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Author: Donna P. Hope
Publisher:
ISBN:
Category : History
Languages : en
Pages : 198
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Book Description
This work provides an accessible account of a poorly understood aspect of Jamaican popular culture. It explores the socio-political meanings of Jamaica's dancehall culture. In particular, the book gives an account of the power relations within the dancehall and between the dancehall and the wider Jamaican society. Hope gives the reader an unmatched insider's view and explanation of power, violence and gender relations in Jamaica as seen through the prism of the dancehall.
Author: Donna P. Hope
Publisher:
ISBN:
Category : History
Languages : en
Pages : 198
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Book Description
This work provides an accessible account of a poorly understood aspect of Jamaican popular culture. It explores the socio-political meanings of Jamaica's dancehall culture. In particular, the book gives an account of the power relations within the dancehall and between the dancehall and the wider Jamaican society. Hope gives the reader an unmatched insider's view and explanation of power, violence and gender relations in Jamaica as seen through the prism of the dancehall.
Author: Donna P. Hope
Publisher: Ian Randle Publishers
ISBN: 9789766374075
Category : Social Science
Languages : en
Pages : 188
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Book Description
"In Jamaica, dancehall music and culture has become perhaps the most prominent expression of Jamaican popular culture. Taking its name from dance halls in which popular local recordings were played by sound systems, the concept of Dancehall as a cultural space has rapidly gained momentum in the last three decades as deejay stars enjoy unprecedented successes locally and internationally. Donna Hope builds on her earlier work on popular culture and theories of sexuality/gender to examine the process and progress of Jamaican masculinities. Man Vibes: Masculinities in Jamaican Dancehall explores Jamaican masculinity through the male-dominated dancehall space that is at once a celebration of the marginalized poor and also a challenge to social inequality. Using the major masculine debates that are articulated in dancehall music and culture, Hope explores the transition of Jamaican masculinity in the 21st century. The dancehall representations of Ole Dawg (promiscuity), Badman (violence), Chi Chi Man (anti-male homosexuality), Bling Bling (consumerist/consumptive) and Fashion Ova Style (stylized transgressions and homosexuality) are all used to evaluate the relationship between dancehall culture and the hegemonic standard of masculine. Man Vibes significantly advances the Cultural Studies agenda and acts as a contemporary reader by speaking not only to dancehall music and culture s masculinities but to Jamaican and Black masculinities in general. "
Author: Norman C. Stolzoff
Publisher: Duke University Press
ISBN: 9780822325147
Category : Music
Languages : en
Pages : 332
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Book Description
An ethnography of Dancehall, the dominant form of reggae music in Jamica since the early 1960s.
Author: Anne M. Galvin
Publisher: Vanderbilt University Press
ISBN: 0826502881
Category : History
Languages : en
Pages : 294
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Book Description
Dancehall: it's simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community. Electronically influenced, relevant to urban Jamaicans, and highly danceable, dancehall music and culture forms a core of popular entertainment in the nation. As Anne Galvin reveals in Sounds of the Citizens, the rhythms of dancehall music reverberate in complicated ways throughout the lives of countless Jamaicans. Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores. As Sounds of the Citizens illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.
Author: Donna P. Hope
Publisher:
ISBN: 9789766406691
Category : Reggae music
Languages : en
Pages : 149
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Book Description
ReggaeStories provides a range of perspectives on the development of Jamaican popular music and culture, in particular reggae and dancehall, and opens the door to new debates on these music forms and their producers and creators. It moves through early musical debates and incendiary intellectual contributions in Jamaican reggae to trace Jamaican popular music in new geographical locales and then returns home to contemporary dancehall posturing. The contributors to this collection incorporate a range of approaches that includes cultural studies, musicological analysis, lyrical analysis and historical contextualization. The collection makes a seminal contribution with its presentation of significant work on reggae music in the Hispanic Caribbean (Mexico), particularly for the benefit of English speakers who may have faced restrictions in accessing such material. In a similar vein, the work also introduces material on reggae music in the former Soviet Union (Belarus), again opening spaces that may have been hidden from the anglophone debates. The work also makes another significant contribution in tackling Peter Tosh's intellectual and lyrical legacy as a reggae revolutionary in an era where he has received scant literary and academic attention. Additionally, the work adds considerably to contemporary debates on dancehall music and culture's postmillennial identity debates by introducing a critical academic discourse on the lyrical and cultural posturing of popular dancehall artistes Tommy Lee and Vybz Kartel. ReggaeStories spans several important and connected points in the debates around adoption and adaptation of Jamaican popular music and culture in different cultural and geographical contexts and extends the discussion on how these musical and cultural forms have been transformed or retained in differing localities.
