Interpretation of Beethoven's Fidelio Or Leonore and Four Different Overtures PDF Download
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Author: Myunghwa Jang
Publisher: GRIN Verlag
ISBN: 3640773608
Category : Social Science
Languages : en
Pages : 29
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Book Description
Research Paper (undergraduate) from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven's first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negative reviews. A year later Beethoven attempted a revision of Fidelio for the same theatre. Due to a change in management Beethoven was presented with a new librettist by the name of Stephan von Breuning. After a great deal of struggle, a very reluctant Beethoven agreed to a much more condensed and concise version of the opera. The newly revised version was performed on May 29, 1806. Again the audience was not Beethoven's ideal audience and the show failed once again. After reading a refined libretto by Georg Friedrich Treitschke, Beethoven agreed the revival but insisted on a complete revision in which he virtually started over. Nearly every number was altered in some fashion. The third and final version of the opera opened with great success on May 23, 1814. It took Beethoven over a decade to complete his only opera. Throughout the many revisions he produced four different overtures. The first, now known as Leonore #2 was written for the opera's premiere in 1805. Because some sections proved to be too difficult Beethoven began reworking the overture for the opera's revival in 1806. The new version became known as Leonore #3. Beethoven's final revision composed for the 1814. Production was called the Fidelio Overture. After his death a fourth overture was found. Entitled Leonore #1 it is believed he either wrote it first or for a production of Fidelio in Prague that never happened. Leonore #3 is often played between the two scenes in Act 2. However, many critic
Author: Myunghwa Jang
Publisher: GRIN Verlag
ISBN: 3640773608
Category : Social Science
Languages : en
Pages : 29
Get Book Here
Book Description
Research Paper (undergraduate) from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven's first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negative reviews. A year later Beethoven attempted a revision of Fidelio for the same theatre. Due to a change in management Beethoven was presented with a new librettist by the name of Stephan von Breuning. After a great deal of struggle, a very reluctant Beethoven agreed to a much more condensed and concise version of the opera. The newly revised version was performed on May 29, 1806. Again the audience was not Beethoven's ideal audience and the show failed once again. After reading a refined libretto by Georg Friedrich Treitschke, Beethoven agreed the revival but insisted on a complete revision in which he virtually started over. Nearly every number was altered in some fashion. The third and final version of the opera opened with great success on May 23, 1814. It took Beethoven over a decade to complete his only opera. Throughout the many revisions he produced four different overtures. The first, now known as Leonore #2 was written for the opera's premiere in 1805. Because some sections proved to be too difficult Beethoven began reworking the overture for the opera's revival in 1806. The new version became known as Leonore #3. Beethoven's final revision composed for the 1814. Production was called the Fidelio Overture. After his death a fourth overture was found. Entitled Leonore #1 it is believed he either wrote it first or for a production of Fidelio in Prague that never happened. Leonore #3 is often played between the two scenes in Act 2. However, many critic
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 1102008877
Category :
Languages : en
Pages : 33
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Book Description
Author: Scott Burnham
Publisher: Princeton University Press
ISBN: 0691218323
Category : Music
Languages : en
Pages : 398
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Book Description
Few composers even begin to approach Beethoven's pervasive presence in modern Western culture, from the concert hall to the comic strip. Edited by a cultural historian and a music theorist, Beethoven and His World gathers eminent scholars from several disciplines who collectively speak to the range of Beethoven's importance and of our perennial fascination with him. The contributors address Beethoven's musical works and their cultural contexts. Reinhold Brinkmann explores the post-revolutionary context of Beethoven's "Eroica" Symphony, while Lewis Lockwood establishes a typology of heroism in works like Fidelio. Elaine Sisman, Nicholas Marston, and Glenn Stanley discuss issues of temporality, memory, and voice in works at the threshold of Beethoven's late style, such as An die Ferne Geliebte, the Cello Sonata op. 102, no. 1, and the somewhat later Piano Sonata op. 109. Peering behind the scenes into Beethoven's workshop, Tilman Skowroneck explains how the young Beethoven chose his pianos, and William Kinderman shows Beethoven in the process of sketching and revising his compositions. The volume concludes with four essays engaging the broader question of reception of Beethoven's impact on his world and ours. Christopher Gibbs' study of Beethoven's funeral and its aftermath features documentary material appearing in English for the first time; art historian Alessandra Comini offers an illustrated discussion of Beethoven's ubiquitous and iconic frown; Sanna Pederson takes up the theme of masculinity in critical representations of Beethoven; and Leon Botstein examines the aesthetics and politics of hearing extramusical narratives and plots in Beethoven's music. Bringing together varied and fresh approaches to the West's most celebrated composer, this collection of essays provides music lovers with an enriched understanding of Beethoven--as man, musician, and phenomenon.
