Inuit Art from Cape Dorset Sticker Book PDF Download
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Author:
Publisher: Pomegranate Communications
ISBN: 9780764968822
Category : Art stickers
Languages : en
Pages : 0
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Book Description
Soft cover book with staple binding. 8 pages with more than 150 reusable paper stickers (3 each of 50 different designs). Size: 8 x 11 in.
Author:
Publisher: Pomegranate Communications
ISBN: 9780764968822
Category : Art stickers
Languages : en
Pages : 0
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Book Description
Soft cover book with staple binding. 8 pages with more than 150 reusable paper stickers (3 each of 50 different designs). Size: 8 x 11 in.
Author: Pomegranate
Publisher: Pomegranatekids
ISBN: 9780764950223
Category : Cape Dorset (Nunavut)
Languages : en
Pages : 0
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Book Description
This coloring book features 22 pictures by 10 different Inuit artists from Cape Dorset. Color reproductions of the original art lines the insides of the front and back covers.
Author: Inuit
Publisher: Pomegranate Communications
ISBN: 9780764924729
Category : Birds in art
Languages : en
Pages : 30
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Book Description
Thirty reproductions of lithographs, etchings/aquatints, stonecuts, and stencils from Cape Dorset, called Kinngait in the Inuit language, artists.
Author:
Publisher: Inhabit Media
ISBN: 9781772271263
Category : Art
Languages : en
Pages : 0
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Book Description
"Germaine Arnaktauyok is one of the Canadian Arctic's most beloved Inuit artists. Best known for her etchings and prints depicting traditional Inuit life, in "Inuit Spirit" she gives art lovers and colouring fans alike the opportunity to experience her work first-hand. With more than twenty line drawings depicting Inuit myths, legendary creatures, traditional Inuit lifestyle, and Artic wildlife, this book provides both an introduction to the work of a world-renowned Inuit artist, and a colouring experience like no other."--Back cover.
Author: Shelley Falconer
Publisher: Tundra Books
ISBN: 0887768547
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Did you know? -Cape Dorset boasts the largest number of artists per capita in Canada (22.7 percent — almost one-quarter of the labor force and thirty times the national average!) -The word Eskimo is a derogatory term meaning “eaters of raw flesh” -Some Inuit artists quarry stone for their sculptures in the winter, but have to wait until the summer to bring it back to their workshops -An igloo uses the same design principles found in the great cathedrals of Europe -According to legends, the stone figures, called Inukshuks, protect travelers and point them to the safest pathway -The Inuit have been carving for over 4,000 years Stones, Bones and Stitches is a fascinating and beautiful introduction to the art of the North. Focusing on several important works from the McMichael Canadian Art Collection, curators Shelley Falconer and Shawna White take you on an impressive journey through the artistic landscape. The evolving character of the North is explored through the lens of some of Canada’s most significant Inuit artists, past and present. Included are eight different works from sculpture to prints, each highlighted with introductions to the artists, the materials they used, geography, legends, and stories. Photographs together with intriguing facts give the reader insight into the artists’ lives, communities, and working conditions along with brief histories of the region.
Author: Anne Trueblood Brodzky
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 206
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Book Description
Author:
Publisher: Pomegranate Communications
ISBN: 9780764979422
Category :
Languages : en
Pages : 0
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Book Description
Soft cover book with staple binding. 8 pages with more than 160 reusable stickers (126 different designs). Size: 8 x 11 in.
Author: Leslie Boyd
Publisher: Pomegranate Communications
ISBN: 9780764984662
Category : Art
Languages : en
Pages : 0
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Book Description
Ningiukulu Teevee thinks in pictures, and drawing is her language. She is a soft-spoken storyteller, but her message is clear and strong, and with it she is expanding the narrative of the North, breaking new ground for Inuit art. Teevee hails from Cape Dorset, home to a multigenerational community of artists and the Kinngait Studios, the longest continually operating print studios in Canada. Her inventive images first appeared in the studios' annual collection of limited-edition prints in 2004 and have been represented every year since. Her work is rooted in respect for traditional Inuit culture and an abiding love of family, but along with artists such as Tim Pitsiulak and Annie Pootoogook, Teevee has proven unafraid of pushing artistic boundaries. In drawings alive with mischievous charm or weighted by a grittier reality, she often merges traditional Inuit art with contemporary aesthetics, revealing positive and negative changes to life in Arctic communities. In 2009, Teevee's illustrated children's book, Alego, was shortlisted for a Governor General's award. In 2017 Ningiukulu Teevee: Kinngait Stories, curated by the Winnipeg Art Gallery, opened at the Canadian Embassy in Washington, Dithe first major retrospective of Teevee's career to date. Ningiukulu Teevee: Drawings and Prints from Cape Dorset is the first monograph on the artist's work. Presented here are more than eighty reproductions and photographs, with critical context provided by Leslie Boyd, former director of Dorset Fine Arts, Toronto. Teevee's art has been exhibited widely and is in collections around the world, among them the Art Gallery of Ontario, the McMichael Canadian Art Collection, and the National Gallery of Canada.
Author: Anna Hudson
Publisher: Goose Lane Editions
ISBN: 9781773100913
Category : Art
Languages : en
Pages : 160
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Book Description
Two generations of Inuit artists challenging the parameters of tradition. Kenojuak Ashevak shot to fame in 1970 when Canada Post printed The Enchanted Owl, a print of a black-and-red plumed nocturnal bird, on a postage stamp. She later became known as the magic-marker-wielding "grandmother of Inuit art," famous for her fluid graphic storytelling and her stunning depictions of wildlife. She was a defining figure in Inuit art and one of the first Indigenous artists to be embraced as a contemporary Canadian artist. Ashevak's legacy inspired her nephew, Timootee (Tim) Pitsiulak, to take up drawing at the Kinngait Studios. In his relatively short career, he became a popular figure, known for drawing animal figures with a hunter's precision and capturing the technological presence of the South in Nunavut. Tunirrusiangit, "their gifts" or "what they gave" in Inuktitut, celebrates the achievements of two remarkable artists who challenged the parameters of tradition while consistently articulating a compelling vision of the Inuit world view. Published to coincide with a major exhibition at the Art Gallery of Ontario, opening on 16 June and continuing until late August, Tunirrusiangitfeatures more than 60 reproductions of paintings, drawings, and documentary photographs. Completing the book are essays by contemporary artists and curators Jocelyn Piirainen, Anna Hudson, Georgiana Uhlyarik, Koomuatuk Curley, Laakkuluk Williamson Bathory, and Taqralik Partridge that address both the past and future of Inuit identity.
Author: Donna J. Haraway
Publisher: Duke University Press
ISBN: 0822373785
Category : Social Science
Languages : en
Pages : 228
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Book Description
In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.
