Introduction to the Psychology of Music PDF Download
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Author: Géza Révész
Publisher: Courier Corporation
ISBN: 9780486416786
Category : Music
Languages : en
Pages : 308
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Book Description
Comprehensive introduction by noted musicologist covers physical and physiological bases of sound and hearing, elements of tone, pitch, musical ability, origins of music, psychology of music, much more.
Author: Glen Haydon
Publisher: NewYork, Prentice-Hall
ISBN:
Category : Music
Languages : en
Pages : 366
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Book Description
Author: Glen Haydon
Publisher:
ISBN:
Category : Musicology
Languages : en
Pages : 329
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Book Description
Author: Glen Haydon
Publisher: Forgotten Books
ISBN: 9780266561958
Category : Music
Languages : en
Pages : 346
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Book Description
Excerpt from Introduction to Musicology: A Survey of the Fields, Systematic and Historical, of Musical Knowledge and Research Among European musicologists and musicians who have been directly helpful are Edward Dent, Donald Francis Tovey, Reverend Edmund Horace Fellowes, C. H. Kitson, R. 0. Morris, and Dom Anselm Hughes, in England; Knud Jeppesen, in Copenhagen; Robert Lach, Robert Haas, Alfred Orel, Egon Wellesz, and Guido Adler, in Vienna; and Andr Pirro and Eugene Cools, in Paris. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Glen Haydon
Publisher:
ISBN:
Category : Musicology
Languages : en
Pages : 329
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Book Description
Author: Glen Hayden
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Glen Haydon
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Géza Révész
Publisher: Courier Corporation
ISBN: 9780486416786
Category : Music
Languages : en
Pages : 308
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Book Description
Comprehensive introduction by noted musicologist covers physical and physiological bases of sound and hearing, elements of tone, pitch, musical ability, origins of music, psychology of music, much more.
Author: David Mingyue Liang
Publisher: Conran Octopus
ISBN:
Category : Music
Languages : en
Pages : 346
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Book Description
Music in Chinese culture is not an isolated phenomenon, but is rather a contextual phenomenon broadly related to all aspects of life. In historical China, music was integrally related to banquets, archery events, dances, etc. The word for "music" in Chinese is yue. In its inclusive meaning, yue refers to the "arts" and to music, and, together with morals, law, and politics, was traditionally considered to be one of the four fundamental societal functions. Primarily because of this emphasis, every feudal state, dynasty and republic throughout history had established an official music organization or bureau of music indicating the import of music within the society. The book is organized into two parts: one, a diachronic orientation of major musical events throughout history, and two, a synchronic focus on musical content and context. In the historical section, the patterns and themes are emphasized, so that a sense of continuation, interrelationships and changes can be observed. In part two, six topical subjects have been selected, based on what the author believes represent a sense of balance of major subjects and styles in Chinese music, that is topics on aesthetics, notation-transmission, instrumental music (high art and regional styles), theatrical music, and major musical instruments. -- Back cover.
Author: Glen Haydon
Publisher:
ISBN:
Category :
Languages : en
Pages : 329
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Book Description
Author: Jon M. Spencer
Publisher: Praeger
ISBN: 9780313279539
Category : Music
Languages : en
Pages : 208
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Book Description
Theomusicology is musicology as a theologically informed discipline. Borrowing thought and method from anthropology, sociology, psychology, and philosophy, it has as its subject the myriad cultural worlds of ethical, religious, and mythological belief. Theomusicological research into cultural/intercultural reflections on the ethical, the religious, and the mythological involves the study of music in the domain or communities of the sacred, the secular, and the profane. By examining the depths of sacrality, secularity, and profanity in the music of civilization's many cultures, the theomusicologist can increasingly discern how particular peoples perceive the universal mysteries that circumscribe their mortal existence, and how the ethics, theologies, and mythologies to which they subscribe shape their worlds. To accomplish his goal, Spencer divides his book into two parts. Part One, The Domain of Theomusicology, functions as a methodological exposition to Part Two. It defines the meaning of and suggested method for theomusicology and delineates the theomusicologist's best and broadest possible perspective on the world. Part Two, The Discourses of Theomusicology, illustrates how theomusicology can, and at its best does, involve dialogue with different disciplines as well as a gamut of historical epochs and movements. Each chapter is divided into sections based on the particular text theomusicology has read and interacted with. Spencer's work establishes theomusicology as a scholarly discipline and a valid research approach to studying world religious, mythological, and ethical beliefs via music. It is essential reading for historical musicologists, ethnomusicologists, and scholars of sacred music.