Author: Donna P. Hope
Publisher:
ISBN: 9789766378912
Category : Music
Languages : en
Pages : 232
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Book Description
Reggae and Dancehall music and culture have travelled far beyond the shores of the tiny island of Jamaica to find their respective places as new genres of music and lifestyle. In Reggae from Yaad, Donna Hope pulls together a remarkable cast of contributors offering contemporary interpretations of the history, culture, significance and social dynamics of Jamaican Popular Music from varying geographical and disciplinary locations. From Alan 'Skill' Cole's lively and frank account of the Bob Marley he knew and David Katz's conversation with veteran music producers Bunny 'Striker' Lee, King Jammy and Bobby Digital; to Heather Augustyn and Shara Rambarran who both explore the role of music in the relationship between Britain and Jamaica in the post-independence 1960s, the contributors bring a new dimension to the discussion on the impact of Jamaican music. Drawn from a selection of presentations at the 2013 International Reggae Conference in Kingston, Jamaica, Reggae from Yaad continues the ever-evolving discourse on the meaning behind the music and the cultural and social developments that inform Jamaican Popular Music. Contributors: Heather Augustyn - Winston C. Campbell - Alan 'Skill' Cole - Brent Hagerman - Patrick Helber - Donna P. Hope - David Katz - Anna Kasafi Perkins - Shara Rambarran - Jose Luis Fanjul Rivero - Livingston A. White
Author: C. Cooper
Publisher: Springer
ISBN: 1403982600
Category : Social Science
Languages : en
Pages : 348
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Book Description
Megawattage sound systems have blasted the electronically-enhanced riddims and tongue-twisting lyrics of Jamaica's dancehall DJs across the globe. This high-energy raggamuffin music is often dismissed by old-school roots reggae fans as a raucous degeneration of classic Jamaican popular music. In this provocative study of dancehall culture, Cooper offers a sympathetic account of the philosophy of a wide range of dancehall DJs: Shabba Ranks, Lady Saw, Ninjaman, Capleton, Buju Banton, Anthony B and Apache Indian. Cooper also demonstrates the ways in which the language of dancehall culture, often devalued as mere 'noise,' articulates a complex understanding of the border clashes which characterize Jamaican society, and analyzes the sound clashes that erupt in the movement of Jamaican dancehall culture across national borders.
Author: Marvin Sterling
Publisher: Duke University Press
ISBN: 0822392739
Category : Social Science
Languages : en
Pages : 316
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Book Description
An important center of dancehall reggae performance, sound clashes are contests between rival sound systems: groups of emcees, tune selectors, and sound engineers. In World Clash 1999, held in Brooklyn, Mighty Crown, a Japanese sound system and the only non-Jamaican competitor, stunned the international dancehall community by winning the event. In 2002, the Japanese dancer Junko Kudo became the first non-Jamaican to win Jamaica’s National Dancehall Queen Contest. High-profile victories such as these affirmed and invigorated Japan’s enthusiasm for dancehall reggae. In Babylon East, the anthropologist Marvin D. Sterling traces the history of the Japanese embrace of dancehall reggae and other elements of Jamaican culture, including Rastafari, roots reggae, and dub music. Sterling provides a nuanced ethnographic analysis of the ways that many Japanese involved in reggae as musicians and dancers, and those deeply engaged with Rastafari as a spiritual practice, seek to reimagine their lives through Jamaican culture. He considers Japanese performances and representations of Jamaican culture in clubs, competitions, and festivals; on websites; and in song lyrics, music videos, reggae magazines, travel writing, and fiction. He illuminates issues of race, ethnicity, gender, sexuality, and class as he discusses topics ranging from the cultural capital that Japanese dancehall artists amass by immersing themselves in dancehall culture in Jamaica, New York, and England, to the use of Rastafari as a means of critiquing class difference, consumerism, and the colonial pasts of the West and Japan. Encompassing the reactions of Jamaica’s artists to Japanese appropriations of Jamaican culture, as well as the relative positions of Jamaica and Japan in the world economy, Babylon East is a rare ethnographic account of Afro-Asian cultural exchange and global discourses of blackness beyond the African diaspora.
