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Author: Thomas Schmidt-Beste
Publisher: Routledge
ISBN: 9780754629320
Category : Music patronage
Languages : de
Pages : 0
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Book Description
The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context.
Author: Thomas Schmidt-Beste
Publisher: Routledge
ISBN: 9780754629320
Category : Music patronage
Languages : de
Pages : 0
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Book Description
The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context.
Author: Tim Carter
Publisher: Taylor & Francis
ISBN: 1040246818
Category : Music
Languages : en
Pages : 307
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Book Description
This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the city as they affected individual composers, patrons and institutions, and thence to the commerce of music printing and the book trade. It concludes with an attempt to suggest a broader view of these various issues as they impact upon musical life in the 'provinces' in Tuscany. There is a great deal of new documentary and other information here, but the aim is also to expand methodological horizons so as to prompt new ways of thinking about music in its contexts.
Author:
Publisher: BRILL
ISBN: 9004358307
Category : History
Languages : en
Pages : 576
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Book Description
This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello.
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 1107145805
Category : Art
Languages : en
Pages : 353
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Book Description
This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.
Author: Toby Young
Publisher: Cambridge University Press
ISBN: 1108831699
Category : Music
Languages : en
Pages : 359
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Book Description
This wide-ranging guide offers insights for musicians and students on how to be a composer.
Author: Thomas E. Morrissey
Publisher: Taylor & Francis
ISBN: 1040242189
Category : Religion
Languages : en
Pages : 351
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Book Description
Crises are never the best of times and the era of the Great Western Schism (1378-1417) easily qualifies as one of the worst of times. As a professor of canon law at the University of Padua and later cardinal, and as a major theorist in the conciliarist movement, Franciscus Zabarella (1360-1417) tried to do what a good legal mind does: find and explicate a viable and legal solution to the crises of his time, a solution that would stand up in his own era and for the generations that followed. In this volume Thomas Morrissey looks at what he said, wrote and did, and places him and his thought in the context of the late medieval and early modern era, how he reflected that world and how he influenced it. Particular studies elucidate what he wrote on the authority and on the duty of the people in power, what they could do and should do, as well as what they should not do. They also show how he explored the area of early constitution law and human rights in civil and religious society and that his work leads down the road to our modern constitutional democratic societies. The volume includes two previously unpublished studies, on the situation in Padua c. 1400 and on a sermon from 1407, together with an introduction contextualizing the articles.
Author: Laurenz Lütteken
Publisher: Univ of California Press
ISBN: 0520421116
Category : Music
Languages : en
Pages : 240
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Book Description
Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lütteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations. This fascinating panorama foregrounds music as a substantial component of the era and considers musical works and practices in a wider cultural-historical context. Among the topics surveyed are music's relationship to antiquity, the position of music within systems of the arts, the emergence of the concept of the musical work, as well as music's relationship to the theory and practice of painting, literature, and architecture. What becomes clear is that the Renaissance gave rise to many musical concepts and practices that persist to this day, whether the figure of the composer, musical institutions, and modes of musical writing and memory.
Author: Katherine A. McIver
Publisher:
ISBN: 9781599103082
Category : Art
Languages : en
Pages : 347
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Book Description
"Sixteen essays by an international group of scholars that examine the role of noble women as patrons of architecture and music in early modern Italy and that explore the behavior of woman art patrons and artists involved in the creation of art and architecture"--
Author: Iain Fenlon
Publisher: Oxford University Press
ISBN: 9780198164449
Category : History
Languages : en
Pages : 300
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Book Description
Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.
Author: Artur Pereira
Publisher: Routledge
ISBN: 0429997876
Category : Music
Languages : en
Pages : 325
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Book Description
The dedication of a piece of music is a feature generally overlooked, but it can reveal a great deal about the work, the composer, the society and the music world in which the composer lived. This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven’s life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a ‘dedication’, a concept which extends far beyond the dedication of musical works.
