Author: Jesse M. Lander
Publisher: Cambridge University Press
ISBN: 0521838541
Category : Literary Criticism
Languages : en
Pages : 28
Book Description
An investigation into the contexts of print, polemic, and religious debate in Renaissance literature.
Inventing Polemic
Author: Jesse M. Lander
Publisher: Cambridge University Press
ISBN: 0521838541
Category : Literary Criticism
Languages : en
Pages : 28
Book Description
An investigation into the contexts of print, polemic, and religious debate in Renaissance literature.
Publisher: Cambridge University Press
ISBN: 0521838541
Category : Literary Criticism
Languages : en
Pages : 28
Book Description
An investigation into the contexts of print, polemic, and religious debate in Renaissance literature.
Polemic
Author: Almut Suerbaum
Publisher: Routledge
ISBN: 1317079299
Category : History
Languages : en
Pages : 308
Book Description
If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and influential medieval genres such as sermons and hagiography dealt with potentially heterodox positions; and the role of literary, especially fictional, debate in developing modes of articulating discord, as well as demonstrating polemic in action in political and ecclesiastical debate. Within this historical context, the position of early modern debates as part of a more general culture of articulating discord becomes more clearly visible. The structure of the volume moves from an internal textual focus, where the nature of polemic can be debated, through a middle section where these concerns are also played out in social practice, to a more historical group investigating applied polemic. In this way a more nuanced view is provided of the meaning, role, and effect of ’polemic’ both broadly across time and space, and more narrowly within specific circumstances.
Publisher: Routledge
ISBN: 1317079299
Category : History
Languages : en
Pages : 308
Book Description
If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and influential medieval genres such as sermons and hagiography dealt with potentially heterodox positions; and the role of literary, especially fictional, debate in developing modes of articulating discord, as well as demonstrating polemic in action in political and ecclesiastical debate. Within this historical context, the position of early modern debates as part of a more general culture of articulating discord becomes more clearly visible. The structure of the volume moves from an internal textual focus, where the nature of polemic can be debated, through a middle section where these concerns are also played out in social practice, to a more historical group investigating applied polemic. In this way a more nuanced view is provided of the meaning, role, and effect of ’polemic’ both broadly across time and space, and more narrowly within specific circumstances.
Inventing Polemic
Author: Jesse M. Lander
Publisher: Cambridge University Press
ISBN: 9780521120241
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Jesse Lander explores the development of the book in early modern England as both a physical object and a platform for debate and polemic. Wide-ranging in its consideration of texts, from Foxe's Acts and Monuments, Milton's Areopagitica and Hamlet to ephemeral polemical pamphlets from the sixteenth and seventeenth centuries, the volume recasts the historical and theological contexts of early modern English literature.
Publisher: Cambridge University Press
ISBN: 9780521120241
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Jesse Lander explores the development of the book in early modern England as both a physical object and a platform for debate and polemic. Wide-ranging in its consideration of texts, from Foxe's Acts and Monuments, Milton's Areopagitica and Hamlet to ephemeral polemical pamphlets from the sixteenth and seventeenth centuries, the volume recasts the historical and theological contexts of early modern English literature.
Inventing a Nation
Author: Gore Vidal
Publisher: Yale University Press
ISBN: 0300127928
Category : History
Languages : en
Pages : 166
Book Description
This New York Times bestseller offers “an unblinking view of our national heroes by one who cherishes them, warts and all” (New York Review of Books). In Inventing a Nation, National Book Award winner Gore Vidal transports the reader into the minds, the living rooms (and bedrooms), the convention halls, and the salons of George Washington, Thomas Jefferson, John Adams, and others. We come to know these men, through Vidal’s splendid prose, in ways we have not up to now—their opinions of each other, their worries about money, their concerns about creating a viable democracy. Vidal brings them to life at the key moments of decision in the birthing of our nation. He also illuminates the force and weight of the documents they wrote, the speeches they delivered, and the institutions of government by which we still live. More than two centuries later, America is still largely governed by the ideas championed by this triumvirate. The author of Burr and Lincoln, one of the master stylists of American literature and most acute observers of American life, turns his immense literary and historiographic talent to a portrait of these formidable men
Publisher: Yale University Press
ISBN: 0300127928
Category : History
Languages : en
Pages : 166
Book Description
This New York Times bestseller offers “an unblinking view of our national heroes by one who cherishes them, warts and all” (New York Review of Books). In Inventing a Nation, National Book Award winner Gore Vidal transports the reader into the minds, the living rooms (and bedrooms), the convention halls, and the salons of George Washington, Thomas Jefferson, John Adams, and others. We come to know these men, through Vidal’s splendid prose, in ways we have not up to now—their opinions of each other, their worries about money, their concerns about creating a viable democracy. Vidal brings them to life at the key moments of decision in the birthing of our nation. He also illuminates the force and weight of the documents they wrote, the speeches they delivered, and the institutions of government by which we still live. More than two centuries later, America is still largely governed by the ideas championed by this triumvirate. The author of Burr and Lincoln, one of the master stylists of American literature and most acute observers of American life, turns his immense literary and historiographic talent to a portrait of these formidable men
Censorship and Conflict in Seventeenth-Century England
Author: Randy Robertson
Publisher: Penn State Press
ISBN: 0271036559
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.
