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Author: John Lancaster
Publisher: B. T. Batsford Limited
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
What is op art? - Visual dynamics of op art - Op art projects and experiments - How we see - Colour - Op art in history___
Author: John Lancaster
Publisher: B. T. Batsford Limited
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
What is op art? - Visual dynamics of op art - Op art projects and experiments - How we see - Colour - Op art in history___
Author: Cyril Barrett
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 164
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Book Description
Author: Rene Parola
Publisher: Courier Corporation
ISBN: 9780486290546
Category : Art
Languages : en
Pages : 156
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Book Description
Explanation of optical art, an artistic development in the 1960s, and how it achieved its singular effects
Author: Joe Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.
Author: Josef Albers
Publisher: Yale University Press
ISBN: 0300179359
Category : Art
Languages : en
Pages : 210
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Book Description
An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374
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Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.
Author: David Rubin
Publisher: Mit Press
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
"This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium." "Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world - not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context." --Book Jacket.
Author: Susie Brooks
Publisher: Kingfisher
ISBN: 9780753472378
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
This children's activity series explores a wide range of artists' work while encouraging children to develop their own skills and techniques.
Author: Bridget Riley
Publisher:
ISBN: 9780500976272
Category : Art
Languages : en
Pages : 110
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Book Description
Bridget Riley has pursued a course of rigorous abstraction for some 40 years, from her celebrated black and white Op Art works in the 1960s to the complex colour paintings of the 1990s. This volume contains an illuminating series of dialogues between Riley and well-known figures from the art world.
Author: George T Gray
Publisher: Sunway University Press
ISBN: 9675492589
Category : Art
Languages : en
Pages : 569
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Book Description
An Introduction to the History of Architecture, Art & Design chronicles the times in which major works of architecture, art and design were created, and is compact with features and images of major artworks from each art and design period. The best examples from each period are illustrated together with their famous creators, alongside timelines that track the evolution of the artistic disciplines throughout history.
