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Author: Gerardus Joannes Vossius
Publisher:
ISBN: 9789004183698
Category : Poetics
Languages : en
Pages : 0
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Book Description
Author: Gerardus Joannes Vossius
Publisher:
ISBN: 9789004183698
Category : Poetics
Languages : en
Pages : 0
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Book Description
Author: Jean-Baptiste Du Bos
Publisher: BRILL
ISBN: 9004465944
Category : Philosophy
Languages : en
Pages : 837
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Book Description
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy of art, including Voltaire, Montesquieu, Diderot, Rousseau, Herder, Lessing, Mendelssohn, Kames, Gerard, and Hume. This is the first modern, annotated and scholarly edition of the Critical Reflections in any language.
Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004217533
Category : Biography & Autobiography
Languages : en
Pages : 667
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Book Description
Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of different theoretical approaches. Historically, Vondel is situated in his own times and in the present.
Author: Aristotle
Publisher: e-artnow
ISBN:
Category : Philosophy
Languages : en
Pages : 36
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Book Description
The Poetics of Aristotle is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry". In this reflections Aristotle includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry. The similarities and differences are being described in this work.
Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004184090
Category : Literary Criticism
Languages : en
Pages : 2215
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Book Description
This is a new, critical edition (in two-volumes) of Gerardus Joannes Vossius' Latin Poeticae institutiones (1647), with a translation in English, an introduction, annotations and a commentary. In appendices the De artis poeticae natura ac constitutione and De imitatione are published, with a translation.
Author: Peter Wilson
Publisher: Cambridge University Press
ISBN: 9780521542135
Category : History
Languages : en
Pages : 456
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Book Description
The first major study of a central cultural institution of classical Athens.
Author: Zong-qi Cai
Publisher: University of Hawaii Press
ISBN: 9780824823382
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms.
Author: W. Martin Bloomer
Publisher: John Wiley & Sons
ISBN: 144433753X
Category : Literary Criticism
Languages : en
Pages : 532
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Book Description
A Companion to Ancient Education presents a series of essays from leading specialists in the field that represent the most up-to-date scholarship relating to the rise and spread of educational practices and theories in the ancient Greek and Roman worlds. Reflects the latest research findings and presents new historical syntheses of the rise, spread, and purposes of ancient education in ancient Greece and Rome Offers comprehensive coverage of the main periods, crises, and developments of ancient education along with historical sketches of various educational methods and the diffusion of education throughout the ancient world Covers both liberal and illiberal (non-elite) education during antiquity Addresses the material practice and material realities of education, and the primary thinkers during antiquity through to late antiquity
Author: Ada Smailbegović
Publisher: Columbia University Press
ISBN: 0231552564
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements that constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegović argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation. Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök’s insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin’s considerations of silk fibers and their use in biomedicine, Gertrude Stein’s examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson’s studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegović contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius’s “On the Nature of Things,” which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.
Author:
Publisher: BRILL
ISBN: 9047421655
Category : Religion
Languages : en
Pages : 383
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Book Description
This book examines the seemingly universal notion of a grammatical cosmos. Individual essays discuss how many of the great civilizations provide cognitive maps that emerge from a metaphysical linguistics in which sounds, syllables and other signs form the constructive elements of reality. The essays address cross-cultural issues such as: Why does grammar serve as a template in these cultures? How are such templates culturally contoured? To what end are they applied — i.e., what can one do with grammar — , and how does it work upon the world? The book is divided into three sections that deal with the metaphysics of linguistic creation; practices of encoding and decoding as a means of deciphering reality; and language in the widest sense as a medium for self- and cultural transformation. Contributors include: Jan Assman, Sara Sviri, Michael Stone, M. Finkelberg, Yigal Bronner, Martin Kern, Brouria Bitton-Ashkelony, Dan Martin, Jonathan Garb, Tom Hunter, David Shulman, and Sergio La Porta.
