International Motion Picture Almanac, 1993 PDF Download
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Author: Barry Monush
Publisher: Quigley Publishing Company
ISBN: 9780900610486
Category : Performing Arts
Languages : en
Pages : 776
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Book Description
Author: Barry Monush
Publisher: Quigley Publishing Company
ISBN: 9780900610486
Category : Performing Arts
Languages : en
Pages : 776
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Book Description
Author: Terry Ramsaye
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 782
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Book Description
Author: Dave Montalbano
Publisher: Xlibris Corporation
ISBN: 1462836739
Category : Language Arts & Disciplines
Languages : en
Pages : 654
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Book Description
The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.
Author: Janet Wasko
Publisher: John Wiley & Sons
ISBN: 0745669026
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
This is a major new assessment of the American movie industry in the 1990's, focusing on the development of new communication technologies such as cable and home video and examining their impact on the production and distribution of motion pictures.
Author: Quigley Publishing
Publisher: Quigley Publishing Company
ISBN: 9780900610820
Category : Performing Arts
Languages : en
Pages : 1240
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Book Description
Author: Facts on File Inc
Publisher: Infobase Publishing
ISBN: 1438107986
Category : Cold War
Languages : en
Pages : 689
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Book Description
Uses statistical tables, charts, photographs, maps, and illustrations to explore everyday life in the United States during the Cold War period.
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Karl F. Cohen
Publisher: McFarland
ISBN: 1476607257
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.
Author: R. Garrett
Publisher: Springer
ISBN: 0230801528
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
In this extensive analysis of the renewed popularity of the 'woman's film' in the 1990s, Roberta Garrett examines melodrama, romantic comedy, costume drama and female-led noirs , revealing the way they blend classical and contemporary themes and formal devices.
Author: A. Flibbert
Publisher: Springer
ISBN: 0230607276
Category : Political Science
Languages : en
Pages : 240
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Book Description
Commerce in Culture is an innovative study of how states have responded to the globalization of the film sector. Concerned with more than film content or substance, the book exposes the ongoing political and economic struggles that shape cultural production and trade in the world. The historical focus is on Hollywood's engagement with rivals and partners in two leading developing countries, Egypt and Mexico, beginning with the birth of their national film industries in the late 1920s. State and market institutions evolved differently in each context, acting like national prisms to mediate international competition and produce distinctive results. As filmmaking has become a dynamic focal point in the new economy, Commerce in Culture reveals a vital but neglected part of the global terrain.
