, and whether a particular poem can seem odd or strange when everything is an anomaly. Perhaps our task is simply to learn, like anthropologists, how to inhabit such an anarchic world. The poets taken up for study are among the most important and innovative in the late twentieth and early twenty-first centuries: John Ashbery, Charles Bernstein, Paul Celan, Kenneth Goldsmith, Lyn Hejinian, Susan Howe, Karen Mac Cormack, Steve McCaffery, John Matthias, J. H. Prynne, and Tom Raworth.What Are Poets For? is nothing less than a lucid, detailed study of some of the most intractable writings in contemporary poetry.
Publisher: University of Iowa Press
ISBN: 1609380800
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Conceptions and practices of poetry change not only from time to time and from place to place but also from poet to poet. This has never been more the case than in recent years. Gerald Bruns’s magisterial What Are Poets For? explores typographical experiments that distribute letters randomly across a printed page, sound tracks made of vocal and buccal noises, and holographic poems that recompose themselves as one travels through their digital space. Bruns surveys one-word poems, found texts, and book-length assemblies of disconnected phrases; he even includes descriptions of poems that no one could possibly write, but which are no less interesting (or no less poetic) for all of that. The purpose of the book is to illuminate this strange poetic landscape, spotlighting and describing such oddities as they appear, anomalies that most contemporary poetry criticism ignores. Naturally this breadth raises numerous philosophical questions that Bruns also addresses—for example, whether poetry should be responsible (semantically, ethically, politically) to anything outside itself, whether it can be reduced to categories, distinctions, and the rule of identity, and whether a particular poem can seem odd or strange when everything is an anomaly. Perhaps our task is simply to learn, like anthropologists, how to inhabit such an anarchic world. The poets taken up for study are among the most important and innovative in the late twentieth and early twenty-first centuries: John Ashbery, Charles Bernstein, Paul Celan, Kenneth Goldsmith, Lyn Hejinian, Susan Howe, Karen Mac Cormack, Steve McCaffery, John Matthias, J. H. Prynne, and Tom Raworth.What Are Poets For? is nothing less than a lucid, detailed study of some of the most intractable writings in contemporary poetry.
A Broken Thing
Author: Emily Rosko
Publisher: University of Iowa Press
ISBN: 1609380746
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
In the arena of poetry and poetics over the past century, no idea has been more alive and contentious than the idea of form, and no aspect of form has more emphatically sponsored this marked formal concern than the line. But what, exactly, is the line? Emily Rosko and Anton Vander Zee’s anthology gives seventy original answers that lead us deeper into the world of poetry, but also far out into the world at large: its people, its politics, its ecology. The authors included here, emerging and established alike, write from a range of perspectives, in terms of both aesthetics and identity. Together, they offer a dynamic hybrid collection that captures a broad spectrum of poetic practice in the twenty-first century. Rosko and Vander Zee’s introduction offers a generous overview of conversations about the line from the Romantics forward. We come to see how the line might be an engine for ideals of progress—political, ethical, or otherwise. For some poets, the line touches upon the most fundamental questions of knowledge and existence. More than ever, the line is the radical against which even alternate and emerging poetic forms that foreground the visual or the auditory, the page or the screen, can be distinguished and understood. From the start, a singular lesson emerges: lines do not form meaning solely in their brevity or their length, in their becoming or their brokenness; lines live in and through the descriptions we give them. Indeed, the history of American poetry in the twentieth century could be told by the compounding, and often confounding, discussions of its lines. A Broken Thing both reflects upon and extends this history, charting a rich diffusion of theory and practice into the twenty-first century with the most diverse, wide-ranging and engaging set of essays to date on the line in poetry, revealing how poems work and why poetry continues to matter.
Publisher: University of Iowa Press
ISBN: 1609380746
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
In the arena of poetry and poetics over the past century, no idea has been more alive and contentious than the idea of form, and no aspect of form has more emphatically sponsored this marked formal concern than the line. But what, exactly, is the line? Emily Rosko and Anton Vander Zee’s anthology gives seventy original answers that lead us deeper into the world of poetry, but also far out into the world at large: its people, its politics, its ecology. The authors included here, emerging and established alike, write from a range of perspectives, in terms of both aesthetics and identity. Together, they offer a dynamic hybrid collection that captures a broad spectrum of poetic practice in the twenty-first century. Rosko and Vander Zee’s introduction offers a generous overview of conversations about the line from the Romantics forward. We come to see how the line might be an engine for ideals of progress—political, ethical, or otherwise. For some poets, the line touches upon the most fundamental questions of knowledge and existence. More than ever, the line is the radical against which even alternate and emerging poetic forms that foreground the visual or the auditory, the page or the screen, can be distinguished and understood. From the start, a singular lesson emerges: lines do not form meaning solely in their brevity or their length, in their becoming or their brokenness; lines live in and through the descriptions we give them. Indeed, the history of American poetry in the twentieth century could be told by the compounding, and often confounding, discussions of its lines. A Broken Thing both reflects upon and extends this history, charting a rich diffusion of theory and practice into the twenty-first century with the most diverse, wide-ranging and engaging set of essays to date on the line in poetry, revealing how poems work and why poetry continues to matter.
