The Interpretation of French Song PDF Download
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Author: Pierre Bernac
Publisher: W. W. Norton
ISBN: 9780393008784
Category : Music
Languages : en
Pages : 326
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Book Description
Provides general instructions for the performance and interpretation of French melodies and analyzes vocal works by eighteen composers including Berlioz, Duparc, Debussy, and Ravel
Author: Pierre Bernac
Publisher: W. W. Norton
ISBN: 9780393008784
Category : Music
Languages : en
Pages : 326
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Book Description
Provides general instructions for the performance and interpretation of French melodies and analyzes vocal works by eighteen composers including Berlioz, Duparc, Debussy, and Ravel
Author: Allan F. Moore
Publisher: Routledge
ISBN: 131705265X
Category : Music
Languages : en
Pages : 463
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Book Description
The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r
Author: Dr Ralf von Appen
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472428005
Category : Music
Languages : en
Pages : 305
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Book Description
Existing books on the analysis of popular music focus on theory and methodology and normally discuss parts of songs briefly as examples. In this book the obverse is true: songs take centre stage. The authors analyse them from a variety of theoretical positions, compare their different hearings and discuss the ways in which they make sense of specific songs. By concentrating on 13 well-known and recent songs, this book offers some model analyses that can be studied at home or used in seminars and classrooms for students of popular music at all academic levels.
Author: Bret Pimentel
Publisher:
ISBN: 9780998806327
Category :
Languages : en
Pages :
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Book Description
Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one.The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include:- What should I listen for in good woodwind playing?- Why is breath support so important, and how do I do and teach it?- What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes?- What things does an embouchure need to accomplish?- How can I (or my students) play better in tune?- What role does the tongue really play in articulation?- Which alternate fingering should I choose in a given situation?- How do I select the best reeds, mouthpieces, and instruments?- How should a beginner choose which instrument is the best fit?Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.
Author: Harry Plunket Greene
Publisher:
ISBN:
Category : Songs
Languages : en
Pages : 323
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Book Description
Author: Harry Plunket Greene
Publisher: London : Macmillan ; Stainer and Bell
ISBN:
Category : Chants
Languages : en
Pages : 332
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Book Description
Author: Thurston Dart
Publisher: Random House (UK)
ISBN:
Category : Music
Languages : en
Pages : 200
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Book Description
Author: Harry Plunket Greene
Publisher: London : Macmillan ; Stainer and Bell
ISBN:
Category : Singing
Languages : en
Pages : 307
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Book Description
Author: Lotte Lehmann
Publisher: Courier Corporation
ISBN: 0486498026
Category : Music
Languages : en
Pages : 194
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Book Description
An eminent soprano distills a lifetime of work, research, and experience into concise, revealing lessons in the interpretation of songs by Schubert, Brahms, Schumann, Haydn, Beethoven, Strauss, Mahler, Debussy, and other masters.
Author: Ralf von Appen
Publisher: Routledge
ISBN: 1317052692
Category : Music
Languages : en
Pages : 305
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Book Description
Existing books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The authors analyse and interpret them intensively from a variety of theoretical positions that illuminate the song. Thus, methods and theories have to prove their use value in the face of a heterogeneous, contemporary repertoire. The book brings together researchers from very different cultural backgrounds and encourages them to compare their different hearings and to discuss the ways in which they make sense of specific songs. All songs analysed are from the new millennium, most of them not older than three years. Because the most widely popular styles are too often ignored by academics, this book aims to shed light on how million sellers work musically. Therefore, it encompasses a broad palette, highlighting mainstream pop (Lady Gaga, Ke$ha, Lucenzo, Amy McDonald), but also accounting for critically acclaimed ’indie’ styles (Fleet Foxes, Death Cab for Cutie, PJ Harvey), R&B (Destiny’s Child, Janelle Monae), popular hard rock (Kings of Leon, Rammstein), and current electronic music (Andrés, Björk). By concentrating on 13 well-known songs, this book offers some model analyses that can very easily be studied at home or used in seminars and classrooms for students of popular music at all academic levels.
