Indiewood, USA PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Indiewood, USA PDF full book. Access full book title Indiewood, USA by Geoff King. Download full books in PDF and EPUB format.
Author: Geoff King
Publisher: I.B. Tauris
ISBN:
Category : Art
Languages : en
Pages : 308
Get Book Here
Book Description
From the stylized violence of 'Kill Bill', to the mind-bending scripts of Charlie Kaufman, 'Indiewood, USA' provides an overview of the crossover between Hollywood and the American independent filmmaking industries.
Author: Geoff King
Publisher: I.B. Tauris
ISBN:
Category : Art
Languages : en
Pages : 308
Get Book Here
Book Description
From the stylized violence of 'Kill Bill', to the mind-bending scripts of Charlie Kaufman, 'Indiewood, USA' provides an overview of the crossover between Hollywood and the American independent filmmaking industries.
Author: Geoff King
Publisher: Bloomsbury Publishing
ISBN: 0857737333
Category : Performing Arts
Languages : en
Pages : 333
Get Book Here
Book Description
The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231144652
Category : Business & Economics
Languages : en
Pages : 314
Get Book Here
Book Description
By locating the American indie in the historical context of the Sundance-Miramax era, the author considers indie cinema as an alternative American film culture.
Author: Alisa Perren
Publisher: University of Texas Press
ISBN: 0292742878
Category : Performing Arts
Languages : en
Pages : 321
Get Book Here
Book Description
During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products.
Author: P. Kunze
Publisher: Springer
ISBN: 1137403128
Category : Performing Arts
Languages : en
Pages : 223
Get Book Here
Book Description
Wes Anderson's films can be divisive, but he is widely recognized as the inspiration for several recent trends in indie films. Using both practical and theoretical lenses, the contributors address and explain the recurring stylistic techniques, motifs, and themes that dominate Anderson's films and have had such an impact on current filmmaking.
Author: Claire Perkins
Publisher: Edinburgh University Press
ISBN: 0748692452
Category : Performing Arts
Languages : en
Pages : 240
Get Book Here
Book Description
"Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films including All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus' Son, Old Joy, Primer and You Can Count on Me, leading cinema scholars consider how notions of indie practice, poetics and politics can be opened up to account for a larger body of work than the dominant canon admits. With particular attention to female directors, this innovative and comprehensive book explores the central tenets of indie scholarship while simultaneously emphasising the classifying processes that can limit it."--Quatrième de couverture.
Author: Bloomsbury Publishing
Publisher: Bloomsbury Publishing
ISBN: 1838718680
Category : Performing Arts
Languages : en
Pages : 1812
Get Book Here
Book Description
The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
Author: Peter Krämer
Publisher: Routledge
ISBN: 0429603231
Category : Social Science
Languages : en
Pages : 303
Get Book Here
Book Description
Established in 1919 by Hollywood's top talent United Artists has had an illustrious history, from Hollywood minor to industry leader to a second-tier media company in the shadow of MGM. This edited collection brings together leading film historians to examine key aspects of United Artists' centennial history from its origins to the sometimes chaotic developments of the last four decades. The focus is on several key executives – ranging from Joseph Schenck to Paula Wagner and Tom Cruise – and on many of the people making films for United Artists, including Gloria Swanson, David O. Selznick, Kirk Douglas, the Mirisch brothers and Woody Allen. Drawing on a wide range of primary sources, individual case studies explore the mutually supportive but also in places highly contentious relationships between United Artists and its producers, the difficult balance between artistic and commercial objectives, and the resulting hits and misses (among them The General, the Pink Panther franchise, Heaven’s Gate, Cruising, and Hot Tub Time Machine). The second volume in the Routledge Hollywood Centenary series, United Artists is a fascinating and comprehensive study of the firm’s history and legacy, perfect for students and researchers of cinema and film history, media industries, and Hollywood.
Author: Kim Wilkins
Publisher: Edinburgh University Press
ISBN: 1474447635
Category : Performing Arts
Languages : en
Pages : 264
Get Book Here
Book Description
This book looks at Spike Jonze's ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions
Author: Andrew deWaard
Publisher: Univ of California Press
ISBN: 0520392477
Category : Business & Economics
Languages : en
Pages : 300
Get Book Here
Book Description
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Sequels, reboots, franchises, and songs that remake old songs—does it feel like everything new in popular culture is just derivative of something old? Contrary to popular belief, the reason is not audiences or marketing, but Wall Street. In this book, Andrew deWaard shows how the financial sector is dismantling the creative capacity of cultural industries by upwardly redistributing wealth, consolidating corporate media, harming creative labor, and restricting our collective media culture. Moreover, financialization is transforming the very character of our mediascapes for branded transactions. Our media are increasingly shaped by the profit-extraction techniques of hedge funds, asset managers, venture capitalists, private equity firms, and derivatives traders. Illustrated with examples drawn from popular culture, Derivative Media offers readers the critical financial literacy necessary to understand the destructive financialization of film, television, and popular music—and provides a plan to reverse this dire threat to culture.
