State of The Art Postbop Intervalic Jazz Improvisation Exercises and Lines Phrases PDF Download
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Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456631608
Category : Music
Languages : en
Pages : 133
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Book Description
This book is a summary of both exercises and improvisation lines designed to enhance Intervalic Improvisation. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, therefore, all these exercises will be written accidental way. This project is an extension of a 6 chapter collection on improvisation by the same author: * Improvise Now * 240 Chromatic Exercises + 1165 Jazz Lines Phrases * Herbie Hancock. The Blue Note Years * John Coltrane & Michael Brecker Legacy * Chris Potter Jazz Styles * Bidirectional Contemporary Jazz Improvisation * New Conception for Linear & Intervalic Jazz Improvisation
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456631608
Category : Music
Languages : en
Pages : 133
Get Book Here
Book Description
This book is a summary of both exercises and improvisation lines designed to enhance Intervalic Improvisation. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination. Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages. There are none signature centers, therefore, all these exercises will be written accidental way. This project is an extension of a 6 chapter collection on improvisation by the same author: * Improvise Now * 240 Chromatic Exercises + 1165 Jazz Lines Phrases * Herbie Hancock. The Blue Note Years * John Coltrane & Michael Brecker Legacy * Chris Potter Jazz Styles * Bidirectional Contemporary Jazz Improvisation * New Conception for Linear & Intervalic Jazz Improvisation
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 145663089X
Category : Music
Languages : en
Pages : 239
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Book Description
This book is a summary of both exercises and improvisation lines designed to enhance contemporary jazz style techniques. The book covers scales, arpeggios, chromatic exercises and jazz line phrases from transcribed solos. These exercises should be transposed to all twelve (12) tones in order to achieve perfect coordination.Major, minor and dominant chords, extended to their highest level, scale wise, arpeggios and chromatic passages.There are none signature centers, therefore, all these exercises will be written accidental way.
Author: Carl Verheyen
Publisher: Mel Bay Publications
ISBN: 1610652339
Category : Music
Languages : en
Pages : 33
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Book Description
In this remarkable book, Carl Verheyen teaches his philosophy and techniques for improvising. Rather than hashing out scales, Carl teaches how to play lines with strong melodic content. By approaching melodies through intervals and chord qualities, infinite lines can be generated. Carl stresses the importance of collecting lines that can be used in improvised settings. These lines and examples will provide outstanding material for any guitarist yearning for melodic ideas and inspiration. Presented in standard notation and tab.
Author: Ashkan Mashhour
Publisher:
ISBN: 9780983049807
Category : Education
Languages : en
Pages : 108
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Book Description
Shapes and patterns are widely used in teaching the guitar, be it for scales, chords, or arpeggios. This book takes a novel and different approach to the guitar fretboard, emphasising an intervallic thought process. Moving away from shapes and patterns, this knowledge of intervals on the fretboard and its geometric properties leads to an intelligent choice of notes based on their harmonic function. Praised by guitar greats Brent Mason, Biréli Lagrène, Brett Garsed, as well as Jimmy Brown (Guitar World) and Prof. Richard Smith (USC), Intervallic Fretboard demonstrates the versatility of intervallic thinking in various music genres and playing styles.Accompanying CD/audio is available separately (see website).– www.intervallicfretboard.com –
Author: Jason Klobnak
Publisher: Jason Klobnak
ISBN: 0988552426
Category : Music
Languages : en
Pages : 72
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Book Description
Author: Walt Weiskopf
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages : 136
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Book Description
Author: Ed Sarath
Publisher: Routledge
ISBN: 1135215278
Category : Music
Languages : en
Pages : 390
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Book Description
Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along audio in the downloadable resources for improvisation and a companion website with resources for students and instructors.
Author: David Reed
Publisher:
ISBN: 9780984686360
Category :
Languages : en
Pages : 260
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Book Description
Improvise for Real is a step-by-step method that teaches you to improvise your own music through progressive exercises that anyone can do. You'll learn to understand the sounds in the music all around you. And you'll learn to express your own musical ideas exactly as you hear them in your mind. The method starts with very simple creative exercises that you can begin right away. As you progress, the method leads you on a guided tour through the entire world of modern harmony. You will be improvising your own original melodies from the very first day, and your knowledge will expand with each practice session as you explore and discover our musical system for yourself. Improvise for Real brings together creativity, ear training, music theory and physical technique into a single creative daily practice that will show you the entire path to improvisation mastery. You will learn to understand the sounds in the music all around you and to improvise with confidence over jazz standards, blues songs, pop music or any other style you would like to play. And you'll be jamming, enjoying yourself and creating your own music every step of the way. The method is open to all instruments and ability levels. The exercises are easy to understand and fun to practice. There is no sight reading required, and you don't need to know anything about music theory to begin. Already being used by both students and teachers in more than 20 countries, Improvise for Real is now considered by many people to be the definitive system for learning to improvise. If you have always dreamed of truly understanding music and being able to improvise with complete freedom on your instrument, this is the book for you
Author: Olegario Diaz
Publisher: eBookIt.com
ISBN: 1456638009
Category : Music
Languages : en
Pages : 248
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Book Description
Post-Bop is a modern jazz style that continues the distinguishing characteristics that separate jazz from the world of pop and rock; swing rhythm and extended harmonies (9th chords 11ths, altered chords, etc). Post-Bop grew out of the Hard Bop genre during the early to mid 60s as musicians such as Bill Evans, Wayne Shorter and Herbie Hancock began to introduce more extended harmonies, abstract structures and looser rhythms in their playing and compositions. When Hancock and Shorter joined Miles Davis's quintet in the mid-60s, that group became the perfect vehicle for extending the boundaries of what could happen in a Post-Bop format. The Miles Davis Quintet albums, "Nefertiti" and "Sorcer", continue to be pinnacles of Post-Bop composition and performance. Some styles of free modal jazz, such as Coltrane's "A Love Supreme", are also part of the Post-Bop sound. Although there are still some musicians, such as Kenny Garret, who play in that style, mostly that sound has been fading since the early 70s. Of course, theory doesn't come close to explaining music. If music is a language, theory is just grammar. More important than grammar is knowing the vocabulary that comes from listening, with awareness, to great players, and playing as much as possible. Beyond grammar and vocabulary is the ability to communicate with listeners to "tell a story," and to reach an audience on an emotional, or even spiritual, level.
Author: Walt Weiskopf
Publisher: Jamey Aebersold Jazz Incorporated
ISBN: 9781562242596
Category : Music
Languages : en
Pages : 136
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Book Description
Recording artist and master improviser Walt Weiskopf presents the simple technique of "triad pairs" (using only two triads) to create long, exciting phrases for all improvisers. You will find yourself suddenly sounding much more hip and modern with this technique, and yet it is fairly easy to understand. Walt explains the technique and then gives plenty of material to work on to get this method "under your fingers." This is definitely a recommended book for intermediate or advanced players who are looking for something to help take them to the next level. Use intervallic techniques to expand and enhance your musical performance in whole new directions.
