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Author: David Bentley Hart
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829214
Category : Philosophy
Languages : en
Pages : 468
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Book Description
The Beauty of the Infinite is a splendid extended essay in "theological aesthetics." David Bentley Hart here meditates on the power of a Christian understanding of beauty and sublimity to rise above the violence -- both philosophical and literal -- characteristic of the postmodern world. The book begins by tracing the shifting use and nature of metaphysics in the thought of Kant, Hegel, Nietzsche, Heidegger, Lyotard, Derrida, Deleuze, Nancy, Levinas, and others. Hart pays special attention to Nietzsche's famous narrative of the "will to power" -- a narrative largely adopted by the world today -- and he offers an engaging revision (though not rejection) of the genealogy of nihilism, thereby highlighting the significant "interruption" that Christian thought introduced into the history of metaphysics. This discussion sets the stage for a retrieval of the classic Christian account of beauty and sublimity, and of the relation of both to the question of being. Written in the form of a dogmatica minora, this main section of the book offers a pointed reading of the Christian story in four moments, or parts: Trinity, creation, salvation, and eschaton. Through a combination of narrative and argument throughout, Hart ends up demonstrating the power of Christian metaphysics not only to withstand the critiques of modern and postmodern thought but also to move well beyond them. Strikingly original and deeply rewarding, The Beauty of the Infinite is both a constructively critical account of the history of metaphysics and a compelling contribution to it.
Author: David Bentley Hart
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829214
Category : Philosophy
Languages : en
Pages : 468
Get Book Here
Book Description
The Beauty of the Infinite is a splendid extended essay in "theological aesthetics." David Bentley Hart here meditates on the power of a Christian understanding of beauty and sublimity to rise above the violence -- both philosophical and literal -- characteristic of the postmodern world. The book begins by tracing the shifting use and nature of metaphysics in the thought of Kant, Hegel, Nietzsche, Heidegger, Lyotard, Derrida, Deleuze, Nancy, Levinas, and others. Hart pays special attention to Nietzsche's famous narrative of the "will to power" -- a narrative largely adopted by the world today -- and he offers an engaging revision (though not rejection) of the genealogy of nihilism, thereby highlighting the significant "interruption" that Christian thought introduced into the history of metaphysics. This discussion sets the stage for a retrieval of the classic Christian account of beauty and sublimity, and of the relation of both to the question of being. Written in the form of a dogmatica minora, this main section of the book offers a pointed reading of the Christian story in four moments, or parts: Trinity, creation, salvation, and eschaton. Through a combination of narrative and argument throughout, Hart ends up demonstrating the power of Christian metaphysics not only to withstand the critiques of modern and postmodern thought but also to move well beyond them. Strikingly original and deeply rewarding, The Beauty of the Infinite is both a constructively critical account of the history of metaphysics and a compelling contribution to it.
Author: Kip K. Sewell
Publisher: Rond Books
ISBN:
Category : Philosophy
Languages : en
Pages : 828
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Book Description
INFINITY IS NOT WHAT IT SEEMS… Infinity is commonly assumed to be a logical concept, reliable for conducting mathematics, describing the Universe, and understanding the divine. Most of us are educated to take for granted that there exist infinite sets of numbers, that lines contain an infinite number of points, that space is infinite in expanse, that time has an infinite succession of events, that possibilities are infinite in quantity, and over half of the world’s population believes in a divine Creator infinite in knowledge, power, and benevolence. According to this treatise, such assumptions are mistaken. In reality, to be is to be finite. The implications of this assessment are profound: the Universe and even God must necessarily be finite. The author makes a compelling case against infinity, refuting its most prominent advocates. Any defense of the infinite will find it challenging to answer the arguments laid out in this book. But regardless of the reader’s position, Forever Finite offers plenty of thought-provoking material for anyone interested in the subject of infinity from the perspectives of philosophy, mathematics, science, and theology.
Author: John Brown
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
Author: William Angus Knight
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 314
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Book Description
Author: Bishop Strain
Publisher: BoD – Books on Demand
ISBN: 3382136872
Category : Fiction
Languages : en
Pages : 469
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Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3382178001
Category : Fiction
Languages : en
Pages : 470
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Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Fyodor Dostoevsky
Publisher: Vintage
ISBN: 0553901893
Category : Fiction
Languages : en
Pages : 656
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Book Description
Richard Pevear and Larissa Volokhonsky’s masterful translation of The Idiot is destined to stand with their versions of Crime and Punishment, The Brothers Karamazov, and Demons as the definitive Dostoevsky in English. After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this “positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature.
Author: Elizabeth Dalton
Publisher: Princeton University Press
ISBN: 1400867991
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Arguing that psychoanalytic method enlarges and enriches the significance of literature by discovering a fundamental unconscious structure governing meaning and form in the literary text, Elizabeth Dalton presents both a new and lucid reformulation of the theory of psychoanalytic criticism and a penetrating study of Dostoevsky's great novel, The Idiot. In answering the objections to psychoanalytic criticism, she contends that the method—if properly understood—can be used without falling into reductionism and without recourse to the author's biography. She then deals with such crucial issues as the connections between dreams and literary creation, the role of repression in art, the relationship between creativity and psychopathology, and the unconscious aspects of language. Demonstrating this approach in a radical and comprehensive interpretation of Dostoevsky's novel, the author shows how the enigmatic character of Prince Myshkin, his epilepsy, his mystical insights, his love of Nastasya, and his mysterious involvement with her murderer are all related in a complex pattern of unconscious conflict and fantasy derived from the most primitive and powerful motifs of psychic life. Professor Dalton's pursuit of unconscious connections into virtually every detail of the novel, accounting for subplots, minor characters, and even for the puzzling flaws in the narrative, fully establishes the importance of psychoanalysis for the study of literature. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: N M Lary
Publisher: Routledge
ISBN: 1134544626
Category : Literary Collections
Languages : en
Pages : 165
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Book Description
What did Dickens mean to Dostoevsky, and what did the Russian writer owe to England’s greatest entertainer? Many of Dickens’ readers, including George Gissing and Edmund Wilson, have recognized that his achievement needs to be compared with Dostoevsky’s, and they have suspected, or assumed an influence. N M Lary’s book shows what the literary influence really or probably was.
Author: John K. LaShell
Publisher: CLC Publications
ISBN: 1936143275
Category : Religion
Languages : en
Pages : 274
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Book Description
You may be hostile to the God of the Bible—or maybe you’re a dutiful Christian whose faith is dry and stale. Dr. John K. LaShell draws on Jonathan Edwards to explain the beauty of God. He writes for two kinds of readers: those who suspect God is unlovely, and those who want to love Him more.
