Author: Edward Renton
Publisher:
ISBN:
Category : Intaglios
Languages : en
Pages : 150
Book Description
Intaglio Engraving, Past and Present
Author: Edward Renton
Publisher:
ISBN:
Category : Intaglios
Languages : en
Pages : 150
Book Description
Publisher:
ISBN:
Category : Intaglios
Languages : en
Pages : 150
Book Description
Engraving and Etching, 1400-2000
Author: Ad Stijnman
Publisher: Hes & De Graff Pub B V
ISBN: 9789061945918
Category : History
Languages : en
Pages : 0
Book Description
"This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries"--Publisher's website.
Publisher: Hes & De Graff Pub B V
ISBN: 9789061945918
Category : History
Languages : en
Pages : 0
Book Description
"This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries"--Publisher's website.
Etching, Engraving, & Intaglio Printing
Author: Anthony Gross
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
Etching, Engraving and Other Intaglio Printmaking Techniques
Author: Ruth Leaf
Publisher: Courier Corporation
ISBN: 0486139247
Category : Art
Languages : en
Pages : 242
Book Description
Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.
Publisher: Courier Corporation
ISBN: 0486139247
Category : Art
Languages : en
Pages : 242
Book Description
Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.
Polymer Photogravure
Author: Clay Harmon
Publisher: Routledge
ISBN: 1351259024
Category : Photography
Languages : en
Pages : 495
Book Description
Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists’ works, illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color, and represent a variety of genres, including still lifes, portraits, nudes, landscapes, urban-scapes and more. Featuring over 30 artists and 200 full-color images, Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies, evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking, wiping and printing method Advanced printing techniques such as chine collé, à la poupée, and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival, consisting of only ink and paper. With Harmon’s instructions, continuous tone intaglio prints are within the reach of all.
Publisher: Routledge
ISBN: 1351259024
Category : Photography
Languages : en
Pages : 495
Book Description
Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists’ works, illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color, and represent a variety of genres, including still lifes, portraits, nudes, landscapes, urban-scapes and more. Featuring over 30 artists and 200 full-color images, Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies, evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking, wiping and printing method Advanced printing techniques such as chine collé, à la poupée, and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival, consisting of only ink and paper. With Harmon’s instructions, continuous tone intaglio prints are within the reach of all.
Practical Guide to Etching and Other Intaglio Printmaking Techniques
Author: Manly Banister
Publisher: Courier Corporation
ISBN: 9780486251653
Category : Art
Languages : en
Pages : 134
Book Description
Detailed illustrated instruction in etching, engraving, aquatint, drypoint, mezzotint from preparing plate to mounting print. No better guide for beginners."
Publisher: Courier Corporation
ISBN: 9780486251653
Category : Art
Languages : en
Pages : 134
Book Description
Detailed illustrated instruction in etching, engraving, aquatint, drypoint, mezzotint from preparing plate to mounting print. No better guide for beginners."
How to Identify Prints
Author: Bamber Gascoigne
Publisher:
ISBN: 9780500284803
Category : Antiques & Collectibles
Languages : en
Pages : 208
Book Description
Arranged in self-contained sections the book simplifies accurate identification of any printed image. Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images. Essential aspects of printing history and the printmaking craft are covered and examples are given of the identifying features that help to reveal the type of print.
Publisher:
ISBN: 9780500284803
Category : Antiques & Collectibles
Languages : en
Pages : 208
Book Description
Arranged in self-contained sections the book simplifies accurate identification of any printed image. Included are manual methods, and also the mechanical processes that constitute the vast majority of printed images. Essential aspects of printing history and the printmaking craft are covered and examples are given of the identifying features that help to reveal the type of print.
Intaglio
Author: Robert Adam
Publisher: National Geographic Books
ISBN: 0500286612
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
This practical and inspirational book is a complete guide to creative intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes methods that, while employing a strong traditional basis, avoid the use of toxic materials to achieve stunning prints the modern, safety-first way. Covering every stage of the plate-making and printing process, the book opens up creative possibilities for beginners and experienced printmakers alike. From setting up and equipping an intaglio studio, through choosing a printing method, to collating and presenting finished prints, this beautifully illustrated and comprehensive reference book is the only resource any art practitioner, educator, or student will ever need. 229 illustrations, 199 in color.
Publisher: National Geographic Books
ISBN: 0500286612
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
This practical and inspirational book is a complete guide to creative intaglio printmaking. With clear step-by-step instructions and hundreds of illustrations, it describes methods that, while employing a strong traditional basis, avoid the use of toxic materials to achieve stunning prints the modern, safety-first way. Covering every stage of the plate-making and printing process, the book opens up creative possibilities for beginners and experienced printmakers alike. From setting up and equipping an intaglio studio, through choosing a printing method, to collating and presenting finished prints, this beautifully illustrated and comprehensive reference book is the only resource any art practitioner, educator, or student will ever need. 229 illustrations, 199 in color.
Origins of European Printmaking
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
The Renaissance of Etching
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}