Publisher: Penn State Press
ISBN: 0271036559
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.
Railing, Reviling, and Invective in English Literary Culture, 1588-1617
Author: Maria Teresa Micaela Prendergast
Publisher: Routledge
ISBN: 1317071700
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Railing, Reviling, and Invective in English Literary Culture, 1588-1617 is the first book to consider railing plays and pamphlets as participating in a coherent literary movement that dominated much of the English literary landscape during the late Elizabethan/early Jacobean period. Author Prendergast considers how these crisis-ridden texts on religious, gender, and aesthetic controversies were encouraged and supported by the emergence of the professional theater and print pamphlets. She argues that railing texts by Shakespeare, Nashe, Jonson, Jane Anger and others became sites for articulating anxious emotions-including fears about the stability of England after the death of Queen Elizabeth and the increasing factional splits between Protestant groups. But, given that railings about religious and political matters often led to censorship or even death, most railing writers chose to circumvent such possible repercussions by railing against unconventional gender identity, perverse sexual proclivities, and controversial aesthetics. In the process, Prendergast argues, railers shaped an anti-aesthetics that was itself dependent on the very expressions of perverse gender and sexuality that they discursively condemned, an aesthetics that created a conceptual third space in which bitter enemies-male or female, conformist or nonconformist-could bond by engaging in collaborative experiments with dialogical invective. By considering a literary mode of articulation that vehemently counters dominant literary discourse, this book changes the way that we look at late Elizabethan and early Jacobean literature, as it associates works that have been studied in isolation from each other with a larger, coherent literary movement.
Publisher: Routledge
ISBN: 1317071700
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Railing, Reviling, and Invective in English Literary Culture, 1588-1617 is the first book to consider railing plays and pamphlets as participating in a coherent literary movement that dominated much of the English literary landscape during the late Elizabethan/early Jacobean period. Author Prendergast considers how these crisis-ridden texts on religious, gender, and aesthetic controversies were encouraged and supported by the emergence of the professional theater and print pamphlets. She argues that railing texts by Shakespeare, Nashe, Jonson, Jane Anger and others became sites for articulating anxious emotions-including fears about the stability of England after the death of Queen Elizabeth and the increasing factional splits between Protestant groups. But, given that railings about religious and political matters often led to censorship or even death, most railing writers chose to circumvent such possible repercussions by railing against unconventional gender identity, perverse sexual proclivities, and controversial aesthetics. In the process, Prendergast argues, railers shaped an anti-aesthetics that was itself dependent on the very expressions of perverse gender and sexuality that they discursively condemned, an aesthetics that created a conceptual third space in which bitter enemies-male or female, conformist or nonconformist-could bond by engaging in collaborative experiments with dialogical invective. By considering a literary mode of articulation that vehemently counters dominant literary discourse, this book changes the way that we look at late Elizabethan and early Jacobean literature, as it associates works that have been studied in isolation from each other with a larger, coherent literary movement.
Shakespeare Studies
Author: Susan Zimmerman
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642535
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by scholars and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. The journal also includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern culture. This issue features another Forum, entitled "The Universities and the Theater." Organized and introduced by John H. Astington, the Forum includes commentary considering the relationship between theater in the universities and the Renaissance public stage. Volume XXXVII also features articles on the Fortune contract, and Titus Andronicus and the New World, as well as a review article on women and the early modern stage. There are nineteen reviews in this volume on such varying topics as angels in the early modern world, Shakespeare and the nature of love, and Shakespeare in French theory. Susan Zimmerman is Professor of English at Queens College, City University of New York. Garrett Sullivan is Professor of English at Pennsylvania State University.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838642535
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by scholars and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. The journal also includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern culture. This issue features another Forum, entitled "The Universities and the Theater." Organized and introduced by John H. Astington, the Forum includes commentary considering the relationship between theater in the universities and the Renaissance public stage. Volume XXXVII also features articles on the Fortune contract, and Titus Andronicus and the New World, as well as a review article on women and the early modern stage. There are nineteen reviews in this volume on such varying topics as angels in the early modern world, Shakespeare and the nature of love, and Shakespeare in French theory. Susan Zimmerman is Professor of English at Queens College, City University of New York. Garrett Sullivan is Professor of English at Pennsylvania State University.
The Catholic Imaginary and the Cults of Elizabeth, 1558–1582
Author: Stephen Hamrick
Publisher: Routledge
ISBN: 1351893327
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.
Publisher: Routledge
ISBN: 1351893327
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.
Renaissance Papers 2014
Author: Jim Pearce
Publisher: Boydell & Brewer
ISBN: 1571139281
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama, particularly Jonson and Marlowe.
Publisher: Boydell & Brewer
ISBN: 1571139281
Category : Literary Criticism
Languages : en
Pages : 149
Book Description
Annual volume of the best essays submitted to the Southeastern Renaissance Conference, this year with an emphasis on English drama, particularly Jonson and Marlowe.
Lying in Early Modern English Culture
Author: Andrew Hadfield
Publisher: Oxford University Press
ISBN: 0192506595
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.
Publisher: Oxford University Press
ISBN: 0192506595
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.