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Author: Joseph Anthony Wittreich
Publisher: Princeton University Press
ISBN: 1400854172
Category : Drama
Languages : en
Pages : 429
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Book Description
Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Joseph Anthony Wittreich
Publisher: Princeton University Press
ISBN: 1400854172
Category : Drama
Languages : en
Pages : 429
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Book Description
Joseph Wittreich reveals Samson to be an intensely political work that reflects the heroic ambitions and failings of the Puritan Revolution and the tragic ambiguities of the era. He sees in the work not the purveyance of Medieval and early Renaissance typological associations but an interrogation of them and a consequent movement away from them. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David Ainsworth
Publisher: Routledge
ISBN: 0429603622
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Milton, Music and Literary Interpretation: Reading through the Spirit constructs a musical methodology for interpreting literary text drawn out of John Milton’s poetry and prose. Analyzing the linkage between music and the Holy Spirit in Milton’s work, it focuses on harmony and its relationship to Milton’s theology and interpretative practices. Linking both the Spirit and poetic music to Milton’s understanding of teleology, it argues that Milton uses musical metaphor to capture the inexpressible characteristics of the divine. The book then applies these musical tools of reading to examine the non-trinitarian union between Father, Son, and Spirit in Paradise Lost, argues that Adam and Eve’s argument does not break their concord, and puts forward a reading of Samson Agonistes based upon pity and grace.
Author: Christine Rees
Publisher: Cambridge University Press
ISBN: 113948592X
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Samuel Johnson is often represented as primarily antagonistic or antipathetic to Milton. Yet his imaginative and intellectual engagement with Milton's life and writing extended across the entire span of his own varied writing career. As essayist, poet, lexicographer, critic and biographer - above all as reader - Johnson developed a controversial, fascinating and productive literary relationship with his powerful predecessor. To understand how Johnson creatively appropriates Milton's texts, how he critically challenges yet also confirms Milton's status, and how he constructs him as a biographical subject, is to deepen the modern reader's understanding of both writers in the context of historical continuity and change. Christine Rees's insightful study will be of interest not only to Milton and Johnson specialists, but to all scholars of early modern literary history and biography.
Author: Michael E. Bryson
Publisher: Routledge
ISBN: 1317040953
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
Basing his contention on two different lines of argument, Michael Bryson posits that John Milton-possibly the most famous 'Christian' poet in English literary history-was, in fact, an atheist. First, based on his association with Arian ideas (denial of the doctrine of the Trinity), his argument for the de Deo theory of creation (which puts him in line with the materialism of Spinoza and Hobbes), and his Mortalist argument that the human soul dies with the human body, Bryson argues that Milton was an atheist by the commonly used definitions of the period. And second, as the poet who takes a reader from the presence of an imperious, monarchical God in Paradise Lost, to the internal-almost Gnostic-conception of God in Paradise Regained, to the absence of any God whatsoever in Samson Agonistes, Milton moves from a theist (with God) to something much more recognizable as a modern atheist position (without God) in his poetry. Among the author's goals in The Atheist Milton is to account for tensions over the idea of God which, in Bryson's view, go all the way back to Milton's earliest poetry. In this study, he argues such tensions are central to Milton's poetry-and to any attempt to understand that poetry on its own terms.
Author: Dennis Kezar
Publisher: Oxford University Press
ISBN: 0199753377
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.
Author: Dennis Danielson
Publisher: Cambridge University Press
ISBN: 1107494184
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
An accessible, helpful guide for any student of Milton, whether undergraduate or graduate, introducing readers to the scope of Milton's work, the richness of its historical relations, and the range of current approaches to it. This second edition contains several new and revised essays, reflecting increasing emphasis on Milton's politics, the social conditions of his authorship and the climate in which his works were published and received, a fresh sense of the importance of his early poems and Samson Agonistes, and the changes wrought by gender studies on the criticism of the previous decade. By contrast with other introductions to Milton, this Companion gathers an international team of scholars, whose informative, stimulating and often argumentative essays will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Milton studies.
Author: Dennis Kezar Assistant Professor of English Vanderbilt University
Publisher: Oxford University Press, USA
ISBN: 0195349520
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.
Author: Reuben Sánchez
Publisher: Springer
ISBN: 1137397802
Category : Art
Languages : en
Pages : 282
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Book Description
This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of Jeremiah in the Well of Moses, and Michelangelo's fresco of Jeremiah in the Sistine Chapel.
Author: Peter C. Herman
Publisher: Cambridge University Press
ISBN: 1107019222
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
A collection of new essays demonstrating a wholly new approach to the complexities of Milton's work.
Author: Georgina Green
Publisher: Oxford University Press, USA
ISBN: 0199689067
Category : History
Languages : en
Pages : 257
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Book Description
Links emerging Romantic ideas about the role of the writer to the ambivalence of the concept of popular sovereignty, connecting theories about the role of the intellectual or the writer to the developing contestation of the concept of the majesty of the people during the 1790s.
