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Author: Jeff Gomez
Publisher: McFarland
ISBN: 1476649197
Category : Music
Languages : en
Pages : 213
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Book Description
Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).
Author: Jeff Gomez
Publisher: McFarland
ISBN: 1476649197
Category : Music
Languages : en
Pages : 213
Get Book Here
Book Description
Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative. It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs).
Author:
Publisher:
ISBN: 9780951720691
Category : Alternative rock music
Languages : en
Pages : 0
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Book Description
The first and only complete guide to the first decade of Britain's independent record charts, and to the acts, the music and the labels which made up the indie scene of the 1980s is now back in print. Every artist, single and album to have made the Indie Charts, including Depeche Mode, Joy Division, The Smiths, New Order, Stone Roses, Erasure and Happy Mondays is recorded in detail. Also included: complete indexes of single and album titles; an authoritative history; a host of facts and trivia, plus tons of photos!
Author: Lizzy Goodman
Publisher: HarperCollins
ISBN: 0062233122
Category : Music
Languages : en
Pages : 640
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Book Description
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
Author: Dr Matthew Bannister
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493741
Category : Music
Languages : en
Pages : 240
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Book Description
To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 149502279X
Category : Music
Languages : en
Pages : 325
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Book Description
(Piano/Vocal/Guitar Songbook). 25 classics from the indie rock genre arranged for piano, voice and guitar. Includes: Barely Legal (The Strokes) * Buddy Holly (Weezer) * Do I Wanna Know? (Arctic Monkeys) * Gold on the Ceiling (The Black Keys) * Loser (Beck) * Money Grabber (Fitz and the Tantrums) * Radioactive (Imagine Dragons) * Sex on Fire (Kings of Leon) * Somebody Told Me (The Killers) * You Don't Know Me (Ben Folds) * and more.
Author: Peter Biskind
Publisher: Simon and Schuster
ISBN: 9780684862583
Category : Performing Arts
Languages : en
Pages : 572
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Book Description
In the late 1980s a generation of filmmakers inspired by the directors of the 1970s began to flower outside the studio system. In the following decade, the independent movement bloomed. In this volume Biskind tells the story of these filmmakers and the independent distributors.
Author: Dave Thompson
Publisher: Hal Leonard Corporation
ISBN: 9780879306076
Category : Music
Languages : en
Pages : 852
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Book Description
Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs.
Author: Tim Thornton
Publisher: Vintage
ISBN: 0307272362
Category : Fiction
Languages : en
Pages : 418
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Book Description
In this comic, wildly energetic first novel, Clive Beresford is a failed music fanzine writer in his early thirties who fears that his best days are behind him. The turning point came when Lance Webster, the lead singer of Thieving Magpies, the band that Clive is obsessed with, self-destructed on stage right before his eyes. Years later, Clive has discovered that Lance has moved in down the block. Desperate to meet him, but more desperately nervous, Clive concocts an ill-advised, alcohol-fueled scheme to befriend Lance and land an “earth-shattering exclusive” interview that will revive both their careers. With the story shifting between Clive’s life-changing Magpies past and his frantic present, Tim Thornton has written a warmhearted, uproarious view of friendship, hero worship, and the full-blast power of music.
Author: Sherry B. Ortner
Publisher: Duke University Press
ISBN: 0822354268
Category : Social Science
Languages : en
Pages : 349
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Book Description
The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Author: Yannis Tzioumakis
Publisher: Edinburgh University Press
ISBN: 074866453X
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Hollywood's Indies offers an in depth examination of the phenomenon of the classics divisions by tracing its history since the establishment of the first specialty label in 1980.
