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Author: Sarah E. Betzer
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Art
Languages : en
Pages : 332
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Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Author: Sarah E. Betzer
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Art
Languages : en
Pages : 332
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Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author: Susan L. Siegfried
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative - in his classical literary, historical, and religious subjects - was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.
![Ingres, 1780-1867 [par] Francis Jourdain PDF](https://books.google.com/books/content/images/frontcover/QgOCvAEACAAJ?fife=w80-h100)
Author: Jean-Auguste-Dominique Ingres
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Author: Louis-Antoine Prat
Publisher: 5Continents
ISBN: 9788874390991
Category : Art
Languages : en
Pages : 0
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Book Description
The fourth book of the Drawing Gallery Series is devoted to Jean-Auguste-Dominique Ingres (1780-1867). Considered one of the greatest French draughtsmen of all time, the artist left thousands of preparatory drawings for his paintings, along with an incomparable series of almost five hundred graphite portraits that have always been deemed the highest expression of his genius. The Louvre collection offers excellent examples of these two aspects of Ingres' graphic activity; each work is accompanied by a brief comment.
Author: Jean-Auguste-Dominique Ingres
Publisher: Courier Corporation
ISBN: 9780486276212
Category : Art
Languages : en
Pages : 54
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Book Description
Ingres’ portrait drawings rank among the art’s supreme achievements, exhibiting the artist’s brilliant draftsmanship and rare ability to capture character and personal style. This splendid volume presents Ingres portraits of many affluent and distinguished men and women of his age, among them the celebrated French composer Charles Gounod. Sources include the Louvre Museum, the Metropolitan Museum of Art and the Pierpont Morgan Library.
Author: Art Institute of Chicago
Publisher:
ISBN: 9780300166262
Category : Art
Languages : en
Pages : 0
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Book Description
Published in conjunction with an exhibition organized by and presented at The Art Institute of Chicago, Sept. 25, 2010-Jan. 2, 2011.
Author: Andrew Carrington Shelton
Publisher: Cambridge University Press
ISBN: 9780521842433
Category : Art
Languages : en
Pages : 340
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Book Description
This book examines the critical writing and journalistic reportage on Jean-Auguste-Dominque Ingres, from the time of his renunciation of the Salon in1834 until his large retrospective at the 1855 Universal Exposition, the crucial middle decades of his career. This massive body of writing demonstrates how Ingres shaped his career in the rapidly evolving art world of mid-nineteenth century Paris. Enjoying the benefits of his affiliation with the Academy, the artist also employed certain modes of presentation, most notably the single-artist exhibition and illustrated monograph, through which he distanced himself and his work from the embattled world of artistic officialdom.
Author: Allison Deutsch
Publisher: Penn State Press
ISBN: 0271089938
Category : Art
Languages : en
Pages : 412
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Book Description
In Consuming Painting, Allison Deutsch challenges the pervasive view that Impressionism was above all about visual experience. Focusing on the language of food and consumption as they were used by such prominent critics as Baudelaire and Zola, she writes new histories for familiar works by Manet, Monet, Caillebotte, and Pissarro and creates fresh possibilities for experiencing and interpreting them. Examining the culinary metaphors that the most influential critics used to express their attraction or disgust toward painting, Deutsch rethinks French modern-life painting in relation to the visceral reactions that these works evoked in their earliest publics. Writers posed viewing as analogous to ingestion and used comparisons to food to describe the appearance of paint and the painter’s process. The food metaphors they chose were aligned with specific female types, such as red meat for sexualized female flesh, confections for fashionably made-up women, and hearty vegetables for agricultural laborers. These culinary figures of speech, Deutsch argues, provide important insights into both the fabrication of the feminine and the construction of masculinity in nineteenth-century France. Consuming Painting exposes the social politics at stake in the deeply gendered metaphors of sense and sensation. Original and convincing, Consuming Painting upends traditional narratives of the sensory reception of modern painting. This trailblazing book is essential reading for specialists in nineteenth-century art and criticism, gender studies, and modernism.
Author: Kehinde Wiley
Publisher: powerHouse Books
ISBN: 9781576874868
Category : Photography
Languages : en
Pages : 0
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Book Description
Kehinde Wiley painted President Obama's official portrait and this is an early book from him documenting his extraordinary talents. "For most of Kehinde Wiley's very successful career, he has created large, vibrant, highly patterned paintings of young African American men wearing the latest in hip hop street fashion. The theatrical poses and objects in the portraits are based on well-known images of powerful figures drawn from seventeenth- through nineteenth-century Western art. Pictorially, Wiley gives the authority of those historical sitters to his twenty-first-century subjects." -National Portrait Gallery "My intention is to craft a world picture that isn't involved in political correctives or visions of utopia. It's more of a perpetual play with the language of desire and power." -Kehinde Wiley "Wiley inserts black males into a painting tradition that has typically omitted them or relegated them to peripheral positions. At the same time, he critiques contemporary portrayals of black masculinity itself.... He systematically takes a 'pedestrian' encounter with African-American men, elevates it to heroic scale, and reveals-through subtle formal alterations-that postures of power can sometimes be seen as just that, a pose." -Art in America Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history's portrait painting tradition. As a contemporary descendent of a long line of portraitists-including Reynolds, Gainsborough, Titian, Ingres, and others-Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world. By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, imbuing his images with ambiguity and provocative perplexity. In Black Light, his first monograph, Wiley's larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. The models are dressed in their everyday clothing, most of which is based on far-reaching Western ideals of style, and are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. This juxtaposition of the "old" inherited by the "new"-who often have no visual inheritance of which to speak-immediately provides a discourse that is at once visceral and cerebral in scope. Without shying away from the socio-political histories relevant to the subjects, Wiley's heroic images exhibit a unique modern style that awakens complex issues which many would prefer remain mute.