Author: Rosanna Masiola
Publisher: Cambridge Scholars Publishing
ISBN: 1443876755
Category : Social Science
Languages : en
Pages : 260
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Book Description
This book is the first systematic cross-disciplinary survey on the use of Jamaican English in Ethiopia, describing the dynamics of language acquisition in a multi-lectal and multicultural context. It is the result of over eight years’ worth of research conducted in both Jamaica and Africa, and is a recognition of the trans-cultural influence of the “Repatriation Movement” and other diasporic movements. The method and materials adopted in this book point to a constant spread and diffusion of Jamaican culture in Ethiopia. This is reinforced by the universalistic appeal of Rastafarianism and Reggae music and their ability to transcend borders. The data gathered here focus on how an Anglophone-based Creole has developed new speech-forms and has been hybridized and cross-fertilized in contact situations and by new media sources. The book focuses on the use of Jamaican English in four particular domains: namely, school, street, family, and the music studio. Its findings are drawn from an exceptional range of sources, such as field-work and video-recordings, interviews, web-mediated communication, artistic performance and relevant transcriptions. These sources highlight five topics of relevance—language acquisition and choice; English and Jamaican speech forms; hegemonic and minority groups, Rastafarian culture and Reggae music—which are explored in further detail throughout the book. These salient features, in turn, interface with the dynamics of influencing factors, reinforcing circumstances, significance and change. The book represents a journey to the “extreme-outer circle” of English language use, following a circular route away from Africa and back again, with all the languages used (and lost) along the slavery route and inside the plantation complex developing into creolized speech forms and Creoles. Such language use is now making its way back to Africa, with all the incendiary creativity of Reggae and resonant with Rastafarian language.
Author: Sonjah Stanley Niaah
Publisher:
ISBN: 9789766407506
Category :
Languages : en
Pages :
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Book Description
Dancehall: A Reader on Jamaican Music and Culture contextualizes the emergence of the globally popular dancehall genre, while tracing the complex and often contradictory aspects of its evolution, dispersion and politics. This collection of foundational essays places dancehall in context with cutting-edge analyses of performance modes and expression, genre development, and impact in the wider local, regional and international socio-political milieu of struggles by black Jamaicans in particular and cultural adherents more broadly. Dancehall is one of eight musical genres created in Jamaica and, in the past two decades, it has become one of the most influential Jamaican cultural exports since reggae. The impact of dancehall extends far beyond Jamaica and is evident in music genres (such as hip hop, trip hop, jungle, reggaeton, South African kwaito and Nigerian Afrobeats) and international fashion, film and dance. This interdisciplinary volume documents various aspects of dancehall's global impact, evolution and influence in gender, political economy, geography, ethnomusicology, spirituality, music production, fashion and language. Each selection interrogates the range of meanings ascribed to dancehall culture, a phenomenon which has been seen to be associated with violence, crime and debauchery. This collection exposes the immense cultural work towards self-expression and identity in post-colonial Jamaica which takes shape through dancehall and the contributors apply a new level of seriousness, depth and academic rigour to dancehall studies.