Author: Hans-Joachim Hinrichsen
Publisher: Rowman & Littlefield
ISBN: 1666975990
Category : Music
Languages : en
Pages : 305
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Book Description
Beethoven wrote music for times that were changing. His musical aesthetics played an active part in the exchange of thought that shaped the revolutionary culture of his lifetime. He put aesthetic expectations to the test, and we still hear his message today. In Beethoven in the Age of Schiller, Goethe, and Kant: Music for Modern Times, Hans-Joachim Hinrichsen explores twelve themes that reflect Beethoven’s compositional development and thought. The result is a fascinating new portrait of the composer and his music, and a panorama of the world of thought, norms, and values that he navigated. Here we discover insight into Beethoven’s use of literature, his aspirations for purely instrumental music, and how he transformed contemplation into aesthetic expression. We learn not only how his contemporaries misunderstood him, but also how those in the know did get his message. Was Beethoven philosophical and poetic? Are his last compositions a critique of pure music, are they transcendental? Hinrichsen argues that we must get beyond our stereotypes of Beethoven if we want to truly understand him.
Author: Alexander Wheelock Thayer
Publisher: Good Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1230
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Book Description
Alexander Wheelock Thayer's 'The Life of Ludwig van Beethoven' is a monumental three-volume biography that delves deep into the personal and professional life of the legendary composer. Thayer's meticulous research and comprehensive documentation provide readers with a detailed account of Beethoven's trials and triumphs, offering insights into his revolutionary compositions and enduring legacy. Written in a scholarly but approachable style, this biography sheds light on Beethoven's complex personality and the social and cultural context in which he created his immortal music. Thayer's work is not only a biography but also a valuable historical and artistic resource for anyone interested in classical music and the life of one of its greatest composers. Alexander Wheelock Thayer, a dedicated music historian, spent years studying Beethoven's life and works, collecting extensive materials to create this definitive account. His passion for Beethoven's music and commitment to accuracy shine through in every page of this meticulously researched biography. Thayer's expertise and deep understanding of Beethoven's music and life make 'The Life of Ludwig van Beethoven' a must-read for scholars, musicians, and music lovers alike. I highly recommend 'The Life of Ludwig van Beethoven' to anyone seeking a comprehensive and engaging exploration of Beethoven's life, music, and lasting influence on classical music. Thayer's scholarly approach and detailed analysis provide a rich and rewarding reading experience for those interested in the life and works of one of the greatest composers in history.
Author: Lewis Lockwood
Publisher: W. W. Norton & Company
ISBN: 0393326381
Category : Biography & Autobiography
Languages : en
Pages : 621
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Book Description
Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.
Author: Lewis Lockwood
Publisher: Harvard University Press
ISBN: 9780674028098
Category : Music
Languages : en
Pages : 316
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Book Description
Beethoven's string quartets have rewarded the engagement of scholars, performers, and audiences for almost two hundred years. This book and its accompanying recording invite you to experience three of these profound and beautiful works of music from the inside, with a renowned Beethoven scholar and the Juilliard String Quartet as your guides.
Author: Steven Vande Moortele
Publisher: Cambridge University Press
ISBN: 1107163196
Category : Music
Languages : en
Pages : 305
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Book Description
The first comprehensive study of musical form in operatic and concert overtures in continental Europe between 1815 and 1850.
Author: Bennett Reimer
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 224
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Book Description
Presents key ideas and practical suggestions for implementing the music standards through performance. Based on a Northwestern University Music Education Leadership Seminar.
Author: Clyde T. McCants
Publisher: McFarland
ISBN: 9780786414420
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
Opera is a unique expression of the human mind and spirit--a play that communicates plot, characterization and story almost entirely through music. Unfortunately, because of restraints of time, location and income, few people have the opportunity to see operas performed on a regular basis. Public libraries are an easily accessible alternative for gaining operatic knowledge and exposure, offering the public a chance to hear, see, and develop an appreciation of opera. This work is a two-part guide for libraries that want to assemble a comprehensive collection of operatic materials. Part I is a list of recommended operas ranging over four hundred years of operatic history and including a variety of different styles and languages. The goal of Part I is to provide recommendations for a comprehensive library collection of video and sound operatic recordings. Part II suggest books, periodicals, and online resources that could be an integral and important part of a library's opera collection. This section also discusses the care and maintenance of sound and video recordings, offers suggestions for locating hard-to-find operatic material, and explores the library's role in sparking patron interest in opera.
