Interwar Symphonies and the Imagination PDF Download
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Author: Emily MacGregor
Publisher: Cambridge University Press
ISBN: 1009172786
Category : History
Languages : en
Pages : 287
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Book Description
Reveals how in the culturally volatile 1930s the symphony, long associated with ideas of selfhood, was a flourishing transnational phenomenon.
Author: Emily MacGregor
Publisher: Cambridge University Press
ISBN: 1009172786
Category : History
Languages : en
Pages : 287
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Book Description
Reveals how in the culturally volatile 1930s the symphony, long associated with ideas of selfhood, was a flourishing transnational phenomenon.
Author: Stephen Rodgers
Publisher: Cambridge University Press
ISBN: 1108998593
Category : Music
Languages : en
Pages : 205
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Book Description
Focusing on Clara Schumann's central contributions to the genre of the Lied (or German art song), this is the first book-length critical study of her songs. Although relatively few in number, they were published and reviewed favorably in the press during her lifetime, and they continue to be programmed regularly in recitals by professional and amateur performers alike. Highlighting the powerful and distinctive features of the songs, the book treats them as a prism, casting light not just on them but also through them to explore questions that foster a deeper understanding of the work of female composers. The author argues for the importance of taking Clara Schumann's music on its own terms, the intimate relationship between text and musical form, and the vital role of musical analysis in recuperating the contributions of previously understudied composers.
Author: Jamie L. Reuland
Publisher: Cambridge University Press
ISBN: 1009425021
Category : Music
Languages : en
Pages : 301
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Book Description
This path-breaking account of music's role in Venice's Mediterranean empire sheds new light on the city's earliest musical history.
Author: Björn Heile
Publisher: Cambridge University Press
ISBN: 1009491709
Category : Music
Languages : en
Pages : 285
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Book Description
The first study of the global dimensions of musical modernism and its transnational diasporic network of composers, musicians, and institutions.
Author: Roseen Giles
Publisher: Cambridge University Press
ISBN: 1009355341
Category : Music
Languages : en
Pages : 299
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Book Description
Integrating musical and poetic analysis, this book sheds new light on the experience of listening to Monteverdi's path-breaking madrigals. The music of this pivotal figure reveals how composers and performers at the turn of the seventeenth century not only responded to but themselves influenced experiments in language.
Author: Anne Hyland
Publisher: Cambridge University Press
ISBN: 1009210920
Category : Music
Languages : en
Pages : 329
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Book Description
A fresh analytical and musicological exploration of Schubert's incorporation of lyric elements into sonata form by way of his string quartets.
Author: Annika Forkert
Publisher: Cambridge University Press
ISBN: 1009337351
Category : Music
Languages : en
Pages : 261
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Book Description
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Author: Morten Solvik Olsen
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 677
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Book Description
Author: Robert Samuels
Publisher: Cambridge University Press
ISBN: 9780521602839
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This study uses semiotic theory in order to investigate different kinds of musical communication.
Author: Liang Luo
Publisher: University of Michigan Press
ISBN: 0472120344
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
The Avant-Garde and the Popular in Modern China explores how an important group of Chinese performing artists invested in politics and the pursuit of the avant-garde came to terms with different ways of being “popular” in modern times. In particular, playwright and activist Tian Han (1898-1968) exemplified the instability of conventional delineations between the avant-garde, popular culture, and political propaganda. Liang Luo traces Tian’s trajectory through key moments in the evolution of twentieth-century Chinese national culture, from the Christian socialist cosmopolitanism of post–WWI Tokyo to the urban modernism of Shanghai in 1920s and 30s, then into the Chinese hinterland during the late 1930s and 40s, and finally to the Communist Beijing of the 1950s, revealing the dynamic interplay of art and politics throughout this period. Understanding Tian in his time sheds light upon a new generation of contemporary Chinese avant-gardists (Ai Wei Wei being the best known), who, half a century later, are similarly engaging national politics and popular culture.
