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Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231513526
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231513526
Category : Performing Arts
Languages : en
Pages : 421
Get Book Here
Book Description
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
Author: Matthew Nies
Publisher: Wipf and Stock Publishers
ISBN:
Category : Fiction
Languages : en
Pages : 227
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Book Description
Notorious outlaw Indie Caloo's revenge plans for his mutinous gang find unexpected resolutions as he tries to stay a step ahead of the law, including his ex-fiance and an ex-slave-turned-lawman in pursuit of true justice.
Author: Geoff King
Publisher: John Wiley & Sons
ISBN: 1118758323
Category : Performing Arts
Languages : en
Pages : 542
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Book Description
A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field
Author: Andrew Earles
Publisher: Voyageur Press (MN)
ISBN: 0760346488
Category : History
Languages : en
Pages : 403
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Book Description
"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--
Author: David Wind
Publisher: ColSaw Publications / DMW
ISBN: 1733949518
Category : Language Arts & Disciplines
Languages : en
Pages : 131
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Book Description
Succeed as a Professional Writer, outside of the Traditional Publishing World by having the right guide: that is your best chance for survival... And this is your guide!. ----A step by step guide for Professional Indie Writers and authors, from final draft to publication and launch marketing. This handbook covers publishing / Self-Publishing, editing, cover, and design resources dedicated to moving writers out of the "self-Publishing" associated with vanity presses and into the world of professional Indie writing--the world of Independently self-published authors — Florida Authors and Publishers Association, HOW-TO Book of the Year: Bronze Medallion — A B.R.A.G. MEDALLION HONOREE .... With a Foreword by Mel Jolly! --David Wind is a Hybrid author with 40 books of fiction published both Traditionally and Independently. He is a member of the Authors Guild, The Mystery Writers of America, The Science Fiction and Fantasy Writers of America, and Novelists Inc, and is the President of the Florida Chapter of the MWA for 2020. TAGS: Writing Skills, Indie Writing, Self-publishing guides. publishing guides, Book Publishing Industry, Independent Writing, independent Publishing, self Publishing, Creativity Self-Help, Publishing & Books, Media & Communications Industry, Fiction Writing Reference, Writing Skill Reference, Web Marketing, Business Writing Skill, Writing Skills in Advertising, Nonfiction Writing Reference, Genre Fiction Writing Reference, Education Research, Writing Skills in Advertising
Author: Alexander Styhre
Publisher: Springer Nature
ISBN: 3030455459
Category : Business & Economics
Languages : en
Pages : 252
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Book Description
This book presents a study of so-called indie video game developers that are widely regarded as the creative and innovative fringe of the video game industry. The video game industry is an exemplary entrepreneurial high growth industry that combines digital media, cinematographic representations and interactive gaming technologies, and uses global digital distribution channels to reach local gaming communities. The study examines a number of issues, concerns, challenges, and opportunities that indie developers are handling as part of their development work. The love of gaming and video games more specifically is the shared and unifying force of both so-called Triple-A developers and the indie developer community. Still, issues such as how to raise financial capital or otherwise fund the development work, or how to optimize the return on investment when video games are released on digital platforms are issues that indie developers need to cope with. The study is theoretically framed as a case of an innovation-led sector of the economy, yet being anchored in the Swedish welfare state model, wherein e.g., free tertiary education and social insurances and health case at low cost are provided and supportive of enterprising. This book will be valuable reading for academics working in the fields of knowledge management, innovation, and the creative economy.
Author: Maria Johnsen
Publisher: Maria Johnsen
ISBN:
Category : Fiction
Languages : en
Pages : 253
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Book Description
In my book 'Indie Film Marketing: Global Audience Strategies' I share tried and true methods for indie filmmakers to master the art of multilingual film promotion. With my passion for storytelling and many years experience in multilingual digital marketing and helping major player clients around the world and my own films, I reveal strategies to connect with audiences beyond the studio system. In today's digital era, the internet and social media offer powerful tools for indie filmmakers. Learn to navigate cyberspace, build engaging websites, and create compelling content to build a devoted community. Discover the power of multilingual film marketing, data-driven insights, and clickable ad campaigns. But remember, successful film marketing is about authenticity. Infuse your efforts with the passion that went into making the film to forge genuine connections. Embrace new tools and stay agile in the fast-paced world of digital marketing. Let’s leave no stone unturned in making our films go viral on global level. Ultimately, filmmaking and marketing are about touching hearts and minds. Let's embrace creativity and technology to craft unforgettable films and showcase them to the world. With case studies and a cinematic adventure, grab your director's chair and keyboard as we embark on this journey together!
Author: Dr Matthew Bannister
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493741
Category : Music
Languages : en
Pages : 240
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Book Description
To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.
Author: Jade C. Jamison
Publisher: Jade C. Jamison
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 58
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Book Description
“My first thought when I finished reading was ‘Where the hell was this book when I jumped into self-publishing?’ I love the no-nonsense style that pulls no punches and keeps you interested. If you are thinking about self-publishing (or even going the traditional route) you should read this book before you hit publish.” – L.A. Remenicky, author of SAVING CASSIE Throughout her life, Amazon Bestselling author Jade C. Jamison has worn many hats. One of the most noteworthy is her ongoing gig as a college instructor (focused mostly on writing—both academic and creative writing classes) which, paired with her career as a successful indie author, gives her the delusion that she is qualified to help other indie/self-publishing (and aspiring) authors become the best writers they can be. Jamison loves that indie publishing has opened the door to literally thousands of would-be authors, allowing them to share their creations with the world. In a realm that was previously shut off to a good many writers unless they could get their works through all the gatekeepers, most writers languished in obscurity or indulged in expensive self-publishing ventures and still failed to be read widely. Electronic publishing has changed all that, has, in fact, changed the face of publishing as we once knew it, revolutionizing reading almost as much as Gutenberg’s press hundreds of years ago. The publishing process today is democratic, in that anyone with a little know-how can make his book available to the world—and readers, not publishers, decide whose book will be the next bestseller. But, says Jamison, with great freedom comes even greater responsibility. In the traditional publishing world that still exists today, authors have editors scouring their manuscripts, offering corrections and forcing edits, most of which are designed to make the work better in some way, creating tighter writing and better pacing, making the manuscript error free, and other beneficial changes that happen to a book undergoing the traditional experience. Some indie writers follow their cue and take the effort to invest in their work by hiring an editor and continually improving their writing, yet there are literally hundreds (perhaps thousands or millions!) of indie books available today that, in the author’s opinion, aren’t publication ready. Jamison taught creative writing and composition classes for years. The underlying premise of this book is that every single story deserves to be told and read but writers should (and likely do) want their books to be the best they can be. This book delves into common indie publishing mistakes—errors that should be viewed as no-nos—and how to fix them. Jamison’s experience in the classroom with hundreds of student writers, as well as the years she has been involved in both indie and traditional publishing arenas, has given her a unique vantage point, and she wants to share her observations—as well as teach a few tips and tricks—with others in the writing world.
Author: Mike Rose
Publisher: CRC Press
ISBN: 1466503173
Category : Computers
Languages : en
Pages : 278
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Book Description
This book is a guide to the expanding world of indie gaming. It helps readers to understand why indie games are so important to so many people in the entertainment industry. The book covers puzzlers, platformers, beat 'em ups, shoot 'em ups, role-playing, and strategy.