All Is Forgotten, Nothing Is Lost: A Novel
Author: Lan Samantha Chang
Publisher: W. W. Norton & Company
ISBN: 0393340562
Category : Fiction
Languages : en
Pages : 209
Book Description
A haunting story of art, ambition, love, and friendship by a writer of elegant, exacting prose.
Publisher: W. W. Norton & Company
ISBN: 0393340562
Category : Fiction
Languages : en
Pages : 209
Book Description
A haunting story of art, ambition, love, and friendship by a writer of elegant, exacting prose.
Supply Chain
Author: Pimone Triplett
Publisher: University of Iowa Press
ISBN: 1609385373
Category : Poetry
Languages : en
Pages : 68
Book Description
With their extravagant musicality, Triplett’s poems explore the thinning lines between responsibility and complicity, the tangled “supply chain” that unnervingly connects the domestic to the political, personal memory to social practice, and age-old familial discords to our new place in the anthropocentric world. Equal parts celebration and lament for the mechanisms we shape and are shaped by, these poetic acts reveal the poet as an entangled mediator among registers of public and private, intimate and historical, voicings. Here we traffic in the blessings and burdens of the human will to shape a world. What’s more, as we follow these linked enchainings of the deeply en-worlded citizen, we reawaken to the central paradox of our time, the need to refuse easy answers, to stay open, trilling, between these necessary notes of critique and of compassion.
Publisher: University of Iowa Press
ISBN: 1609385373
Category : Poetry
Languages : en
Pages : 68
Book Description
With their extravagant musicality, Triplett’s poems explore the thinning lines between responsibility and complicity, the tangled “supply chain” that unnervingly connects the domestic to the political, personal memory to social practice, and age-old familial discords to our new place in the anthropocentric world. Equal parts celebration and lament for the mechanisms we shape and are shaped by, these poetic acts reveal the poet as an entangled mediator among registers of public and private, intimate and historical, voicings. Here we traffic in the blessings and burdens of the human will to shape a world. What’s more, as we follow these linked enchainings of the deeply en-worlded citizen, we reawaken to the central paradox of our time, the need to refuse easy answers, to stay open, trilling, between these necessary notes of critique and of compassion.
Poets on Teaching
Author: Joshua Marie Wilkinson
Publisher: University of Iowa Press
ISBN: 1587299046
Category : Education
Languages : en
Pages : 344
Book Description
"Here is an astonishingly generous gathering of poetic energies and imaginations aimed toward turning more and more classrooms into scenes of transformative engagement with the prime instrument of our humanity, language. The essential work of exploratory play with words is presented in heartening variety in its necessary wildness, surprising pleasures, gravitas, illumination. This book is a catalogue of invention: visionary, pragmatic, surprising, fun---useful because it's inspiring and vice versa. The poets' essays are themselves an affirmation of the vital presence of poetry in our culture, proof and promise, Q.E.D."---Joan Retallock, coeditor, Poetry and Pedagogy: The Challenge of the Contemporary, and author, The Poethical Wager --Book Jacket.
Publisher: University of Iowa Press
ISBN: 1587299046
Category : Education
Languages : en
Pages : 344
Book Description
"Here is an astonishingly generous gathering of poetic energies and imaginations aimed toward turning more and more classrooms into scenes of transformative engagement with the prime instrument of our humanity, language. The essential work of exploratory play with words is presented in heartening variety in its necessary wildness, surprising pleasures, gravitas, illumination. This book is a catalogue of invention: visionary, pragmatic, surprising, fun---useful because it's inspiring and vice versa. The poets' essays are themselves an affirmation of the vital presence of poetry in our culture, proof and promise, Q.E.D."---Joan Retallock, coeditor, Poetry and Pedagogy: The Challenge of the Contemporary, and author, The Poethical Wager --Book Jacket.
We Wanted to Be Writers
Author: Eric Olsen
Publisher: Skyhorse Publishing Inc.
ISBN: 160239735X
Category : House & Home
Languages : en
Pages : 345
Book Description
"It was the best teaching-writing job I ever had." --John...
Publisher: Skyhorse Publishing Inc.
ISBN: 160239735X
Category : House & Home
Languages : en
Pages : 345
Book Description
"It was the best teaching-writing job I ever had." --John...
Emily Dickinson
Author: Paula Bennett
Publisher: University of Iowa Press
ISBN: 9780877453109
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Study and analysis of Emily Dickinson's poetry with a sensitive discussion of its sexual imagery.
Publisher: University of Iowa Press
ISBN: 9780877453109
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Study and analysis of Emily Dickinson's poetry with a sensitive discussion of its sexual imagery.